She pushed back the sliding door a few inches—and stopped in momentary alarm. When the admiral had closed it in her presence that day, she had heard no noise. When old Mazey had opened it to show her the rooms in the east wing, she had heard no noise. Now, in the night silence, she noticed for the first time that the door made a sound—a dull, rushing sound, like the wind.
She roused herself, and pushed it further back—pushed it halfway into the hollow chamber in the wall constructed to receive it. She advanced boldly into the gap, and met the night view of the Banqueting-Hall face to face.
The moon was rounding the southern side of the house. Her paling beams streamed through the nearer windows, and lay in long strips of slanting light on the marble pavement of the Hall. The black shadows of the pediments between each window, alternating with the strips of light, heightened the wan glare of the moonshine on the floor. Toward its lower end, the Hall melted mysteriously into darkness. The ceiling was lost to view; the yawning fire-place, the overhanging mantel-piece, the long row of battle pictures above, were all swallowed up in night. But one visible object was discernible, besides the gleaming windows and the moon-striped floor. Midway in the last and furthest of the strips of light, the tripod rose erect on its gaunt black legs, like a monster called to life by the moon—a monster rising through the light, and melting invisibly into the upper shadows of the Hall. Far and near, all sound lay dead, drowned in the stagnant cold. The soothing hush of night was awful here. The deep abysses of darkness hid abysses of silence more immeasurable still.
She stood motionless in the door-way, with straining eyes, with straining ears. She looked for some moving thing, she listened for some rising sound, and looked and listened in vain. A quick ceaseless shivering ran through her from head to foot. The shivering of fear, or the shivering of cold? The bare doubt roused her resolute will. 'Now,' she thought, advancing a step through the door-way, 'or never! I'll count the strips of moonlight three times over, and cross the Hall.'
'One, two, three, four, five. One, two, three, four, five. One, two, three, four, five.'
As the final number passed her lips at the third time of counting, she crossed the Hall. Looking for nothing, listening for nothing, one hand holding the candle, the other mechanically grasping the folds of her dress, she sped, ghost-like, down the length of the ghostly place. She reached the door of the first of the eastern rooms, opened it, and ran in. The sudden relief of attaining a refuge, the sudden entrance into a new atmosphere, overpowered her for the moment. She had just time to put the candle safely on a table before she dropped giddy and breathless into the nearest chair.
Little by little she felt the rest quieting her. In a few minutes she became conscious of the triumph of having won her way to the east rooms. In a few minutes she was strong enough to rise from the chair, to take the keys from her pocket, and to look round her.
The first objects of furniture in the room which attracted her attention were an old bureau of carved oak, and a heavy buhl table with a cabinet attached. She tried the bureau first; it looked the likeliest receptacle for papers of the two. Three of the keys proved to be of a size to enter the lock, but none of them would turn it. The bureau was unassailable. She left it, and paused to trim the wick of the candle before she tried the buhl cabinet next.
At the moment when she raised her hand to the candle, she heard the stillness of the Banqueting-Hall shudder with the terror of a sound—a sound faint and momentary, like the distant rushing of the wind.
The sliding door in the drawing-room had moved.
Which way had it moved? Had an unknown hand pushed it back in its socket further than she had pushed it, or pulled it to again, and closed it? The horror of being shut out all night, by some undiscoverable agency, from the life of the house, was stronger in her than the horror of looking across the Banqueting-Hall. She made desperately for the door of the room.
It had fallen to silently after her when she had come in, but it was not closed. She pulled it open, and looked.
The sight that met her eyes rooted her, panic-stricken, to the spot.
Close to the first of the row of windows, counting from the drawing-room, and full in the gleam of it, she saw a solitary figure. It stood motionless, rising out of the furthest strip of moonlight on the floor. As she looked, it suddenly disappeared. In another instant she saw it again, in the second strip of moonlight—lost it again—saw it in the third strip—lost it once more—and saw it in the fourth. Moment by moment it advanced, now mysteriously lost in the shadow, now suddenly visible again in the light, until it reached the fifth and nearest strip of moonlight. There it paused, and strayed aside slowly to the middle of the Hall. It stopped at the tripod, and stood, shivering audibly in the silence, with its hands raised over the dead ashes, in the action of warming them at a fire. It turned back again, moving down the path of the moonlight, stopped at the fifth window, turned once more, and came on softly through the shadow straight to the place where Magdalen stood.
Her voice was dumb, her will was helpless. Every sense in her but the seeing sense was paralyzed. The seeing sense—held fast in the fetters of its own terror—looked unchangeably straightforward, as it had looked from the first. There she stood in the door-way, full in the path of the figure advancing on her through the shadow, nearer and nearer, step by step.
It came close.
The bonds of horror that held her burst asunder when it was within arm's-length. She started back. The light of the candle on the table fell full on its face, and showed her—Admiral Bartram.
A long, gray dressing-gown was wrapped round him. His head was uncovered; his feet were bare. In his left hand he carried his little basket of keys. He passed Magdalen slowly, his lips whispering without intermission, his open eyes staring straight before him with the glassy stare of death. His eyes revealed to her the terrifying truth. He was walking in his sleep.
The terror of seeing him as she saw him now was not the terror she had felt when her eyes first lighted on him—an apparition in the moon-light, a specter in the ghostly Hall. This time she could struggle against the shock; she could feel the depth of her own fear.
He passed her, and stopped in the middle of the room. Magdalen ventured near enough to him to be within reach of his voice as he muttered to himself. She ventured nearer still, and heard the name of her dead husband fall distinctly from the sleep-walker's lips.
'Noel!' he said, in the low monotonous tones of a dreamer talking in his sleep, 'my good fellow, Noel, take it back again! It worries me day and night. I don't know where it's safe; I don't know where to put it. Take it back, Noel—take it back!'
As those words escaped him, he walked to the buhl cabinet. He sat down in the chair placed before it, and searched in the basket among his keys. Magdalen softly followed him, and stood behind his chair, waiting with the candle in her hand. He found the key, and unlocked the cabinet. Without an instant's hesitation, he drew out a
