person appears in it. Let the end come as it may, here I am ready to profit by it: here I am, facing both ways, with perfect ease and security—a moral agriculturist, with his eye on two crops at once, and his swindler's sickle ready for any emergency.
For the next week to come, the newspaper will be more interesting to me than ever. I wonder which side I shall eventually belong to?
THE THIRD SCENE.
VAUXHALL WALK, LAMBETH.
CHAPTER I.
THE old Archiepiscopal Palace of Lambeth, on the southern bank of the Thames—with its Bishop's Walk and Garden, and its terrace fronting the river—is an architectural relic of the London of former times, precious to all lovers of the picturesque, in the utilitarian London of the present day. Southward of this venerable structure lies the street labyrinth of Lambeth; and nearly midway, in that part of the maze of houses which is placed nearest to the river, runs the dingy double row of buildings now, as in former days, known by the name of Vauxhall Walk.
The network of dismal streets stretching over the surrounding neighborhood contains a population for the most part of the poorer order. In the thoroughfares where shops abound, the sordid struggle with poverty shows itself unreservedly on the filthy pavement; gathers its forces through the week; and, strengthening to a tumult on Saturday night, sees the Sunday morning dawn in murky gaslight. Miserable women, whose faces never smile, haunt the butchers' shops in such London localities as these, with relics of the men's wages saved from the public- house clutched fast in their hands, with eyes that devour the meat they dare not buy, with eager fingers that touch it covetously, as the fingers of their richer sisters touch a precious stone. In this district, as in other districts remote from the wealthy quarters of the metropolis, the hideous London vagabond—with the filth of the street outmatched in his speech, with the mud of the street outdirtied in his clothes—lounges, lowering and brutal, at the street corner and the gin-shop door; the public disgrace of his country, the unheeded warning of social troubles that are yet to come. Here, the loud self-assertion of Modern Progress—which has reformed so much in manners, and altered so little in men—meets the flat contradiction that scatters its pretensions to the winds. Here, while the national prosperity feasts, like another Belshazzar, on the spectacle of its own magnificence, is the Writing on the Wall, which warns the monarch, Money, that his glory is weighed in the balance, and his power found wanting.
Situated in such a neighborhood as this, Vauxhall Walk gains by comparison, and establishes claims to respectability which no impartial observation can fail to recognize. A large proportion of the Walk is still composed of private houses. In the scattered situations where shops appear, those shops are not besieged by the crowds of more populous thoroughfares. Commerce is not turbulent, nor is the public consumer besieged by loud invitations to 'buy.' Bird-fanciers have sought the congenial tranquillity of the scene; and pigeons coo, and canaries twitter, in Vauxhall Walk. Second-hand carts and cabs, bedsteads of a certain age, detached carriage-wheels for those who may want one to make up a set, are all to be found here in the same repository. One tributary stream, in the great flood of gas which illuminates London, tracks its parent source to Works established in this locality. Here the followers of John Wesley have set up a temple, built before the period of Methodist conversion to the principles of architectural religion. And here—most striking object of all—on the site where thousands of lights once sparkled; where sweet sounds of music made night tuneful till morning dawned; where the beauty and fashion of London feasted and danced through the summer seasons of a century—spreads, at this day, an awful wilderness of mud and rubbish; the deserted dead body of Vauxhall Gardens mouldering in the open air.
On the same day when Captain Wragge completed the last entry in his Chronicle of Events, a woman appeared at the window of one of the houses in Vauxhall Walk, and removed from the glass a printed paper which had been wafered to it announcing that Apartments were to be let. The apartments consisted of two rooms on the first floor. They had just been taken for a week certain by two ladies who had paid in advance—those two ladies being Magdalen and Mrs. Wragge.
As soon as the mistress of the house had left the room, Magdalen walked to the window, and cautiously looked out from it at the row of buildings opposite. They were of superior pretensions in size and appearance to the other houses in the Walk: the date at which they had been erected was inscribed on one of them, and was stated to be the year 1759. They stood back from the pavement, separated from it by little strips of garden-ground. This peculiarity of position, added to the breadth of the roadway interposing between them and the smaller houses opposite, made it impossible for Magdalen to see the numbers on the doors, or to observe more of any one who might come to the windows than the bare general outline of dress and figure. Nevertheless, there she stood, anxiously fixing her eyes on one house in the row, nearly opposite to her—the house she had looked for before entering the lodgings; the house inhabited at that moment by Noel Vanstone and Mrs. Lecount.
After keeping watch at the window in silence for ten minutes or more, she suddenly looked back into the room, to observe the effect which her behavior might have produced on her traveling companion.
Not the slightest cause appeared for any apprehension in that quarter. Mrs. Wragge was seated at the table absorbed in the arrangement of a series of smart circulars and tempting price-lists, issued by advertising trades- people, and flung in at the cab-windows as they left the London terminus. 'I've often heard tell of light reading,' said Mrs. Wragge, restlessly shifting the positions of the circulars as a child restlessly shifts the position of a new set of toys. 'Here's light reading, printed in pretty colors. Here's all the Things I'm going to buy when I'm out shopping to-morrow. Lend us a pencil, please—you won't be angry, will you? I do so want to mark 'em off.' She looked up at Magdalen, chuckled joyfully over her own altered circumstances, and beat her great hands on the table in irrepressible delight. 'No cookery-book!' cried Mrs. Wragge. 'No Buzzing in my head! no captain to shave to-morrow! I'm all down at heel; my cap's on one side; and nobody bawls at me. My heart alive, here
Magdalen returned to the window. She took a chair, seated herself behind the curtain, and steadily fixed her eyes once more on the house opposite.
The blinds were down over the windows of the first floor and the second. The window of the room on the ground-floor was uncovered and partly open, but no living creature came near it. Doors opened, and people came and went, in the houses on either side; children by the dozen poured out on the pavement to play, and invaded the little strips of garden-ground to recover lost balls and shuttlecocks; streams of people passed backward and forward perpetually; heavy wagons piled high with goods lumbered along the road on their way to, or their way from, the railway station near; all the daily life of the district stirred with its ceaseless activity in every direction but one. The hours passed—and there was the house opposite still shut up, still void of any signs of human existence inside or out. The one object which had decided Magdalen on personally venturing herself in Vauxhall Walk—the object of studying the looks, manners and habits of Mrs. Lecount and her master from a post of observation known only to herself—was thus far utterly defeated. After three hours' watching at the window, she had not even discovered enough to show her that the house was inhabited at all.
