produced references to persons of high social position in Holland, who could answer for him, so far as the questions of character and position were concerned.

Mary was long in considering which course it would be best for her helpless father, and best for herself, to adopt.

The hope of a marriage with me had been a hope abandoned by her years since. No woman looks forward willingly to a life of cheerless celibacy. In thinking of her future, Mary naturally thought of herself in the character of a wife. Could she fairly expect in the time to come to receive any more attractive proposal than the proposal now addressed to her? Mr. Van Brandt had every personal advantage that a woman could desire; he was devotedly in love with her; and he felt a grateful affection for her father as the man to whom he owed his life. With no other hope in her heart—with no other prospect in view—what could she do better than marry Mr. Van Brandt?

Influenced by these considerations, she decided on speaking the fatal word. She said, 'Yes.'

At the same time, she spoke plainly to Mr. Van Brandt, unreservedly acknowledging that she had contemplated another future than the future now set before her. She did not conceal that there had once been an old love in her heart, and that a new love was more than she could command. Esteem, gratitude, and regard she could honestly offer; and, with time, love might come. For the rest, she had long since disassociated herself from the past, and had definitely given up all the hopes and wishes once connected with it. Repose for her father, and tranquil happiness for herself, were the only favors that she asked of fortune now. These she might find under the roof of an honorable man who loved and respected her. She could promise, on her side, to make him a good and faithful wife, if she could promise no more. It rested with Mr. Van Brandt to say whether he really believed that he would be consulting his own happiness in marrying her on these terms.

Mr. Van Brandt accepted the terms without a moment's hesitation.

They would have been married immediately but for an alarming change for the worse in the condition of Dermody's health. Symptoms showed themselves, which the doctor confessed that he had not anticipated when he had given his opinion on the case. He warned Mary that the end might be near. A physician was summoned from Edinburgh, at Mr. Van Brandt's expense. He confirmed the opinion entertained by the country doctor. For some days longer the good bailiff lingered. On the last morning, he put his daughter's hand in Van Brandt's hand. 'Make her happy, sir,' he said, in his simple way, 'and you will be even with me for saving your life.' The same day he died quietly in his daughter's arms.

Mary's future was now entirely in her lover's hands. The relatives in Glasgow had daughters of their own to provide for. The relatives in London resented Dermody's neglect of them. Van Brandt waited, delicately and considerately, until the first violence of the girl's grief had worn itself out, and then he pleaded irresistibly for a husband's claim to console her.

The time at which they were married in Scotland was also the time at which I was on my way home from India. Mary had then reached the age of twenty years.

The story of our ten years' separation is now told; the narrative leaves us at the outset of our new lives.

I am with my mother, beginning my career as a country gentleman on the estate in Perthshire which I have inherited from Mr. Germaine. Mary is with her husband, enjoying her new privileges, learning her new duties, as a wife. She, too, is living in Scotland—living, by a strange fatality, not very far distant from my country-house. I have no suspicion that she is so near to me: the name of Mrs. Van Brandt (even if I had heard it) appeals to no familiar association in my mind. Still the kindred spirits are parted. Still there is no idea on her side, and no idea on mine, that we shall ever meet again.

CHAPTER VII. THE WOMAN ON THE BRIDGE.

MY mother looked in at the library door, and disturbed me over my books.

'I have been hanging a little picture in my room,' she said. 'Come upstairs, my dear, and give me your opinion of it.'

I rose and followed her. She pointed to a miniature portrait, hanging above the mantelpiece.

'Do you know whose likeness that is?' she asked, half sadly, half playfully. 'George! Do you really not recognize yourself at thirteen years old?'

How should I recognize myself? Worn by sickness and sorrow; browned by the sun on my long homeward voyage; my hair already growing thin over my forehead; my eyes already habituated to their one sad and weary look; what had I in common with the fair, plump, curly-headed, bright-eyed boy who confronted me in the miniature? The mere sight of the portrait produced the most extraordinary effect on my mind. It struck me with an overwhelming melancholy; it filled me with a despair of myself too dreadful to be endured. Making the best excuse I could to my mother, I left the room. In another minute I was out of the house.

I crossed the park, and left my own possessions behind me. Following a by-road, I came to our well-known river; so beautiful in itself, so famous among trout-fishers throughout Scotland. It was not then the fishing season. No human being was in sight as I took my seat on the bank. The old stone bridge which spanned the stream was within a hundred yards of me; the setting sun still tinged the swift-flowing water under the arches with its red and dying light.

Still the boy's face in the miniature pursued me. Still the portrait seemed to reproach me in a merciless language of its own: 'Look at what you were once; think of what you are now!'

I hid my face in the soft, fragrant grass. I thought of the wasted years of my life between thirteen and twenty- three.

How was it to end? If I lived to the ordinary life of man, what prospect had I before me?

Love? Marriage? I burst out laughing as the idea crossed my mind. Since the innocently happy days of my boyhood I had known no more of love than the insect that now crept over my hand as it lay on the grass. My money, to be sure, would buy me a wife; but would my money make her dear to me? dear as Mary had once been, in the golden time when my portrait was first painted?

Mary! Was she still living? Was she married? Should I know her again if I saw her? Absurd! I had not seen her since she was ten years old: she was now a woman, as I was a man. Would she know me if we met? The portrait, still pursuing me, answered the question: 'Look at what you were once; think of what you are now!'

I rose and walked backward and forward, and tried to turn the current of my thoughts in some new

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