could even break ground. That's longer than it would take to build the towers themselves. But we did it all, and by the book. A textbook example of brownfield remediation.'

'Then what did Will find? What was freaking Martin Glenn out?' I asked.

'When you build a tower like this, you dig way down for the foundation. Six storeys down.'

'Plus the caissons,' I said, 'which went right down to bedrock.'

'Yes. The initial problem, the oil, had never penetrated that far down. But somehow, after we dug the caisson holes, this other substance turned up.'

'Aroclor 1242.'

'Yes. It was like-I don't know, one of those Godzilla movies where you awaken some monster by blasting a hole in the ocean floor. Martin said when we excavated all that dirt, sediment must have been disturbed, and the Aroclor was released into the water table.'

'So a site that's supposed to be clean suddenly isn't?'

'Yes.'

'And Will Sterling called you on it.'

'Yes. He found traces of Aroclor 1242 along the shoreline and followed it to us. And I talked to Martin about what it would take to clean it up.'

'And?'

Rob lowered his head. 'It couldn't be done. Not without threatening the whole project. We would have had to do the remediation all over again. Go through the approval process again. It would have thrown us so far off schedule, our bankers-and our other backers-might have pulled out. He said it was out of the question. We had to keep going.'

'Who did?' Jenn asked. 'Martin?'

He shook his head. 'Not Martin. Birk.'

'Simon Birk told you to keep going?' I said.

'He said I had to.'

'If anyone has enough money to cover an unforeseen expense, wouldn't it be him?'

Rob laughed bitterly. 'You really don't understand this, do you?'

'Enlighten us.'

'Simon Birk,' he said, 'doesn't put his own money into anything. Not a nickel. It's all leveraged. All of his buildings, all his grand creations, he gets other people to put up the money. Birk doesn't give, understand? He takes. He grabs. He milks.' He was getting flushed as he talked, loosening his tie, rubbing his mouth with the back of his hand. 'When he offered to partner with us on this project, I thought it was the greatest day of my career,' he said. 'Me-little Robbie Cantor, the squirt who started out as a janitor for his father-landing the great Simon Birk as a business partner. I thought God himself had reached down from the sky and patted me on the back. Well, it wasn't God, it was Birk, and it wasn't a pat on the back. It was a knife slipping in.'

'What did he do?' Jenn asked.

'Simon insists on having the best of everything even if he can't figure out how to pay for it all. For every demand he makes that can't be met, there's also a promise that can't be kept. Money flows between projects like he's robbing Peter to pay Paul.'

Jenn asked, 'How does he do it?'

'Financing in our business always comes in stages that match certain milestones. When you acquire the land, when plans are approved, when ground is broken, when you reach a certain percentage of occupancy. As our financing was coming in, his building in Chicago, the Millennium Skyline, was in trouble. Again. Christ, it was from the very start. You think I had problems? When they started excavating that site, they found the worst thing a developer can find, worse than PCBs.'

'And what's that?' I asked.

'Bones. Old ones. Possibly from the Fort Dearborn massacre, back when settlers first came to the region. Birk had to stop construction while anthropologists sifted through the dirt like prospectors. There were huge delays, which means no money in and lots of money out. Then about three months into construction, there was an accident. A bad one. You might have read about it. Three men were killed, seven injured, when a crane dropped a load of girders on them. That brought more delays and lawsuits he might actually lose for a change. Birk started springing these accounting tricks on my financiers, moving money out of this project over to the other one. He said it would get straightened out once the Millennium Skyline was at full occupancy. And if I didn't play along, he said he'd not only pull out, but make sure I was ruined in the process. So when this problem cropped up on our site, with the Aroclor, there was no money for a second round of remediation. I told Martin we'd have to…'

'To what?'

'Bury it. Forget about it. Walk away.'

'Even though people were going to be living on top of it. Kids were going to play in that park.'

'Look, I know it sounds bad-'

'Sounds bad?'

'Okay, it is bad. I can see that now. I really can. I didn't before. I couldn't. I was so caught up in everything. In trying to keep this dream alive.'

'But Martin told you he wouldn't go along with it.'

'Yes.'

'And you told Birk?'

'Yes.'

'And Will Sterling? Did you tell Birk about him too?'

'Yes.'

'You signed their death warrants.'

'If he killed them. You have no proof.'

'They were murdered within twenty-four hours of each other,' Jenn said.

'Even if he had something to do with it, how was I supposed to know? And Maya died more than two weeks ago. I never said a word to Birk about her. Never told him she was upset about the site.'

'She did,' I said.

'What!' He pushed himself up off the couch and stood above me with his hands clenched so tight they started to turn white. 'When? How do you-'

'We found his number listed in her cellphone's outgoing calls,' Jenn said. 'And we found this.'

She handed him a copy of the email Maya had sent Will Sterling the day she died. He read it, holding the paper as if it were the only thing tethering him to earth, his blue eyes scanning quickly down and then back to the beginning.

Jenn put her hand on his arm and said, 'There is no way she killed herself. You understand that now?'

His chin trembled and his hand went to his eyes. He pinched the bridge of his nose. Tears fell anyway. His chest heaved and his voice broke as he said, 'Yes.'

'And if she didn't kill herself, and you didn't do it, who else had an interest in shutting her up?'

He barely breathed out the name: 'Birk.'

'This is what you are going to do,' I said, my voice a lot sharper than Jenn's. 'You listening?'

'Yes.'

'You're going to write it down,' I said. 'All of it. Everything you can remember from the time you first spoke to Simon Birk until now. Every transaction, every conversation, every email. When it is all written down you are going to give a copy to Jenn. Depending on what you come up with, she can share it with the police. I'll leave that to her discretion. Got that?'

'Yes.'

'You have a chequebook?'

'Yes.'

'On you?'

'Yes.'

'Write me a cheque for two thousand dollars.'

'What for?'

'Travel expenses.'

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