and for a long scintillating moment cut the electricity. “Oh, we must have the candles lit,” Septima cried, clapping her hands together like a child. Her voice floated over the sudden crepuscular hush of the room, warbling and authentic, the stately breathless voice of refinement and Southern breeding. If the colonists, immersed in the generic gabble of the convivial room and cocktail parlor, ever forgot for a moment where they were, Septima’s caressing and unimpeachable accent brought them back.

Saxby had left that morning for Savannah to collect the equipment for a new fish study he was contemplating—Ruth didn’t know any more about it than that: it was a fish study, plain and simple—and it was Bob or maybe Owen who appeared a moment later with a candelabrum in full festive blaze. A cheer went up, another round of cocktails was drunk, and when the lights were restored it was unanimously decided to forgo them in favor of candlelight and the romance of the storm, which beat now at the darkening windows with all the fury of the Atlantic in turmoil.

Just as Owen stepped into the room to announce dinner, there came a knock at the outer door. The front parlor, where cocktails were served, gave onto the foyer and the regal front entrance. No one ever knocked—all had free entree—and the thunderous, rude, impatient booming at the front door took them all by surprise. The noise level dropped off to zero, conversations died; all heads turned to peer through the parlor doorway to the foyer, to which Owen, his shoulders thrust forward and with an officious look on his face, was proceeding. Ruth, who was then in the first stages of the metamorphosis that would make her the cynosure of Irving Thalamus’s clique and rescue her forever from the oblivion of the silent table, followed him.

Owen threw back the door, a wild busy smell of drizzling nature flooded the vestibule, and Abercorn and Turco, the one too tall, the other too short, stomped dripping into the room. “Hello,” Abercorn said, extending his hand to the bewildered Owen and flashing a flawless smile, “I’m Detlef Abercorn, Special Agent of the INS, and this”—indicating Turco, who glared round him suspiciously—“is my, uh, assistant, Lewis Turco.”

Ruth felt her heart catch. This was the man she’d spoken to on the phone a week ago—spoken to blithely, pleased with the attention—the man to whom she’d divulged every relevant detail of her encounter with Hiro Tanaka on Peagler Sound. And now here he was, horning in on her secret. She wasn’t calculating, not yet anyway, had no dream of Hiro as anything more than a creature that needed to be stroked and appeased and comforted—an exotic and fascinating creature, yes, but not yet her own, not yet her sword and wedge and bludgeon to lay all of Thanatopsis House at her feet. She wasn’t calculating, but she knew that she wouldn’t—couldn’t—cooperate with this tall and very wet man in the cheap detective’s overcoat.

Owen gaped at them, for once at a loss for words.

“I wonder if you could help us,” Abercorn began, and as the murmur of conversation started up again behind her, Ruth lingered there in the doorway, watching and listening, as Abercorn poured out his tale of woe and Owen blinked in confusion. As it turned out, Abercorn and Turco had waited three hours for the last ferry, and on finally arriving discovered to their regret and embarrassment that there were no accommodations available on the island. They needed a place to spend the night before going off in pursuit of the armed and dangerous alien who’d been terrorizing folks hereabouts—Abercorn actually said “folks hereabouts,” though it was obvious to anyone he was a sweaty-palmed city-bred Yankee who was about as folksy as Bernhard Goetz. Sheriff—he pronounced it “sheriff,” not “shurf,” though he was trying hard—Sheriff Peagler had told him that there might be a bed or two available here, and he’d be more than happy to pay whatever they liked—he was on official government business, after all, and the alternative was, well, flashing his smile and wincing comically at a peal of thunder, the alternative was to go on out there and drown.

And so Ruth was up early, the first one at breakfast and the first to trot off to work, up before Abercorn could pin her down with any more questions. The woods were still, the morning fragrant with the previous night’s rain. The sun had risen golden and glorious from the chop of the cold Atlantic, and as she walked the path to her studio it seemed to melt into the hard unyielding posts of the slash pines. She walked slowly, breathing it all in, but still she arrived at her studio nearly an hour and a half earlier than usual. It was just past seven, and as she sat down at her desk and stared numbly at the curling page in the typewriter, she could think of nothing but lunch. Would he show up? And if he did, what would she do and what would it lead to? She envisioned her Japanese in bed, envisioned herself in Japan, a country of office buildings, claustrophobic streets and tiny feet, and then finally, to pass the time, she settled down to work.

Hiro didn’t show up that day. Perversely. It was almost as if he knew she wanted to reach out to him but that he had some kind of cultural thing—some kind of weird Japanese machismo or whatever—that kept him from her. And that evening, since Saxby was still in Savannah and she was just beginning to flex her wings in the billiard room, and because she was bored too and felt like it—the secret, her secret making it all the more delicious—she sat down in the parlor over cocktails and chatted with Abercorn. He’d spent a fruitless day interviewing the blacks at Hog Hammock—“I couldn’t understand a word they said, I mean not a single word,” he said, “and after a while it was embarrassing”—while his assistant had snooped around in the woods with a boom box. She shared a good laugh with him over that, over Turco’s boom box. “Yes,” she said—she couldn’t help it, couldn’t help fooling around with him, just a little bit, just for practice—“I thought I heard Donna Summer out there somewhere today.”

And where was Turco that evening? Was he tracking down the criminal even as they spoke? “Oh, no,” Abercorn had said, “he’s not that fanatical. No, he just doesn’t like roofs.” “Roofs?” she echoed, her lips drawn tight in an incipient smile. “You’re not going to believe this,” he said, and he lifted a can of warm Coke to his mouth and then put it down again, “but last night, when it was raining?” She nodded. “He takes off out of the room with his backpack and pitches his tent out there in the bushes someplace.” And then they had a good laugh over that one, and Ruth looked into Abercorn’s pink eyes and thought he was kind of cute in a way.

Two days passed. Abercorn mooned around Thanatopsis House and some of the artists—Regina Mclntyre, in particular—began to grumble. Turco was invisible, out there in his tent, creeping through the marsh, putting his loathsome all into deracinating Ruth’s secret before it had a chance to bear fruit. In the lull of the afternoon, she heard disco music, distant, faint, deadly. The lunch bucket remained on its hook.

And then, on the third day, Hiro appeared again. It must have been an hour at least after Owen had crept up to the porch and hung the aluminum container on its hook—she’d heard him, heard the groan of the second step, the loose one, but she hadn’t turned, hadn’t moved, and she covered herself with a furious burst of typing. A line of x’s marched across the page, and then another, before she glanced over her shoulder to catch the back of Owen’s bristling head receding down the trail to Diane Arbus, where the precocious Sandy was hard at work on his second novel. Ruth lost track of the time, though her stomach grumbled and she got Hiro’s face confused with that of her failed and hopeless heroine, and she was in another world, the cries of the doomed children echoing around her, the tide pulling at her feet, when the stair creaked again.

She froze. Slowly, she told herself, slowly. She gave him her profile and held it, and then she looked full-face over her shoulder. He was there, in the doorway, derealized behind the grid of the screen. The red headband was gone—he was wearing something else now, something tan and twisted—and he was naked to the waist, both straps of the coveralls dangling forlornly behind him. He made no move toward the lunch pail.

“I want to help you,” Ruth whispered.

He didn’t move, didn’t speak, just stood there. His face seemed softer somehow, as if he were exhausted or about to cry … and she had a sudden leap of intuition: he was just an overgrown child, scared, hurt and hungry.

“Take the food. I left it for you. Take it,” she whispered, afraid to raise her voice, afraid he’d bolt.

She saw him swallow hard. He shuffled his feet. And then he lifted the lunch bucket from the hook and cradled it to him.

“Listen,” she said, whispering still, whispering like a hunter in a blind, “they’re after you, do you understand? Two men, they’re in the big house.”

He said nothing, but his face looked softer still. He was finished, she could see it. He’d had it. He was ready to give up, throw in the towel, slip the handcuffs over his wrists.

“I won’t let them take you,” she said. “I’ll get you clothes, food, you can stay here, out of sight.” She lifted one leg and very slowly swung the chair round to face him. She’d made do with an ordinary face and figure all her life, had triumphed with it, had left a legion of men stunned in her wake, because she had the indefinable something they all wanted and because she knew it. Now, at thirty-four, she had all that and twenty years of experience too, and she was irresistible. “Come in here,” she said, and she was still whispering, but her voice had an edge to it now, peremptory and sharp. “Open the door. Sit and eat”—she made the motions with her hands and mouth—“and

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