Under the section headed “Invasive Organisms,” he discovered that the pristine world he’d created had been infiltrated by undesirable elements. Protozoa—he remembered them from freshman biology, virulent little animalcules with waggling microscopic tails—were blooming in the water—his water—and wiping out the desirable elements. He discovered too that the solution to the problem was permanganate of potash, which would eradicate the protozoa and leave the fishes unharmed, and after driving to a pet shop on the mainland, procuring the chemical and dosing the aquarium with it, he watched most of the remaining fish float slowly to the surface and breathe their last. The next day a swarm of carnivorous water beetles materialized from nowhere to finish off the survivors.

In the absence of Ruth, Jane Shine provided solace. After dinner that evening, he led her down the hallway and into the back parlor, where they stood gazing on the pale massed bodies of the dead.

“It’s a shame,” she said. “All that wasted effort.”

He watched her out of the corner of his eye, her face lit in the soft glow of the aquarium, and he felt guilty. Ruth would kill him. Eat him alive. But he was depressed and discouraged and where was she when he needed her? He sighed. “I guess I’m going to have to tear down the whole thing and start over.” He gave her a rueful smile. “God had the same problem. Or so I hear.”

“It’s so beautiful,” she murmured, her eyes fixed on the aquarium.

They watched as a crippled killifish rose feebly to the surface, enfolded in the spidery grip of a water beetle.

Jane turned to him. “It’s the plants,” she said. “They’re coming in on the plants.”

“Yes,” he said. “I know.”

“I’d go to a place like Aquarium City—do you have anything like that around here, in Savannah maybe? Get your plants there. At least you know they’re clean.”

He nodded. Aquarium City. It was so simple: nature was subversive and untidy, and the kindly folks at Aquarium City would be only too happy to sanitize it for him. Yes, of course. And the way she spoke, clipping off each phrase as if it were too precious to part with, reduced him to helplessness. How could he question that voice? She spoke, and he felt like a toppling tree.

Otherwise”—she gestured toward the quivering fish—“well, you could wind up with anything in there.”

When ruth finally came back to him, he felt nothing but relief. Yes, he’d been around the singles bars of La Jolla and West-side L.A., and yes, Jane Shine couldn’t have been any more compelling if she’d been soaked in pheromones, but Ruth was what he wanted. Ruth was palpable and real in a way that Jane Shine, with her puffed- up, otherworldly beauty, could never approach. She was pretty in her own way, uniquely Ruth, and he couldn’t get enough of her. But it went beyond pretty, way beyond: she was a life force, a tidal wave, and she swept all before her, and yet at the same time there was something vulnerable and uncertain about her and it made him feel strong to be there for her. And her obsession with writing—the whole lexicon of her books and writers and reviews, her lists of who was in and who was out—it was the perfect counterbalance to his fish, an obsession he could relate to, a reason for being. And it didn’t matter if the obsession was for stamp collecting or paleontology or Renaissance art—it didn’t even matter if she was good at it or not—it gave her a fire and a life that made other women seem dull by comparison. He had his fish, and that was all right by her; she had her writing.

She came up to him at cocktail hour and laid a hand on his arm (blessedly, as the Fates would have it, he was leaning over the bar with Sandy at the time; Jane was nowhere to be seen). “Hi,” Ruth said, and that was it, the six days of silence forgotten, Jane Shine a verboten subject, the party a distant memory. And without another word she took him by the hand and led him upstairs to her room.

In the morning, before she tripped off to breakfast in the convivial room, she woke him with a gentle rub and lubrication and told him she’d be needing a ride into Savannah that afternoon—for groceries. “Savannah?” he said. “What’s wrong with Darien?”

“Oh”—offhand, gazing out the window—“you know, there are some things I want that you’re just not going to find at the local Winn Dixie.” She turned to him and grinned and he felt the relief again, coursing and strong, washing over him like a hot shower. “Let’s face it, Sax—Darien, Georgia, isn’t exactly gourmet heaven.”

“Okay,” he said, shrugging, “fine,” and at four he drove her to an address on De Lesseps and had a beer in a place he knew on the waterfront while she pushed a shopping cart around. When he swung by to pick her up an hour later, she was waiting for him on the street, engulfed in brown paper bags. He was surprised by how much she’d bought—eight bags of canned goods—and even more surprised when she declined his offer to help carry the stuff out to her studio. “What do you mean?” he said, glancing over his shoulder at the mountain of groceries as he put the car in gear. “You’re going to haul all this shit out to the cottage by yourself? Cans and all?”

Ruth was examining her nails. “I’ll do it in shifts,” she said, “don’t worry about it.”

“But it’s no problem, I mean I’d be happy—”

“Don’t worry about it,” she said.

But Saxby did worry about it, all the way down the highway to the ferry and all the way across Peagler Sound and up the blacktop road to the house. How was she going to get eight bags of canned goods out to her studio— and what in god’s name did she need them for anyway? She had her breakfast and dinner at the house and each afternoon Owen brought her a gourmet lunch—finest lunch offered by any artists’ colony anywhere, or so his mother claimed. It was crazy. Was she expecting a siege or something?

And then, as they were staggering through her bedroom door with the booty, one of the bags split, spilling cans all over the floor, and Ruth stopped him when he bent to pick them up. “I can do it myself,” she said, turning her back to him and crouching over the cans as if she meant to hide them. That was odd. And it was odder still when he retrieved the two cans that had escaped her.

“Fried dace?” he said. “Bamboo shoots? What are you, going Oriental on us?”

She spun round on him, and while she didn’t exactly snatch the cans out of his hand, she took them firmly from him and dropped them into the unrevealing depths of the bag on the table behind her. “No,” she said, smiling then, “not really. It’s just that… I like to try new things.”

“Fried dace?” He shook his head and returned her smile, and then she fell into his arms, but the whole thing was very peculiar, very peculiar indeed.

On the weekend, jane shine went off to sea island with some clown in a silver XKE and he watched Ruth come to life again. She practically pirouetted round the room at cocktail hour, and at dinner she couldn’t sit still, flitting from table to table like a gossip columnist at a premiere. Saxby didn’t mind. He was glad to see her enjoying herself, reasserting her preeminence, shining like a supernova in the Thanatopsis firmament. And he was glad too that she seemed to have forgotten all about the party, letting him off the hook vis-a-vis the Jane Shine incident and any number of related peccadilloes he wasn’t necessarily even aware of, but condemned for all the same. While she was clowning with Thalamus at the next table, he laid his aquarium woes on Clara Kleinschmidt, talking to hear himself talk—and to pay her back, in small measure, for Arnold Schoenberg.

After dinner, there was a recital by Patsy Arena, a squat, broad-faced woman of Cuban extraction who looked as if she’d stepped out of a Botero painting. She was new to the colony, having come just that week at the invitation of Clara Kleinschmidt, and she played the old Steinway in the front parlor as if she were tenderizing meat. In all, she was to play three compositions that evening, two of her own and one of Clara’s. Owen turned the lights down. Ruth held Saxby’s hand. The colonists cleared their throats, twisted in their seats, leaned forward in fear and expectation.

Bang! Patsy Arena hit the piano like a boxer. Silence. One and two, one and two, she whispered, bobbing her frizzy head. Bang! Bang! she slammed at the keyboard with the ball of her fist. And then: nothing. For three full agonizing minutes she sat rigid, staring at the cheap plastic alarm clock perched atop the gleaming ebony surface before her. Finally the alarm went off—ding-ding-ding—and Bang! she hit the keyboard. The piece was called Parfait in Chrome, and it went on for forty-five minutes.

Afterward, as a kind of dessert, there was the weekly movie (Woman in the Dunes, a nod to Owen, who was in one of his Japanese phases). Nearly everyone sat through both the recital and the film, which ultimately had more than a little in common. Life at Thanatopsis, as stimulating as it might have been to the

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