“I guess I’m gonna have to go,” he says. “Unless of course you want to do a favor for a friend.”
“Don’t push it,” I tell him.
“I understand,” he says. Then slides out of the booth. “I’ll give you a call this afternoon. Let you know what happened.”
“Not unless you want me to bill you for my time,” I tell him.
He laughs, then heads for the door. “Marge. My friend will catch the bill. Put a good tip on it,” he says.
Before I can turn to say anything, he’s out the door.
It’s the thing about Nick. He can screw you twenty ways from Sunday, but he lives on the sunny side of optimism so it’s hard not to like him.
I give him a good head start, playing with the tea bag, not because I want to drink it. I have no desire to run into Nick with Metz out in front of the courthouse on my way back to the car.
Marge comes with the bill, slaps it unceremoniously on the table, and takes Nick’s coffee cup away, the sludge still in the bottom. Two minutes later, I get up from the booth, peel some singles from folded cash in my pocket, when I see it. Lying there against the worn red plastic of the bench on the other side of the table is Nick’s little handheld device. For a man with a cerebral vacuum, who can suck up the most abstract details in a courtroom, Nick is missing the gene that keeps him attached to physical possessions. As long as I have known him, he has left things behind. Like my teenage daughter, if he owns it, he’ll lose it.
I pick it up, slip it into my coat pocket, and pay the bill.
Outside I make tracks. Maybe I can run him down before he finds Metz. When I get to the corner, I look down the street toward the courthouse where Nick is supposed to meet his client. There is a mass of humanity between me and the front of the building, people walking on the sidewalk, but I don’t see Nick.
I cross over and start down the other side of the street, hoping I catch his eye before he hooks up with Metz. I’m a third of the way down the block before I see him. Nick’s hands are again buried in the pockets of his coat as he hustles down the sidewalk a hundred feet ahead of me, with four lanes of traffic between us. I cup my hand over my mouth to holler, but a city bus gets between us. Belching fumes, its engine drowns any hope of being heard. By the time it passes, it’s too late. Nick is standing on the sidewalk in front of the walkway leading to the courthouse. He is talking to Metz.
I take my hand from my mouth, pat the little device in my pocket, and continue on toward my car a block away. I’ll have to call him later and make arrangements to get it to him.
As I walk, I can’t help but toy with the possible angles he has been playing. I suspect that he knew all along that Metz was up to his ass in laundering money. If so, he also knew I wouldn’t take the case. So why would he try and refer it? One possibility, he wanted to shield himself from a close-up inspection of the particulars until I had filtered them for him. My interview with Metz. This way he could shade his eyes, take a more artful approach at sculpting the facts in his initial discussions with the man. In this way Nick could lead Metz to tell him stories that would be more helpful while avoiding a flat-out suborning of perjury. It is the kind of Machiavellian mental coil I might expect from Nick.
But there is another possibility, one that is more likely. This one involves Dana. From what Metz told me, if I believe anything, it is that Dana knew the broad outline of his problem, that it could be drug related. If she is, as Nick says, hot to clean up his practice, Dana wouldn’t want him handling this, particularly with a client in her own social orbit.
Knowing Dana, her first concern would be that it could splash on her, that some enterprising reporter from the society section might pick up on the fact that Metz served on the commission with his lawyer’s wife, all of this while she was striving to steer Nick toward more genteel clients and climb the social rungs of the city’s arts community.
She could have told Metz to take his problems elsewhere, but that wouldn’t prevent him from calling Nick on his own. Supporter of the arts he may be. But knowing Dana, she was looking for a sure way to sidestep a possible embarrassment. Nick’s story of a conflict with Metz and the ease with which he disposed of it seems a little too convenient to be believed. Nick decided he would refer the case elsewhere.
So who does he call? The one lawyer in town he knows who will not touch a drug case. And kazam, poof, it bounces back to him. Now he is not only able to take the case, he is able to tell Dana that he had no choice. He will take care of her friend, but she will pay the price. That brain would be doing double time with the thought that this would not only give him chits in his marriage but latitude in his practice. How could she complain when it was she who brought this particular client to his doorstep? And after all, he had tried to get rid of it.
By the time I reach the end of the block, I am smiling to myself, convinced that I have untangled the sordid intrigue of Nick’s marital machinations. I am savoring this little victory so that I fail to hear them as individual reports but instead as a continuous burst, like a loud zipper being opened. The shots resonate off the concrete walls of the buildings around me and echo off the four-story government offices that span Front Street. My arms go up, and I crouch against a wall, the instincts of survival taking hold.
It isn’t until I hear the sound of screeching rubber on the roadway behind me that I turn. A small dark sedan leaves a cloud of exhaust and burned rubber as it peels away from the curb in front of the courthouse. I can hear the engine hammering on eight cylinders, the raw power of an engine pushed to the limit as the car slides through a left turn onto Broadway. The cross traffic braking, screeching to a stop to avoid hitting it, horns honking. Before I can focus entirely, the car disappears around the corner.
I look back across Front Street to the main entrance of the courthouse. Two women are crawling on their hands and knees on the sidewalk. A guy helps one of them up, only to have her hands fly up to her mouth as she screams. I can hear it, a piercing high note, even half a block away. She is looking down at something behind her on the sidewalk.
The gathering crowd has blocked my view. One of the marshals in his blue sport coat exits the courthouse door on the run. He disappears behind the small sea of onlookers, I suspect gone down to one knee.
Within seconds, two other men in dark uniforms join him, both coming out of the courthouse door on the run. They have guns drawn. One of them is talking into a small microphone clipped to the shoulder epaulet of his uniform.
Traffic has slowed on Front Street as drivers stop to rubberneck. I weave between cars, horns honking, as I cross over and make my way along the sidewalk toward the front of the courthouse. Other people are running in the same direction now, everybody with the same thought, to see what has happened.
As I come up behind the throng, I try to edge my way through, shoulders sliding sideways until I find a crevice in the crowd where I can see. There on the ground lying in a river of blood is a body. A man, dark hair, his face turned away from me on the concrete, part of it bloodied and gone. He’s wearing a sport coat gone sideways on his upper body as he hit the ground. His gray slacks are soaking up blood, legs tangled as if he were trying to flee as he was cut down.
I look for Nick, but I don’t see him. By now at least a half dozen marshals are assembled, trying to gain control, pushing people back, making a path for the EMTs whose ambulance I can hear in the distance. Two city patrol cars pull up in front, their light bars flashing. One of them has a semiautomatic drawn. Then he realizes it’s over, and reholsters it, clipping it down with the snap strap before he starts pushing people back to clear a path.
People are stumbling, being pushed. An old woman in a long coat and bandanna, nearly goes to her knees. A guy reaches out and grabs her. A look of confusion as she has no idea where these saving hands have come from. Delayed panic ripples through the crowd as stunned silence turns to agitation and people regain their bravado. Curiosity sets in. They press in for a look, and the cops push back, holding the line.
“Did you see it?”
“No. I heard the shots.”
“Anybody hurt?” One of the cops is calling out.
“Over here.” A man’s voice.
A city traffic cop, still wearing his cycle helmet, cuts a swath through the crowd. It isn’t until then that I realize it’s not one gathering but two, each orbiting like constellations around their own black hole. There on the sidewalk I see Nick, sitting, his heavy-lidded eyes fixed in a half-closed sightless stare cast at the rivulet of his own blood running down the sidewalk and over the curb. There are little dark dots seeping into the fabric of his coat, too many for me to count. The bullet holes in his chest run downward diagonally across his body, not disappearing until they reach his waist. The impact has blown him back against a concrete planter box, where his body sits slumped
