East is East

tired of waiting.

Red dirt, green gone to gray: the path lay before him like a coil of smoke. He hurried along, sandflies giving way to mosquitoes, anoles rustling through the deepening clots of undergrowth. Up ahead, he heard the soft chuck and plaintive sobbing wills-widow of the night-flying bird whose call gives rise to its name, and the branches above him were filled with the roosting chatter of the day birds. It was the hour of evening when the diamondback extracts itself from a hole in the ground, drawn to the scurrying warmth of the quick-blooded mammals on which it preys. Saxby stepped lightly.

And then, as he was coming down the final stretch to the cottage, a shadow settled into the path before him. Thick, furtive, dark with the shades of night. It was probably just a cornsnake, but he and Ruth would be coming back up this path in a few minutes, and he didn’t want any surprises. Ten feet from the thing—it was a snake, all right, coiling itself like a lariat, dead center in the middle of the path—Saxby bent for a stick. Crouching, one foot extended and the stick outstretched like a foil, he inched toward the thing and felt his heart freeze within him when it struck at the stick and thrashed its rattles all in the same instant. The chirring was explosive, grating, loud as castanets. But it subsided almost immediately, and the shadow of the snake melted into the undergrowth with the faintest crepitation of leaf and twig.

Saxby dropped the stick and moved on up the path, blood pounding in his ears. Always fun playing with snakes, he thought, setting one foot down after the other with the exaggerated care of a man wading through wet cement. Night was settling in as he came round the final loop in the path, and he cursed himself for having forgotten his flashlight. But Ruth would have one—and if she didn’t, they’d cut a stick and sweep the path before them, as he used to do when he was a boy coming home late from some adventure on the other end of the marsh. He was thinking of Ruth, a comical version of the snake encounter already taking shape in his mind, when the cottage came into view.

There was no light.

That was a surprise. At first he thought he’d missed her somehow, but then he remembered his last postprandial stroll out to the cabin and how he’d found her sitting there in the dark. He was going to call out, but something made him stop. She was talking to someone, her voice a murmur, indistinct, a current of admonition or urgency to it, as if she were scolding a child. And then the screen door wheezed open, slapped shut. Saxby froze. There was someone on the porch, and it wasn’t Ruth.

The Dogs are Barking, Woof-Woof

When ruth came to him out of the night, he was dreaming of his mother, his haha, his okasan, the soft-smiling girl in the miniskirt who’d brought him into the world and suckled him and looked deep into his eyes. It was a dream of the cradle, an oneiric memory, idealized and distilled from the stack of photographs his grandmother kept in the bottom drawer of her dresser. The photos flapped through his dream like a riffled deck of cards and he saw his mother standing outside a cram school with her guitar and the strong heavy legs and handsome wide face he’d inherited from her; saw her on the futon, thinner now, eyes fixed on the kicking infant framed by the crook of her arm; saw her alone in a crowded bar, bottles winking like stars behind her. And then her face pulled back and rose like the moon into the sky above him and she was Chieko, the wide-hipped girl he’d met in a dive in the Yoshiwara District, her arms around him, lips tugging at his own like sentient things. …

Then the door rattled and he knew the police had come for him with their Negroes and their dogs.

But no: it was Ruth’s voice coming to him out of the shadows. Ruth’s voice. Fumbling for his shorts, the latch, was something wrong? No. Did she want him to turn on the light? No. She was wearing some sort of musk, a scent that came from a bottle and brought him back to his dream, to Chieko and the scintillating lights of the Yoshiwara.

Ruth kissed him, her lips cool on his own, and he felt her tongue in his mouth. Her dress was chiffon, electric against his skin. He didn’t understand—they were friends, she’d told him, only friends, and the big butter-stinker with the hair like rice paper and the leaping pale eyes, he was her lover. But her dress fell to the floor as if tugged down by invisible hands and she held him, her flesh pressed to his, the pure white long-legged puzzle of her involved in him now, and he didn’t try to understand, didn’t want to, didn’t care.

In the morning, in the fullness of the light, she raised her head from his chest and looked into his eyes. He felt her there, poised against him, and he listened to the soft murmur of life awakening in the trees and held on to that cool gray gaze with a prick of emotion that must have showed in every line of his face. She seemed to be deciding something, sizing him up, reviewing the night and the moment and the sudden flurry of her options. “Only friends,” he murmured, and it was the right thing to say. She smiled, opening up, blossoming, and then she kissed him and everything fell into place.

She went back to her other house, the big house, before the sun was out of the trees, and later she brought him rolls and fruit and meat cut in strips. While he ate, she sat down at her typewriter and began hammering away at the keys with a furious racket. After an hour or so, during one of the long pauses in which she stared out the window and murmured to herself in a faraway voice, he cleared his throat and asked her what it was she was writing.

“A story,” she said, without looking up.

“Thriller?”

“No.”

“Love story?”

She turned in her chair to look at him. He was sprawled in the loveseat, thumbing through a news magazine—crack, AIDS, children gunned down in the schoolyard—bored to the very roots of his hair. “It’s a tragedy,” she said, “very sad,” and she pantomimed the emotion with a downturned mouth.

He thought about that for a moment as she went back to her typing. A tragedy. Of course. What else? Life was a tragedy. “About what?” he asked, though he knew he was keeping her from her work and he felt guilty about it.

“A Japanese,” she said, without turning her head. “In America.”

This was a surprise, and before he had a chance to absorb it, he blurted, “Like me?”

Now she turned. “Like you,” she said, and then she was typing again.

At lunchtime he went outside and crouched in the bushes until the hakujin with the stiff back and wirebrush hair had hung the lunch bucket on its hook and marched back up the path and out of sight. Ruth wouldn’t touch the food at first—little sandwiches of cucumber and sausage, with fresh-cut vegetables and raspberries in cream for dessert—but he insisted. He was half crazed with hunger, but he felt so guilty and he owed her so much—and so much more after last night—that he couldn’t see her deprived. She was so skinny, and all because of him. “We share,” he said, going down on his knees before her and touching his forehead to the floor, “please.”

She laughed when she saw him prostrate himself, and finally she gave in, pushing her typewriter aside and clearing a place on her worktable. They ate in silence, but he saw, with gratitude, with love, that she left him the lion’s share. While he was clearing up and she lingered over a cigarette, he broke the silence with a question that suddenly and unaccountably popped into his head: “Rusu, please and forgive me: how old are you?”

She threw back her head to draw at the cigarette, exhaling the answer: “Twenty-nine.”

“You divorce?”

She shook her head. “Never married.”

He took a moment with this, brushing crumbs from the table, crossing the room to lean out the door and replace the lunch bucket on its hook. “In Japan,” he said, “a woman is married at twenty-four. For a man, twenty- eight.”

Ruth was smiling, a sly sardonic look in her eye, and he had a sudden vision of her in the Big Apple, in a townhouse with a bathtub the size of his obasan’s apartment, pictures on the walls, chrome and leather furniture and the ubiquitous deep-pile rug, and he saw himself coming home to her there, a salaryman in suit and tie and carrying a neat calfskin briefcase. “And how old are you?” she asked.

He was twenty. Just. But he looked older, he knew he did, and he didn’t want to disappoint her with the