East is East

with mud. the tomahawk raised over his head—”

At that moment a gust of wind tore loose the binding of the groundcloth and it collapsed, dousing them with a wild oceanic spray. Suddenly it was pouring, whipping in through the opening and gushing through the colander of the roof. In the confusion, Jeff sprang to his feet and shot a glance out back of the platform, while Julie and Jeff Jr. howled and scrambled for their rain slickers, and what he saw there froze him in place. A figure had materialized from the gloom, and it wasn’t the acrobatic alligator and it wasn’t the bear they’d missed either. Bowlegged, tattered, smeared with mud and filth, it was the figure of Billy Bowlegs himself.

* * *

For his part, Hiro didn’t know what to think. There was a storm coming, it was getting dark and he’d been bitten six or eight times by every last mosquito on earth, not to mention their cousins, the ticks, chiggers, deerflies and gnats. Choking on mud and vomit, carved hollow as a gourd with hunger, he’d staggered out of a bog, scattering birds, reptiles and frogs, and into a stand of trees where the water was shallower, the mud firmer. Hours back, when the sun stood directly overhead, he’d blundered across a raft of bitter purple-black berries and crouched in the ooze, gorging till they came back up like the dregs of a bad bottle of wine. For a long while he lay there enervated, cursing himself, his hakujin father and strong-legged mother, cursing Ruth— she’d betrayed him, the bitch, used him for her story, her fiction, used him on a whim and then discarded him like so much human rubbish. The water cradled him. He closed his eyes on a hail of mosquitoes and slept afloat. And then, as the sun dropped out of the sky and every animate thing in the swamp came to him for its hourly ration of Japanese blood, his senses reawakened. It was a sound that got him going first—a soft lilting incongruous melody weaving in and out of the cacophony of roars and grunts and screeches that tore at him without remit. Was it a flute? Was somebody playing a flute out here in the hind end of nowhere? And then his sense of smell kicked in and the knowledge of cookfire and meat came to him.

The storm broke round him as he lurched out of the trees and up onto the bed of semifirm mud, something like earth beneath his feet once again—a small miracle in itself—but what lay before him was a puzzle. A crude structure, nothing more than a lean-to really, struggled out of the tangle a hundred feet away, and there were people inhabiting it, hakujin, gathered round a fire. Was this a house? Were these hillbillies—or swampbillies? And what was a “billy” anyway—some sort of goat, wasn’t it?—and how could anyone, swampbilly or no, actually live here? But then this was America, and nothing about these people would surprise him. Whether they were buffalo skinners, young Republicans or crack dealers, it was all the same to him—he was dying of the wet and hunger and a despair that was all talons and claws and wouldn’t let go of him, and he needed them.

Still, dying or not, this was nothing to rush into. He recalled the bug-eyed Negro fighting for his oysters, the girl in the Coca-Cola store, Ruth, who’d lulled him into submission only to turn on him and cut his heart out. He smelled the meat, saw the shelter, imagined what it would be like to dry himself, if only for a minute … but how could he approach these billies? What would he say? Pleading hunger was no good, as the Negro had taught him; the Clint Eastwood approach had backfired too, though he’d been satisfied with his curses, proud of them even. The only thing that had worked was dissimulation: Ambly Wooster had believed he was someone called Seiji, and if she’d believed him, maybe these people would too. But he had to be cautious. Living out here—he still couldn’t believe it—they had to be primitive and depraved. What was that movie, with the city dwellers in canoes and the hillbillies attacking them from the cliffs?

But now they’d seen him. The lightning flashed, the rain drove at him. There was a man standing there on the platform, wearing a dazed and frightened expression—it looked bad already—and he was yelling something and the other two—a woman and a boy—froze. What was he saying? Oh, yes. Yes. The hakujin war cry: “Can we help you?”

Hiro stared at them and then glanced round him at the rain-washed swamp. He was beaten, starved, swollen with insect bites, filthy, saturated, anemic with loss of blood—and it seemed as if it had been going on all his life. He took a chance. Let them shoot him, let them string him up and nail him to a cross, flay the skin from his bones, devour him: he didn’t care. Ruth had betrayed him. The City of Brotherly Love was a fraud. There was the swamp, only the swamp. “Toor-ist!” he called, echoing the girl in the store. “Fall out of boat!”

Nothing. No reaction. The two smaller faces flanked the larger and the three pairs of rinsed-out eyes fastened on him like pincers. The wind screamed. The trees danced. “Toor-ist!” Hiro repeated, cupping his hands to his mouth.

What followed was as astonishing as anything that had happened since he’d taken the plunge from the wingdeck of the Tokachi-maru: they believed him. “Hold on!” the man called as he might have called to a drowning child, and in the next moment he was down off the platform and splashing toward him through the mire. It was nothing short of a rescue. The man threw Hiro’s arm over his shoulder as if he were a casualty of war, as if the rain were a shower of bullets and hot shrapnel, and scuttled back with him to the shelter, where the woman and boy were in motion too, hastily hanging some sort of dropcloth as a protection against the elements. Within minutes the fire was snapping, he was toweling his hair dry and the man was offering him a sleeping bag to wrap himself up in. Then the kettle sang out and a Styrofoam cup of hot instant noodles was thrust into his hand and he was eating while the three fed the fire, stopped the holes in the roof and watched him with bleeding eyes. “More?” the man asked after Hiro had finished, and when he nodded yes, a second Cup O’Noodles appeared as if he’d conjured it.

“You’ll need dry clothes,” the man said, and before he could even communicate the need to the woman, she was digging through a backpack crammed with shirts, shorts, towels and socks. Backpack? Were they campers, then? And if they were, why weren’t they camping out on the clean sweet dry expanse of the open prairie instead of in this sewer? Gaijin: he would never understand them, not if he lived to be a hundred and four. They offered him clothing—a T-shirt that bore a huge childish drawing of a smiling face and the legend WORLD’S GREATEST DAD, a pair of too-tight underwear and cut-off blue jeans that would never have fit him if he hadn’t suffered so much privation of the hara. Hiro went off into the far corner to dress, all the while bowing and asserting his gratitude, calculating on and giving thanks so profuse he could have raised a shrine to them. Did he want more to eat? He did. And then it was meat snapping on the grill, potato chips, hard-boiled eggs, carrot sticks, cabbage salad and pound cake. “Domo” he said, over and over, “domo arigato.”

They were watching him. Sitting there in a semicircle before him, hands clasped to their knees, eyes aglow with charity and fellow-feeling. They watched him eat as a doting young mother might watch her baby spooning up his mashed peas and carrots, hanging on every bite. Inevitably, though, now that they’d rescued and fed him, the questions began. “You’re a Filipino?” the man asked as Hiro fed a wedge of pound cake into his mouth.

Careful, careful. He’d decided that the best policy—the only policy—was to lie. “Chinese,” he said.

Their faces showed nothing. The smoke swirled. Hiro reached for the last piece of pound cake. “And you were out here on a day trip?” the man persisted.

Day trip, day trip: what was he talking about? “Excuse and forgive me, but what is this ’day trip’?”

“In the swamp. As a tourist—like us.” For some reason the man laughed at this, a hearty, beautifully formed laugh that bespoke ease and health and success in business, and which burst from an orthodontic marvel of a mouth. “I mean, did your boat overturn, was anyone hurt? Were you alone?”

“Alone,” Hiro said, leaping at the answer provided for him. He felt that a smile would be helpful at this juncture, and so he gave them one, misaligned teeth and all. This lying business wasn’t so hard really. It was the American way, he saw that now. He was amazed that he’d had such trouble with it at Ambly Wooster’s.

They were the Jeffcoats, from Atlanta, Georgia. From New York, actually. Jeff, Julie and Jeff Jr. (The boy blushed when his father introduced him.) Hiro bowed to each in turn. And then they were watching him again, but with a look of expectation now. What? he wanted to ask them. What is it?

“And you are—?” the man prompted.

“Oh!” Hiro let a little gasp of embarrassed surprise escape him. “How silly. Forgetful. I am—” and then he stopped cold. Who was he? He’d told them he was Chinese, hadn’t he? Chinese, Chinese: what did the Chinese call themselves? Lee, Chan, Wong? There was a place called Yee Mee Loo two blocks from his oba san’s apartment, but the name was ridiculous—he, Hiro Tanaka, standard-bearer for Mishima and Jocho before him, couldn’t be a Yee Mee Loo. Never.

“Yes?” They were leaning forward, smiling like zombies, all three of them, absolutely delighted to be out here in this drizzling hellhole exchanging pleasantries with a mud-smeared Chinaman. Rain dripped from the timbers