The bed creaked loudly as Tante Atie climbed up on her side.
'Don't you ever tell anyone that I cry when I watch Donald and his wife getting ready for bed,' she said, sobbing.
I groped for my clothes in the dark and found the Mother's Day card I had made her. I tucked it under her pillow as I listened to her mumble some final words in her sleep.
Chapter 2
The smell of cinnamon rice pudding scented the whole kitchen. Tante Atie was sitting at the table with a bowl in front of her when I came in. I felt closer to tears with each word I even thought of saying, so I said nothing.
I sat at my usual place at the table and watched out of the corner of my eyes as she poured a bowl of rice pudding and slid it towards me.
'Bonjou,' she said, waving a spoon in front of my face.
'Your bonjou, your greeting, is your passport.'
I kept my head down and took the spoon only when she laid it down in front of me. I did not feel like eating, but if I did not eat, we would have had to sit and stare at one another, and sooner or later, one of us would have had to say something.
I picked up the spoon and began to eat. Tante Atie's lips spread into a little grin as she watched me. Her laughter prefaced the start of what was going to be a funny story.
There were many stories that Tante Atie liked to tell. There were mostly sad stories, but every once in a while, there was a funny one. There was the time when she was a little girl, when my grandmother was a practicing Protestant. Grandme Ife tried to show her Christian faith by standing over the edge of a snake pit and ordering the devils back into the ground. Tante Atie was always bent over with laughter as she remembered the look on Grandme Ife's face when one of the snakes started to crawl up the side of the pit towards her. My grandmother did not come out for days after that.
Whether something was funny or not depended on the way Tante Atie told it. That morning, she could not bring the laughter out of me like she had in the past. It was even hard for her to force it out of herself.
After I had eaten, I washed the dishes and put them in the basket to dry.
'I want to tell you a few things,' Tante Atie said from where she was sitting at the table. 'You need to know certain things about your mother.'
'Why can't you come to New York too?' I interrupted.
'Because it is not the time yet. After you leave, I am going back home to take care of your grandmother. I am only here in Croix-des-Rosets because of your schooling. Once you leave, I can go back.'
'I don't know why you can't go to New York too,' I said.
'We are each going to our mothers. That is what was supposed to happen. Your mother wants to see you now, Sophie. She does not want you to forget who your real mother is. When she left you with me, she and I, we agreed that it would only be for a while. You were just a baby then. She left you because she was going to a place she knew nothing about. She did not want to take chances with you.'
Tante Atie opened the front door and let the morning sun inside. She ran her fingers along the grilled iron as she looked up at the clear indigo sky.
She picked up a broom and began to sweep the mosaic floor.
'My angel,' she said, 'I would like to know that by word or by example I have taught you love. I must tell you that I do love your mother. Everything I love about you, I loved in her first. That is why I could never fight her about keeping you here. I do not want you to go and fight with her either. In this country, there are many good reasons for mothers to abandon their children.' She stopped to pound the dust out of the living room cushions. 'But you were never abandoned. You were with me. Your mother and I, when we were children we had no control over anything. Not even this body.' She pounded her fist over her chest and stomach. 'When my father died, my mother had to dig a hole and just drop him in it. We are a family with dirt under our fingernails. Do you know what that means?'
She did not wait for me to answer.
'That means we've worked the land. We're not educated. My father would have never dreamt that we would live in the same kind of house that people like Monsieur and Madame Augustin live in. He, a school teacher, and we, daughters of the hills, old peasant stock, pitit soyet, ragamuffins. If we can live here, if you have this door open to you, it is because of your mother. Promise me that you are not going to fight with your mother when you get there.'
'I am not going to fight,' I said.
'Good,' she said. 'It would be a shame if the two of you got into battles because you share a lot more than you know.'
She reached over and touched the collar of my lemon-toned house dress.
'Everything you own is yellow,' she said, 'wildflower yellow, like dandelions, sunflowers.'
'And daffodils,' I added.
'That is right,' she said, 'your mother, she loved daffodils.' Tante Atie told me that my mother loved daffodils because they grew in a place that they were not supposed to. They were really European flowers, French buds and stems, meant for colder climates. A long time ago, a French woman had brought them to Croix-des-Rosets and planted them there. A strain of daffodils had grown that could withstand the heat, but they were the color of pumpkins and golden summer squash, as though they had acquired a bronze tinge from the skin of the natives who had adopted them.
Tante Atie took the card from under her pillow and put it on the night table, next to the plane ticket. She said that it would be nice for me to give the card to my mother personally, even though the daffodil was gone.
Chapter 3
The trip to La Nouvelle Dame Marie took five hours in a rocky van. However, Tante Atie thought that I couldn't leave for New York without my grandmother's blessing. Besides, Grandme Ife was getting on in years and this could be my last chance to see her.
The van from Croix-des-Rosets let us off in the marketplace in Dame Marie. The roads to my grandmother's house were too rough for anything but wheelbarrows, mules, or feet.
Tante Atie and I decided to go on foot. We walked by a line of thatched huts where a group of women were pounding millet in a large mortar with a pestle. Others were cooking large cassava cakes in flat pans over charcoal pits.
In the cane fields, the men chopped cane stalks as they sang back and forth to one another. A crammed wheelbarrow rolled towards us. We stepped aside and allowed the boys to pass. They were bare-chested and soaked with sweat, with no protection from the sun except old straw hats.
We passed a farm with a bamboo fence around it. The owner was Man Grace, a tall woman who had hair patches growing out of her chin. Man Grace and her daughter were working in the yard, throwing handfuls of purple corn at a flock of guinea fowls.
My mother had sent money for the reconstruction of her old home. The house stood out from all the others in Dame Marie. It was a flat red brick house with wide windows and a shingled roof. A barbed wire fence bordered my grandmother's pumpkin vines and tuberose stems.
I raced up to the front of the house to stand under the rooster-shaped weather vanes spinning on my grandmother's porch. My grandmother was in the yard, pulling a rope out of her stone well.
'Old woman, I brought your child,' Tante Atie said.
The rope slipped out of my grandmother's hands, the bucket crashing with an echoing splash. I leaped into her arms, nearly knocking her down.
'It does my heart a lot of good to see you,' she said.
Tante Atie kissed my grandmother on the cheek and then went inside the house.
