'Tante Atie told me.'
She ran her fingers along the cardboard, over the empty space where the daffodil had been.
'I haven't gone out and looked for daffodils since I've been here. For all I know, they might not even have them here.'
She ran the card along her cheek, then pressed it against her chest.
'Are there still lots of daffodils?'
'Oui,' I said. 'There are a lot of them.'
Her face beamed even more than when she first saw me at the airport. She bent down and kissed my forehead.
'Thank God for that,' she said.
I couldn't fall asleep. At home, when I couldn't sleep, Tante Atie would stay up with me. The two of us would sit by the window and Tante Atie would tell me stories about our lives, about the way things had been in the family, even before I was born. One time I asked her how it was that I was born with a mother and no father. She told me the story of a little girl who was born out of the petals of roses, water from the stream, and a chunk of the sky. That little girl, she said was me.
As I lay in the dark, I heard my mother talking on the phone.
'Yes,' she said in Creole. 'She is very much here. In bone and flesh. I cannot believe it myself.'
Later that night, I heard that same voice screaming as though someone was trying to kill her. I rushed over, but my mother was alone thrashing against the sheets. I shook her and finally woke her up. When she saw me, she quickly covered her face with her hands and turned away.
'Ou byen? Are you all right?' I asked her.
She shook her head yes.
'It is the night,' she said. 'Sometimes, I see horrible visions in my sleep.'
'Do you have any tea you can boil?' I asked.
Tante Atie would have known all the right herbs.
'Don't worry, it will pass,' she said, avoiding my eyes. 'I will be fine. I always am. The nightmares, they come and go'
There were sirens and loud radios blaring outside the building.
I climbed on the bed and tried to soothe her. She grabbed my face and squeezed it between her palms.
'What is it? Are you scared too?' she asked. 'Don't worry.' She pulled me down into the bed with her. 'You can sleep here tonight if you want. It's okay. I'm here.'
. She pulled the sheet over both our bodies. Her voice began to fade as she drifted off to sleep.
I leaned back in the bed, listening to her snoring.
Soon, the morning light came creeping through the living room window. I kept staring at the ceiling as I listened to her heart beating along with the ticking clock.
'Sophie,' she whispered. Her eyes were still closed. 'Sophie, I will never let you go again.'
Tears burst out of her eyes when she opened them.
'Sophie, I am glad you are with me. We can get along, you and me. I know we can.'
She clung to my hand as she drifted back to sleep.
The sun stung my eyes as it came through the curtains. I slid my hand out of hers to go to the bathroom. The grey linoleum felt surprisingly warm under my feet. I looked at my red eyes in the mirror while splashing cold water over my face. New eyes seemed to be looking back at me. A new face all-together. Someone who had aged in one day, as though she had been through a time machine, rather than an airplane. Welcome to New York, this face seemed to be saying. Accept your new life. I greeted the challenge, like one greets a new day. As my mother's daughter and Tante Atie's child.
Chapter 7
The streets along Flatbush Avenue reminded me of home. My mother took me to Haiti Express, so I could see the place where she sent our money orders and cassettes from.
It was a small room packed with Haitians. People stood on line patiently waiting their turn. My mother slipped Tante Atie's cassette into a padded envelope. As we waited on line, an old fan circled a spider's web above our heads.
A chubby lady greeted my mother politely when we got to the window.
'This is Sophie,' my mother said through the holes in the thick glass. 'She is the one who has given you so much business over the years.'
The lady smiled as she took my mother's money and the package. I kept feeling like there was more I wanted to send to Tante Atie. If I had the power then to shrink myself and slip into the envelope, I would have done it.
I watched as the lady stamped our package and dropped it on top of a larger pile. Around us were dozens of other people trying to squeeze all their love into small packets to send back home.
After we left, my mother stopped at a Haitian beauty salon to buy some castor oil for her hair. Then we went to a small boutique and bought some long skirts and blouses for me to wear to school. My mother said it was important that I learn English quickly. Otherwise, the American students would make fun of me or, even worse, beat me. A lot of other mothers from the nursing home where she worked had told her that their children were getting into fights in school because they were accused of having HBO-Haitian Body Odor. Many of the American kids even accused Haitians of having AIDS because they had heard on television that only the 'Four Hs' got AIDS- Heroin addicts, Hemophiliacs, Homosexuals, and Haitians.
I wanted to tell my mother that I didn't want to go to school. Frankly, I was afraid. I tried to think of something to keep me from having to go. Sickness or death were probably the only two things that my mother would accept as excuses.
A car nearly knocked me out of my reverie. My mother grabbed my hand and pulled me across the street. She stopped in front of a pudgy woman selling rice powder and other cosmetics on the street.
'Sak passe, Jacqueline?' said my mother.
'You know,' answered Jacqueline in Creole. 'I'm doing what I can.'
Jacqueline was wearing large sponge rollers under a hair net on her head. My mother brought some face cream that promised to make her skin lighter.
All along the avenue were people who seemed displaced among the speeding cars and very tall buildings. They walked and talked and argued in Creole and even played dominoes on their stoops. We found Tante Atie's lemon perfume in a botanica shop. On the walls were earthen jars, tin can lamps, and small statues of the beautiful mulatresse, the goddess and loa Erzulie.
We strolled through long stretches of streets where merengue blared from car windows and children addressed one another in curses.
The outdoor subway tracks seemed to lead to the sky. Pebbles trickled down on us as we crossed under the tracks into another more peaceful neighborhood.
My mother held my hand as we walked through those quiet streets, where the houses had large yards and little children danced around sprinklers on the grass. We stopped in front of a building where the breeze was shaking a sign: MARC CHEVALIER, ESQUIRE.
When my mother rang the bell, a stocky Haitian man came to the door. He was a deep bronze color and very well dressed.
My mother kissed him on the cheek and followed him down a long hallway. On either side of us were bookshelves stacked with large books. My mother let go of my hand as we walked down the corridor. He spoke to her in Creole as he opened the door and let us into his office.
He leaned over and shook my hand.
'Marc Jolibois Francis Legrand Moravien Chevalier.'
'Enchante,' I said.
I took a deep breath and looked around. On his desk was a picture of him and my mother, posed against a blue
