factories were located — Russian Renault, Nobel, New Lessner, Erikson, Puzyrev, Vulcan, Phoenix and the Metal Works — and most of them were under the Bolsheviks' sway. These factories contained an inflammable mixture of young and literate metal-workers, who tended to be easily influenced by the Bolsheviks' militant slogans, and the less skilled immigrant workers who had flooded into the cities during the industrial boom of the war, and who consequently had suffered most from the double squeeze of low wages and high rents. Both groups were inclined to engage in violence on the streets. The Vyborg side was also the adopted home of the First Machine-Gun Regiment, the most highly trained and literate and also the most Bolshevized troops in Petrograd, with around 10,000 men and 1,000 machine-guns. During the February Days these machine-gunners had marched from their barracks at Oranienbaum into Petrograd to take part in the mutiny. Militant and self-assertive, they saw themselves as the heroes of the revolution, and refused to return to their barracks so long as the 'bourgeoisie' was 'in power'. In effect, as everyone knew, they were holding the Provisional Government to ransom.63
The left-wing Bolsheviks, with their fighting resolve strengthened by these militant groups, advanced the idea of staging an armed demonstration on 10 June as a show of strength against the Provisional Government. The idea originated in the Military Organization, established by the Bolsheviks in the Petrograd garrison, which promised to bring out 60,000 troops. It soon received the backing of the Kronstadt sailors, who staged a dress rehearsal on 4 June with a march past in military ranks to salute the fallen heroes of the February Days. The Petersburg Bolshevik Committee was also showing signs of coming round in favour. They argued that an outlet had to be found for the soldiers and workers to express their anger at the government's preparations for the new offensive in the war campaign, and that if the Bolsheviks failed to lead the demonstration they might turn away from it and dissipate their anger in undirected violence. The party could not afford to waste the energies of its revolutionary vanguard. But the Central Committee was split, with Lenin, Sverdlov and Stalin (who had turned through 180 degrees since Lenin's return to Russia) in favour of the demonstration, and Kamenev, Zinoviev and Nogin against it on the grounds that the party still lacked sufficient mass support to justify the risks of all but calling for the seizure of power. A final decision was put off until 9 June.
By that time a majority of the Central Committee had come round to
support the idea of an armed demonstration. On 8 June twenty-eight factories had gone on strike in the capital to protest against the government's attempt to expel the Anarchists from their headquarters in the former tsarist minister Durnovo's villa, on the Vyborg side.* Fifty Kronstadt sailors came armed to defend the Anarchists against the government troops. The capital was on the brink of a bloody confrontation, and the moment seemed ripe for an organized show of force. The Mensheviks later argued that the Bolsheviks were prepared to exploit this opportunity for the seizure of power. Sukhanov even claimed that Lenin had worked out elaborate military plans for a Bolshevik
On 18 June the Soviet sponsored its own demonstration in Petrograd. The aim was to rally mass support behind the slogan of 'revolutionary unity', a by-word for the Soviet's continued participation in the coalition, and, from the viewpoint of those who were becoming more radicalized, probably a more acceptable slogan to the call for unconditional support of the government. The Bolsheviks resolved to take part in the march with banners calling for All Power to the Soviets!', and most of the 400,000 marchers who came out did so under
* Popular legend had it that the Anarchists had turned the villa into a madhouse, where orgies, sinister plots and witches' sabbaths were held, but when the Procurator arrived he found it in perfect order with part of the garden used as a creche for the workers' children.
this slogan.67 Perhaps the supporters of the Soviet leaders had deliberately stayed away, as some of the press later suggested. Or perhaps, as seems more likely, the demonstrators did not understand the ideological differences between the Bolsheviks and the Soviet leaders and marched under the banners of the former on the false assumption that it was a mark of loyalty to the latter. Either way, it was a major propaganda victory for the Bolsheviks and did much to encourage their plans in July for another, far more consequential, armed confrontation with the Provisional Government.
iv Gorky's Despair
Gorky to Ekaterina, 18 June 1917:
Today's demonstration was a demonstration of the impotence of the loyal democratic forces. Only the 'Bolsheviks' marched.
Socialism for Gorky had always been essentially a cultural ideal. It meant for him the building of a humanist civilization based on the principles of democracy and on the development of the people's moral, spiritual and intellectual forces. 'The new political life', he wrote in April, 'demands from us a new structure of the soul.' And yet the revolution, as he saw it, had unleashed an 'anarchic wave of plebeian violence and revenge' which threatened to destroy Russian civilization. There had been no 'social revolution', as Gorky understood the term, but only a 'zoological' outburst of violence and destruction. Instead of heralding a new civilization, the Russian Revolution had brought the country to the brink of a 'new dark age of barbaric chaos', in which the instincts of revenge and hatred would overcome all that was good in the people. The task of the democratic intelligentsia, as he saw it in 1917, was the defence of civilization against the destructive violence of the crowd. It was, in his own Arnoldian terms, a struggle of 'culture against anarchy'.69
The violent rejection of everything associated with the old civilization was an integral element of the February Revolution. Symbols of the imperial regime were destroyed, statues of tsarist heroes were smashed, street names were changed. Peasants vandalized manor houses, churches and schools. They burned down libraries and smashed up priceless works of art.
Many romantic socialists saw this iconoclastic violence as a 'natural' (i.e. positive) revolutionary impulse from an oppressed people with much to avenge. Trotsky, for example, spoke in idealistic terms of the revolution, even through the incitement of aggression, arousing the human personality.
It is natural that persons unaccustomed to revolution and its psychology, or persons who have previously only experienced in the realm of ideas that which has unfolded before them physically, materially, may view with some sorrow, if not disgust, the anarchic wildness and violence which appeared on the surface of the revolutionary