Instead of lying to him, I evaded the issue — although it was the issue — by blurting out the reason for my sudden reappearance.
'Father, I need to borrow five thousand dollars. For a good reason.'
He looked at me. And sort of nodded, I think.
'Well? 'he said.
'Sir?' I asked.
'May I know the reason?' he asked.
'I can't tell you, Father. Just lend me the dough. Please.'
I had the feeling — if one can actually receive feelings from Oliver Barrett III — that he intended to give me the money. I also sensed that he didn't want to give me any heat. But he did want to … talk.
'Don't they pay you at Jonas and Marsh?' he asked.
'Yes, sir.'
I was tempted to tell him how much, merely to let him know it was a class record, but then I thought if he knew where I worked, he probably knew my salary as well.
'And doesn't she teach too?' he asked.
Well, he doesn't know everything.
'Don't call her 'she,'' I said.
'Doesn't Jennifer teach?' he asked politely.
'And please leave her out of this, Father. This is a personal matter. A very important personal matter.'
'Have you gotten some girl in trouble?' he asked, but without any deprecation in his voice.
'Yeah,' I said, 'yes, sir. That's it. Give me the dough. Please.'
I don't think for a moment he believed my reason. I don't think he really wanted to know. He had questioned me merely, as I said before, so we could … talk.
He reached into his desk drawer and took out a checkbook bound in the same cordovan leather as the handle of his letter opener and the case for his scissors. He opened it slowly. Not to torture me, I don't think, but to stall for time. To find things to say. Non-abrasive things.
He finished writing the check, tore it from the book and then held it out toward me. I was maybe a split second slow in realizing I should reach out my hand to meet his. So he got embarrassed (I think), withdrew his hand and placed the check on the edge of his desk. He looked at me now and nodded. His expression seemed to say, 'There it is, son.' But all he really did was nod.
It's not that I wanted to leave, either. It's just that I myself couldn't think of anything neutral to say. And we couldn't just sit there, both of us willing to talk and yet unable even to look the other straight in the face.
I leaned over and picked up the check. Yes, it said five thousand dollars, signed Oliver Barrett HI.
It was already dry. I folded it carefully and put it into my shirt pocket as I rose and shuffled to the door. I should at least have said something to the effect that I knew that on my account very important Boston dignitaries (maybe even Washington) were cooling their heels in his outer office, and yet if we had more to say to one another I could even hang around your office, Father, and you would cancel your luncheon plans … and so forth.
I stood there with the door half open, and summoned the courage to look at him and say:
'Thank you, Father.'
21
The task of informing Phil Cavilleri fell to me. Who else? He did not go to pieces as I feared he might, but calmly closed the house in Cranston and came to live in our apartment. We all have our idiosyncratic ways of coping with grief. Phil's was to clean the place. To wash, to scrub, to polish. I don't really understand his thought processes, but Christ, let him work.
Does he cherish the dream that Jenny will come home?
He does, doesn't he? The poor bastard. That's why he's cleaning up. He just won't accept things for what they are. Of course, he won't admit this to me, but I know it's on his mind.
Because it's on mine too.
Once she was in the hospital, I called old man Jonas and let him know why I couldn't be coming to work. I pretended that I had to hurry off the phone because I know he was pained and wanted to say things he couldn't possibly express. From then on, the days were simply divided between visiting hours and everything else. And of course everything else was nothing. Eating without hunger, watching Phil clean the apartment (again!) and not sleeping even with the prescription Ackerman gave me.
Once I overheard Phil mutter to himself, 'I can't stand it much longer.' He was in the next room, washing our dinner dishes (by hand). I didn't answer him, but I did think to myself, I can. Whoever's Up There running the show, Mr. Supreme Being, sir, keep it up, I can take this ad infinitum. Because Jenny is Jenny.
That evening, she kicked me out of the room. She wanted to speak to her father 'man to man.'
'This meeting is restricted only to Americans of Italian descent,' she said, looking as white as her pillows, 'so beat it, Barrett.'
'Okay,' I said.
'But not too far,' she said when I reached the door.
I went to sit in the lounge. Presently Phil appeared.
'She says to get your ass in there,' he whispered hoarsely, like the whole inside of him was hollow. 'I'm gonna buy some cigarettes.'
'Close the goddamn door,' she commanded as I entered the room. I obeyed, shut the door quietly, and as I went back to sit by her bed, I caught a fuller view of her. I mean, with the tubes going into her right arm, which she would keep under the covers. I always liked to sit very close and just look at her face, which, however pale, still had her eyes shining in it.
So I quickly sat very close.
'It doesn't hurt, Ollie, really,' she said. 'It's like falling off a cliff in slow motion, you know?'
Something stirred deep in my gut. Some shapeless thing that was going to fly into my throat and make me cry. But I wasn't going to. I never have. I'm a tough bastard, see? I am not gonna cry.
But if I'm not gonna cry, then I can't open my mouth. I'll simply have to nod yes. So I nodded yes.
'Bullshit,' she said.
'Huh?' It was more of a grunt than a word.
'You don't know about falling off cliffs, Preppie,' she said. 'You never fell off one in your goddamn life.'
'Yeah,' I said, recovering the power of speech. 'When I met you.'
'Yeah,' she said, and a smile crossed her face. ''Oh, what a falling off was there.' Who said that?'
'I don't know,' I replied. 'Shakespeare.'
'Yeah, but who?' she said kind of plaintively. 'I can't remember which play, even. I went to Radcliffe, I should remember things. I once knew all the Mozart Kochel listings.'
'Big deal,' I said.
'You bet it was,' she said, and then screwed up her forehead, asking, 'What number is the C Minor Piano Concerto?'
'I'll look it up,' I said.
I knew just where. Back in the apartment, on a shelf by the piano. I would look it up and tell her first thing tomorrow.
'I used to know,' Jenny said, 'I did. I used to know.'
'Listen,' I said, Bogart style, 'do you want to talk music?'
'Would you prefer talking funerals?' she asked.
'No,' I said, sorry for having interrupted her.
'I discussed it with Phil. Are you listening, Ollie?'
I had turned my face away.
'Yeah, I'm listening, Jenny.'
