“No—it remains in. Which is much the best way for it. For you to know it would be to end it.”
He looked rather cheerfully at sea. “Is that then why you tell me?”
“I mean for her to know you know it. Therefore it’s in your interest not to let her.”
“I see,” Voyt after a moment returned. “Your real calculation is that my interest will be sacrificed to my vanity—so that, if your other idea is just, the flame will in fact, and thanks to her morbid conscience, expire by her taking fright at seeing me so pleased. But I promise you,” he declared, “that she shan’t see it. So there you are!” She kept her eyes on him and had evidently to admit after a little that there she was. Distinct as he had made the case, however, he wasn’t yet quite satisfied. “Why are you so sure I’m the man?”
“From the way she denies you.”
“You put it to her?”
“Straight. If you hadn’t been she’d of course have confessed to you—to keep me in the dark about the real one.”
Poor Voyt laughed out again. “Oh you dear souls!”
“Besides,” his companion pursued, “I wasn’t in want of that evidence.”
“Then what other had you?”
“Her state before you came—which was what made me ask you how much you had seen her. And her state after it,” Mrs. Dyott added. “And her state,” she wound up, “while you were here.”
“But her state while I was here was charming.”
“Charming. That’s just what I say.”
She said it in a tone that placed the matter in its right light—a light in which they appeared kindly, quite tenderly, to watch Maud wander away into space with her lovely head bent under a theory rather too big for it. Voyt’s last word, however, was that there was just enough in it—in the theory—for them to allow that she had not shown herself, on the occasion of their talk, wholly bereft of sense. Her consciousness, if they let it alone—as they of course after this mercifully must—WAS, in the last analysis, a kind of shy romance. Not a romance like their own, a thing to make the fortune of any author up to the mark—one who should have the invention or who COULD have the courage; but a small scared starved subjective satisfaction that would do her no harm and nobody else any good. Who but a duffer—he stuck to his contention—would see the shadow of a “story” in it?
FLICKERBRIDGE
CHAPTER I
Frank Granger had arrived from Paris to paint a portrait—an order given him, as a young compatriot with a future, whose early work would some day have a price, by a lady from New York, a friend of his own people and also, as it happened, of Addie’s, the young woman to whom it was publicly both affirmed and denied that he was engaged. Other young women in Paris—fellow-members there of the little tight transpontine world of art-study— professed to know that the pair had “several times” over renewed their fond understanding. This, however, was their own affair; the last phase of the relation, the last time of the times, had passed into vagueness; there was perhaps even an impression that if they were inscrutable to their friends they were not wholly crystalline to each other and themselves. What had occurred for Granger at all events in connexion with the portrait was that Mrs. Bracken, his intending model, whose return to America was at hand, had suddenly been called to London by her husband, occupied there with pressing business, but had yet desired that her displacement should not interrupt her sittings. The young man, at her request, had followed her to England and profited by all she could give him, making shift with a small studio lent him by a London painter whom he had known and liked a few years before in the French atelier that then cradled, and that continued to cradle, so many of their kind.
The British capital was a strange grey world to him, where people walked, in more ways than one, by a dim light; but he was happily of such a turn that the impression, just as it came, could nowhere ever fail him, and even the worst of these things was almost as much an occupation—putting it only at that—as the best. Mrs. Bracken moreover passed him on, and while the darkness ebbed a little in the April days he found himself consolingly committed to a couple of fresh subjects. This cut him out work for more than another month, but meanwhile, as he said, he saw a lot—a lot that, with frequency and with much expression, he wrote about to Addie. She also wrote to her absent friend, but in briefer snatches, a meagreness to her reasons for which he had long since assented. She had other play for her pen as well as, fortunately, other remuneration; a regular correspondence for a “prominent Boston paper,” fitful connexions with public sheets perhaps also in cases fitful, and a mind above all engrossed at times, to the exclusion of everything else, with the study of the short story. This last was what she had mainly come out to go into, two or three years after he had found himself engulfed in the mystery of Carolus. She was indeed, on her own deep sea, more engulfed than he had ever been, and he had grown to accept the sense that, for progress too, she sailed under more canvas. It hadn’t been particularly present to him till now that he had in the least got on, but the way in which Addie had—and evidently still more would—was the theme, as it were, of every tongue. She had thirty short stories out and nine descriptive articles. His three or four portraits of fat American ladies—they were all fat, all ladies and all American— were a poor show compared with these triumphs; especially as Addie had begun to throw out that it was about time they should go home. It kept perpetually coming up in Paris, in the transpontine world, that, as the phrase was, America had grown more interesting since they left. Addie was attentive to the rumour, and, as full of conscience as she was of taste, of patriotism as of curiosity, had often put it to him frankly, with what he, who was of New York, recognised as her New England emphasis: “I’m not sure, you know, that we do REAL justice to our country.” Granger felt he would do it on the day—if the day ever came— he should irrevocably marry her. No other country could possibly have produced her.
CHAPTER II
But meanwhile it befell that, in London, he was stricken with influenza and with subsequent sorrow. The attack was short but sharp—had it lasted Addie would certainly have come to his aid; most of a blight really in its secondary stage. The good ladies his sitters—the ladies with the frizzled hair, with the diamond earrings, with the chins tending to the massive—left for him, at the door of his lodgings, flowers, soup and love, so that with their assistance he pulled through; but his convalescence was slow and his weakness out of proportion to the muffled shock. He came out, but he went about lame; it tired him to paint—he felt as if he had been ill three months. He strolled in Kensington Gardens when he should have been at work; he sat long on penny chairs and helplessly mused and mooned. Addie desired him to return to Paris, but there were chances under his hand that he felt he had just wit enough left not to relinquish. He would have gone for a week to the sea—he would have gone to Brighton; but Mrs. Bracken had to be finished—Mrs. Bracken was so soon to sail. He just managed to finish her in time—the day before the date fixed for his breaking ground on a greater business still, the circumvallation of Mrs. Dunn. Mrs. Dunn duly waited on him, and he sat down before her, feeling, however, ere he rose, that he must take a long breath before the attack. While asking himself that night, therefore, where he should best replenish his lungs he received from Addie, who had had from Mrs. Bracken a poor report of him, a communication which, besides being of sudden and startling interest, applied directly to his case.
