by. The gentle circles of sound floated outward upon the smooth immense silence—over the vines and pear-trees; down the avenues of the olives; into the planted fields, whence women and children began to return; then out of the lap of the valley along the yellow uplands, where the men that rode among the cattle paused, looking down like birds at the map of their home. Then the sound widened, faint, unbroken, until it met Temptation riding towards the padre from the south, and cheered the steps of Temptation's jaded horse.
'For a day, one single day of Paris!' repeated the padre, gazing through his cloisters at the empty sea.
Once in the year the mother-world remembered him. Once in the year a barkentine came sailing with news and tokens from Spain. It was in 1685 that a galleon had begun such voyages up to the lower country from Acapulco, where she loaded the cargo that had come across Tehuantepec on mules from Vera Cruz. By 1768 she had added the new mission of San Diego to her ports. In the year that we, a thin strip of colonists away over on the Atlantic edge of the continent, declared ourselves an independent nation, that Spanish ship, in the name of Saint Francis, was unloading the centuries of her own civilization at the Golden Gate. Then, slowly, as mission after mission was planted along the soft coast wilderness, she made new stops—at Santa Barbara, for instance; and by Point San Luis for San Luis Obispo, that lay inland a little way up the gorge where it opened among the hills. Thus the world reached these places by water; while on land, through the mountains, a road came to lead to them, and also to many more that were too distant behind the hills for ships to serve—a long, lonely, rough road, punctuated with church towers and gardens. For the fathers gradually so stationed their settlements that the traveller might each morning ride out from one mission and by evening of a day's fair journey ride into the next. A long, rough road; and in its way pretty to think of now.
So there, by-and-by, was our continent, with the locomotive whistling from Savannah to Boston along its eastern edge, and on the other the scattered chimes of Spain ringing among the unpeopled mountains. Thus grew the two sorts of civilization—not equally. We know what has happened since. To-day the locomotive is whistling also from the Golden Gate to San Diego; but the old mission road goes through the mountains still, and on it the steps of vanished Spain are marked with roses, and white cloisters, and the crucifix.
But this was 1855. Only the barkentine brought the world that he loved to the padre. As for the new world which was making a rude noise to the northward, he trusted that it might keep away from Santa Ysabel, and he waited for the vessel that was overdue with its package containing his single worldly indulgence.
As the little, ancient bronze bell continued its swinging in the tower, its plaintive call reached something in the padre's memory. Without knowing, he began to sing. He took up the slow strain not quite correctly, and dropped it, and took it up again, always in cadence with the bell:
[Musical Score Appears Here]
At length he heard himself, and glancing at the belfry, smiled a little. 'It is a pretty tune,' he said, 'and it always made me sorry for poor Fra Diavolo. Auber himself confessed to me that he had made it sad and put the hermitage bell to go with it because he too was grieved at having to kill his villain, and wanted him to die, if possible, in a religious frame of mind. And Auber touched glasses with me and said—how well I remember it!—'Is it the good Lord, or is it merely the devil, that makes me always have a weakness for rascals?' I told him it was the devil. I was not a priest then. I could not be so sure with my answer now.' And then Padre Ignazio repeated Auber's remark in French: ''Est-ce le bon Dieu, on est-ce bien le diable, qui me fait tonjours aimer les coquins?' I don't know! I don't know! I wonder if Auber has composed anything lately? I wonder who is singing Zerlina now?'
He cast a farewell look at the ocean, and took his steps between the monastic herbs and the oleanders to the sacristy. 'At least,' he said, 'if we cannot carry with us into exile the friends and the places that we have loved, music will go where we go, even to such an end of the world as this. Felipe!' he called to his organist. 'Can they sing the music I taught them for the Dixit Dominus to-night?'
'Yes, father, surely.'
'Then we will have that. And, Felipe—' The padre crossed the chancel to the small shabby organ. 'Rise, my child, and listen. Here is something you can learn. Why, see now if you cannot learn it with a single hearing.'
The swarthy boy of sixteen stood watching his master's fingers, delicate and white, as they played. So of his own accord he had begun to watch them when a child of six; and the padre had taken the wild, half-scared, spellbound creature and made a musician of him.
