into the office of Governor to rubber stamp federal projects, Lamar Alexander maintained influence over state politics. At the same time, he maintained influence over national politics through his role as chairman of the National Governor's Association in 1986.

As the 1984 Governor's Convention drew near, I met with Lamar Alexander at the Stockyard nightclub where he was drinking with his long time associate and partner-in-crime, Nashville's Mayor Richard Fulton. In the basement bar of this old, converted stockyard was a modified antique 'Shoe Shine' booth, where the term took on new meaning. A key to a private shoeshine booth could be obtained by those in the know through Stockyard owner, Buddy Killen. This closet-sized booth was lined in mirrors and had a small bench where Lamar Alexander sat after our business was concluded. I knelt at his feet as ordered to perform oral sex. Programmed sex slaves such as myself were trained to go long periods of time without drawing a breath, and users such as Alexander stretched this time to the maximum.[60]

On this occasion, Alexander apparently exceeded the maximum. I do not recall completion of my programmed task. It was afterhours when my mind-control handler, Alex Houston, dragged my limp body from the booth, roused me, and ordered me out of the building. Buddy Killen opened a back door that once was a cattle run, and Houston half-dragged me out the back exit unseen.

The night of the Convention, Alex Houston's youngest daughter, Bonnie [61], was to join me. Bonnie and E were close to the same age, and together we dressed for the occasion. As a prostitute, Bonnie was familiar with Lamar Alexander and his perversions but nevertheless was excited at the prospect of seeing 'old friends' at the Convention via Louise Mandrell[62], who would be entertaining there. The comradery between Alex Houston and trby Mandrell that developed during Bob Hope's U.S.O. tours in the 1960s lasted for decades due to their shared involvement in running mind-controlled slaves for Byrd.

Bonnie shared in this friendship with the Mandrells and was looking forward to seeing her «friends» in the band. I, too, was looking forward to talking with Louise Mandrell, but for a very different reason. Barbara had just endured her near-fatal car crash, and I was deeply concerned for her welfare. Throughout the 1980s while traveling under the guise of the Country Music Industry, Alex Houston toured with Barbara and/or Louise Mandrell on a regular basis. Occasionally Barbara and I saw each other in 'church,' the Hendersonville Lord's Chapel. This church was an offshoot of Billy Roy Moore's Lord's Chapel, and was pastored by his mind-controlled slave, Mike Nelson, who became close friends with Barbara[63]. Alex Houston and I were present when Mike Nelson broke program, and attempted to flee for his Life with Barbara Mandrell. The pastor was subdued with a stun gun and immediately relieved of his position, while Barbara frantically sought answers to the questions the two of them had managed to raise.

Alex Houston was touring with Louise Mandrel] in 1984 when Louise had a «premonition» of Barbara's imminent demise — much the same way Loretta Lynn 'psychicly predicted' her son's murder. Like the murders of Loretta's son and Country Music entertainer Keith Whitley, I was aware of Barbara's planned accident before it occurred due to Alex Houston's direct involvement. These traumas were also used as a means of locking in my mind-controlled belief that I had 'no where to run and no where to hide'. Worst of all, I could not think to speak of what I knew due to my own absolute mind control. While Barbara physically survived her ordeal, her voice was silenced as planned.

When Bonnie and I arrived at Opryland Hotel, we hurried to the ballroom where Louise Mandrell would be performing. My concern for Barbara detracted me from my appointment with Lamar Alexander until one of Louise's dancers who knew of my role put me 'back on track'.

'What are you doing here?' he demanded. 'You're supposed to be at Rhett Butler's restaurant NOW.'

I hurried to the restaurant where Lamar Alexander was having dinner with Senator Byrd and several governors. Byrd was participating in the function for reasons unknown to me, but I was aware that he had fiddled at the Opry. Byrd stopped eating just long enough to acknowledge my presence, 'Where have you been?'

'I was checking on Barbara over at the show,' I replied as Lamar Alexander excused himself and walked over.

Putting an arm around me and turning me away from the table, he whispered, 'You could wind up just like her if you don't get with the program. You've got programs to hand out. But right now, you're interrupting my dinner. Have you had anything to drink?'.

'No, Sir,' I replied, traumatized at the magnitude of his threat.

Lamar Alexander instructed me to leave immediately, order a grasshopper from the conservatory bar, and wait for further instructions.

It was a matter of routine for me to order a «grasshopper» from Opryland Hotel's conservatory. The ice cream «drink» was specially made — always with a hypnotic drug in it. As sometimes happened, the waitress was unfamiliar with the process, and conservatory harp player and CIA operative Lloyd Lindroth interceded. The drug had the same effect as that administered at the D.C. NASA programming center by Bennett, and my mode was robotic compliance.

After the drug kicked in, Lloyd Lindroth instructed me to proceed to the main ballroom of the Hotel, where Lamar Alexander would be meeting me.

The outer lobby of the ballroom was decorated in wall-size murals that extended to the top of the gothic ceiling. A life-size steam engine depicted on the far wall appeared to be racing toward the grand staircase. I had seen the murals numerous times before, but never had they seemed so real as they did to me that night on the NASA drug. The heavy double doors leading to the ballroom caused me to feel very small as I pulled with all my strength to open it. Inside, the room was a sea of black suits and ties, and I was relieved when Lamar Alexander ushered me back out into the lobby.

Alexander positioned me near the train mural as a cryptic indicator to those in the know ihat I was a «trained» mind-controlled slave. I was provided a box of brown envelopes packed with the Education 2000 information I was to hand out to the governors. Alexander instructed me on exactly what I was to say in conjunction with the message Bennett had programmed me with in D.C. Then he returned to the ballroom, where he apparently acted in the capacity of a pimp.

'Are you waiting on the train?' a paunchy governor asked,

'No, Sir,' I answered. Then, as instructed, I said, 'But I do have a packet of information with your name on it. Shall I take it to your room for you?'

'Oh? And what is my name?' he asked.

'Governor,' I responded. There actually were no names on the envelopes.

'Astute,' he responded. 'And what is it you have for me?'

'This packet,' I answered, handing it to him. 'And anything else you want compliments of Lamar Alexander and (tapped) Secretary of Education, Bill Bennett.'

According to some of the men, Alexander had cued them as to my position. Others, such as then Governor of Pennsylvania, Dick Thornburgh and Ohio Governor Dick Celeste already knew me,

'I've got a packet of information with your name on it.. 'I was saying as I bent over to lift one from the box.

'I don't think so,' Governor Blanchard of Michigan interrupted. 'Bill (Bennett) wouldn't stoop so low as to insult me that way. I'm doing the same thing here you are, but from a very different approach. The figures I offer reflect the success of Education 2000 in the Michigan school system.'

I recognized Governor Blanchard, and was well aware of Michigan's ranking first in the nation in education. 'Speaking of which,' he continued, 'I believe I see your mother more often than you do these days since she is working in the schools. That little sister of yours (Kimmy) is a prime example of what proper instruction can produce. Your little sister is coming to Mackinac to further her skills. Your whole family is a prime example of how good Education 2000 works.'

I finally met up with Bonnie again in Lamar Alexander's room as the night came to a close. 'Bonnie, how's that snake of yours?' he asked. Bonnie, who had been filmed pornographically by CIA commercial photographer Jimmy Walker with Dick Flood's snakes, had a pel boa consticter,

'Great!' Bonnie laughed. 'How's yours?'

'Constricted,' he replied,

Bonnie unzipped his pants as she admittedly had done numerous times in the past, playfully sayings 'Let it loose!'

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