The hall was hung round with family female insipidities by Lely and unprepossessing male Thornes in red coats by Kneller, each Thorne having been let into a panel in the wainscoting, in the proper manner. At the further end of the room was a huge fire-place, which afforded much ground of difference between the brother and sister. An antiquated grate that would hold about a hundredweight of coal, had been stuck on to the hearth by Mr. Thorne’s father. This hearth had of course been intended for the consumption of wood faggots, and the iron dogs for the purpose were still standing, though half-buried in the masonry of the grate. Miss Thorne was very anxious to revert to the dogs. The dear good old creature was always glad to revert to anything, and had she been systematically indulged, would doubtless in time have reflected that fingers were made before forks and have reverted accordingly. But in the affairs of the fire-place Mr. Thorne would not revert. Country gentlemen around him all had comfortable grates in their dining-rooms. He was not exactly the man to have suggested a modern usage, but he was not so far prejudiced as to banish those which his father had prepared for his use. Mr. Thorne had indeed once suggested that with very little contrivance the front door might have been so altered as to open at least into the passage, but on hearing this, his sister Monica—such was Miss Thorne’s name—had been taken ill and had remained so for a week. Before she came downstairs she received a pledge from her brother that the entrance should never be changed in her lifetime.
At the end of the hall opposite to the fire-place a door led into the drawing-room, which was of equal size, and lighted with precisely similar windows. But yet the aspect of the room was very different. It was papered, and the ceiling, which in the hall showed the old rafters, was whitened and finished with a modern cornice. Miss Thorne’s drawing-room, or, as she always called it, withdrawing-room, was a beautiful apartment. The windows opened on to the full extent of the lovely trim garden; immediately before the windows were plots of flowers in stiff, stately, stubborn little beds, each bed surrounded by a stone coping of its own; beyond, there was a low parapet wall on which stood urns and images, fawns, nymphs, satyrs, and a whole tribe of Pan’s followers; and then again, beyond that, a beautiful lawn sloped away to a sunk fence which divided the garden from the park. Mr. Thorne’s study was at the end of the drawing-room, and beyond that were the kitchen and the offices. Doors opened into both Miss Thorne’s withdrawing-room and Mr. Thorne’s sanctum from the passage above alluded to, which, as it came to the latter room, widened itself so as to make space for the huge black oak stairs which led to the upper regions.
Such was the interior of Ullathorne Court. But having thus described it, perhaps somewhat too tediously, we beg to say that it is not the interior to which we wish to call the English tourist’s attention, though we advise him to lose no legitimate opportunity of becoming acquainted with it in a friendly manner. It is the outside of Ullathorne that is so lovely. Let the tourist get admission at least into the garden and fling himself on that soft sward just opposite to the exterior angle of the house. He will there get the double frontage and enjoy that which is so lovely —the expanse of architectural beauty without the formal dullness of one long line.
It is the colour of Ullathorne that is so remarkable. It is of that delicious tawny hue which no stone can give, unless it has on it the vegetable richness of centuries. Strike the wall with your hand, and you will think that the stone has on it no covering, but rub it carefully, and you will find that the colour comes off upon your finger. No colourist that ever yet worked from a palette has been able to come up to this rich colouring of years crowding themselves on years.
Ullathorne is a high building for a country-house, for it possesses three stories, and in each story the windows are of the same sort as that described, though varying in size and varying also in their lines athwart the house. Those of the ground floor are all uniform in size and position. But those above are irregular both in size and place, and this irregularity gives a bizarre and not unpicturesque appearance to the building. Along the top, on every side, runs a low parapet, which nearly hides the roof, and at the corners are more figures of fawns and satyrs.
Such is Ullathorne House. But we must say one word of the approach to it, which shall include all the description which we mean to give of the church also. The picturesque old church of St. Ewold’s stands immediately opposite to the iron gates which open into the court, and is all but surrounded by the branches of the lime-trees which form the avenue leading up to the house from both sides. This avenue is magnificent, but it would lose much of its value in the eyes of many proprietors by the fact that the road through it is not private property. It is a public lane between hedgerows, with a broad grass margin on each side of the road, from which the lime-trees spring. Ullathorne Court, therefore, does not stand absolutely surrounded by its own grounds, though Mr. Thorne is owner of all the adjacent land. This, however, is the source of very little annoyance to him. Men, when they are acquiring property, think much of such things, but they who live where their ancestors have lived for years do not feel the misfortune. It never occurred either to Mr. or Miss Thorne that they were not sufficiently private because the world at large might, if it so wished, walk or drive by their iron gates. That part of the world which availed itself of the privilege was however very small.
Such a year or two since were the Thornes of Ullathorne. Such, we believe, are the inhabitants of many an English country-home. May it be long before their number diminishes.
CHAPTER XXIII
Mr. Arabin Reads Himself in at St. Ewold’s
On the Sunday morning the archdeacon with his sister-in-law and Mr. Arabin drove over to Ullathorne, as had been arranged. On their way thither the new vicar declared himself to be considerably disturbed in his mind at the idea of thus facing his parishioners for the first time. He had, he said, been always subject to
Thereupon Mr. Arabin commenced to subtilize. The change, he said, from St. Mary’s to St. Ewold’s was quite as powerful on the spirits as would be that from St. Ewold’s to St. Mary’s. Would not a peer who, by chance of fortune, might suddenly be driven to herd among navvies be as afraid of the jeers of his companions as would any navvy suddenly exalted to a seat among the peers? Whereupon the archdeacon declared with a loud laugh that he would tell Miss Thorne that her new minister had likened her to a navvy. Eleanor, however, pronounced such a conclusion to be unfair; a comparison might be very just in its proportions which did not at all assimilate the things compared. But Mr. Arabin went on subtilizing, regarding neither the archdeacon’s raillery nor Eleanor’s defence. A young lady, he said, would execute with most perfect self-possession a difficult piece of music in a room crowded with strangers, who would not be able to express herself in intelligible language, even on any ordinary subject and among her most intimate friends, if she were required to do so standing on a box somewhat elevated among them. It was all an affair of education, and he at forty found it difficult to educate himself anew.
Eleanor dissented on the matter of the box, and averred she could speak very well about dresses, or babies, or legs of mutton from any box, provided it were big enough for her to stand upon without fear, even though all her friends were listening to her. The archdeacon was sure she would not be able to say a word, but this proved nothing in favour of Mr. Arabin. Mr. Arabin said that he would try the question out with Mrs. Bold, and get her on a box some day when the rectory might be full of visitors. To this Eleanor assented, making condition that the visitors should be of their own set, and the archdeacon cogitated in his mind whether by such a condition it was intended that Mr. Slope should be included, resolving also that, if so, the trial would certainly never take place in the rectory drawing-room at Plumstead.
And so arguing, they drove up to the iron gates of Ullathorne Court.
