Daniel Deronda

indiscretion, at another to repel it by proud concealment. He tried to keep out of her way by devoting himself to Miss Juliet Fenn, a young lady whose profile had been so unfavorably decided by circumstances over which she had no control, that Gwendolen some months ago had felt it impossible to be jealous of her. Nevertheless, when they were seeing the kitchen—a part of the original building in perfect preservation—the depth of shadow in the niches of the stone-walls and groined vault, the play of light from the huge glowing fire on polished tin, brass, and copper, the fine resonance that came with every sound of voice or metal, were all spoiled for Gwendolen, and Sir Hugo’s speech about them was made rather importunate, because Deronda was discoursing to the other ladies and kept at a distance from her. It did not signify that the other gentlemen took the opportunity of being near her: of what use in the world was their admiration while she had an uneasy sense that there was some standard in Deronda’s mind which measured her into littleness? Mr. Vandernoodt, who had the mania of always describing one thing while you were looking at another, was quite intolerable with his insistence on Lord Blough’s kitchen, which he had seen in the north.

“Pray don’t ask us to see two kitchens at once. It makes the heat double. I must really go out of it,” she cried at last, marching resolutely into the open air, and leaving the others in the rear. Grandcourt was already out, and as she joined him, he said—

“I wondered how long you meant to stay in that damned place”—one of the freedoms he had assumed as a husband being the use of his strongest epithets. Gwendolen, turning to see the rest of the party approach, said—

“It was certainly rather too warm in one’s wraps.”

They walked on the gravel across a green court, where the snow still lay in islets on the grass, and in masses on the boughs of the great cedar and the crenelated coping of the stone walls, and then into a larger court, where there was another cedar, to find the beautiful choir long ago turned into stables, in the first instance perhaps after an impromptu fashion by troopers, who had a pious satisfaction in insulting the priests of Baal and the images of Ashtoreth, the queen of heaven. The exterior—its west end, save for the stable door, walled in with brick and covered with ivy—was much defaced, maimed of finial and gurgoyle, the friable limestone broken and fretted, and lending its soft gray to a powdery dark lichen; the long windows, too, were filled in with brick as far as the springing of the arches, the broad clerestory windows with wire or ventilating blinds. With the low wintry afternoon sun upon it, sending shadows from the cedar boughs, and lighting up the touches of snow remaining on every ledge, it had still a scarcely disturbed aspect of antique solemnity, which gave the scene in the interior rather a startling effect; though, ecclesiastical or reverential indignation apart, the eyes could hardly help dwelling with pleasure on its piquant picturesqueness. Each finely-arched chapel was turned into a stall, where in the dusty glazing of the windows there still gleamed patches of crimson, orange, blue, and palest violet; for the rest, the choir had been gutted, the floor leveled, paved, and drained according to the most approved fashion, and a line of loose boxes erected in the middle: a soft light fell from the upper windows on sleek brown or gray flanks and haunches; on mild equine faces looking out with active nostrils over the varnished brown boarding; on the hay hanging from racks where the saints once looked down from the altarpieces, and on the pale golden straw scattered or in heaps; on a little white-and-liver-colored spaniel making his bed on the back of an elderly hackney, and on four ancient angels, still showing signs of devotion like mutilated martyrs—while over all, the grand pointed roof, untouched by reforming wash, showed its lines and colors mysteriously through veiling shadow and cobweb, and a hoof now and then striking against the boards seemed to fill the vault with thunder, while outside there was the answering bay of the blood-hounds.

“Oh, this is glorious!” Gwendolen burst forth, in forgetfulness of everything but the immediate impression: there had been a little intoxication for her in the grand spaces of courts and building, and the fact of her being an important person among them. “This is glorious! Only I wish there were a horse in every one of the boxes. I would ten times rather have these stables than those at Diplow.”

But she had no sooner said this than some consciousness arrested her, and involuntarily she turned her eyes toward Deronda, who oddly enough had taken off his felt hat and stood holding it before him as if they had entered a room or an actual church. He, like others, happened to be looking at her, and their eyes met—to her intense vexation, for it seemed to her that by looking at him she had betrayed the reference of her thoughts, and she felt herself blushing: she exaggerated the impression that even Sir Hugo as well as Deronda would have of her bad taste in referring to the possession of anything at the Abbey: as for Deronda, she had probably made him despise her. Her annoyance at what she imagined to be the obviousness of her confusion robbed her of her usual facility in carrying it off by playful speech, and turning up her face to look at the roof, she wheeled away in that attitude. If any had noticed her blush as significant, they had certainly not interpreted it by the secret windings and recesses of her feeling. A blush is no language: only a dubious flag-signal which may mean either of two contradictories. Deronda alone had a faint guess at some part of her feeling; but while he was observing her he was himself under observation.

“Do you take off your hat to horses?” said Grandcourt, with a slight sneer.

“Why not?” said Deronda, covering himself. He had really taken off the hat automatically, and if he had been an ugly man might doubtless have done so with impunity; ugliness having naturally the air of involuntary exposure, and beauty, of display.

Gwendolen’s confusion was soon merged in the survey of the horses, which Grandcourt politely abstained from appraising, languidly assenting to Sir Hugo’s alternate depreciation and eulogy of the same animal, as one that he should not have bought when he was younger, and piqued himself on his horses, but yet one that had better qualities than many more expensive brutes.

“The fact is, stables dive deeper and deeper into the pocket nowadays, and I am very glad to have got rid of that demangeaison,” said Sir Hugo, as they were coming out.

“What is a man to do, though?” said Grandcourt. “He must ride. I don’t see what else there is to do. And I don’t call it riding to sit astride a set of brutes with every deformity under the sun.”

This delicate diplomatic way of characterizing Sir Hugo’s stud did not require direct notice; and the baronet, feeling that the conversation had worn rather thin, said to the party generally, “Now we are going to see the cloister—the finest bit of all—in perfect preservation; the monks might have been walking there yesterday.”

But Gwendolen had lingered behind to look at the kenneled blood-hounds, perhaps because she felt a little dispirited; and Grandcourt waited for her.

“You had better take my arm,” he said, in his low tone of command; and she took it.

“It’s a great bore being dragged about in this way, and no cigar,” said Grandcourt.

“I thought you would like it.”

“Like it!—one eternal chatter. And encouraging those ugly girls—inviting one to meet such monsters. How that fat Deronda can bear looking at her–-“

“Why do you call him fat? Do you object to him so much?”