shoemaker and my son will be one too.”

Beso and his son now toiled with the eighty-strong Adelkhanov workforce for long hours and low wages in a half-flooded cellar lit by kerosene lamps amid the almost faecal reek of tanning leather. The stink made grown men vomit. Even the Tsarist authorities were worried about the number of child workers in Adelkhanov’s grim rectangular factory. Living with his father in a room in the Avlabar workers’ district and walking into work over the bridge past the Metekhi Fortress-Prison, Soso had to carry shoes from the factory to the shop-warehouse in the bazaar off Yerevan Square. Apart from the short spell in his father’s Gori workshop, this was to be Stalin’s only experience of a worker’s existence during a life devoted to the proletariat. If Beso had succeeded, there would have been no Stalin, for he would have remained uneducated. Stalin owed his political success to his unusual combination of street brutality and classical education.

“The whole school missed Soso,” recalled the singing master, “no one more than Keke.” Once again, Keke flew into action, mobilizing all her allies. That formidable and good-looking woman arrived in Tiflis backed by the teachers at the school, Father Charkviani and Egnatashvili, who all tried to prevail over Beso. Even the Exarch of the Georgian Orthodox Church heard of the case and offered to find Soso a place as a chorister in Tiflis, but Keke was determined. Beso raged. The boy was consulted. He wanted to study at the church school in Gori. The priests returned him to Keke. Beso swore never to give another kopeck to his family, cutting them out of his life.

“Time passed,” says Keke. “Beso’s voice was heard no more. Nobody told me if he was dead or alive. I was even happy that, without him, I alone put the family on a firm footing again.” But Beso would rear up again in Stalin’s life—before disappearing forever.{52}

Stalin returned to the school where he again excelled as “the best pupil” (his mother’s proud words). Without Beso’s help, Keke could not pay the school bills. She worked herself ever harder, canvassing her patrons and finding new ones: she started to clean and launder for the decent chairman of the school board, Vasily Beliaev, with a wage of ten roubles a month. Egnatashvili and Davrichewy contributed more. The school itself, mobilized no doubt by Chairman Beliaev, Keke’s protectors and the devoted singing master, not only reinstated Soso but offered a scholarship of three roubles, thirty kopecks too.

Perhaps the trauma of the accident, the kidnapping and the harsh existence at the factory drained Soso. Just after Beso released him, the boy fell seriously ill with pneumonia. His mother “almost lost him but again Soso escaped death,” reports his singing master. This time, the school doubled the scholarship to seven roubles. Even when he was ill and feverish, his proud Keke reported that he raved, “Mother, let me go to school or teacher Iluridze will give me bad marks…”

For over a year, it had been one crisis after another. Now Stalin celebrated his return to school by taking to his studies with renewed enthusiasm. Yet he was becoming ever more rebellious. “He was punished almost on a daily basis,” says Iremashvili, who sang with him in the choir trio. Soso arranged a protest against the hated inspector Butyrsky that almost led to a riot: “This was the first rebellion instigated by Soso.”

His mother had to move into miserable rooms on Sobornaya Street, an “old, small and dirty house” with a roof that let in the wind and rain. “The room,” recalls Iremashvili, “was in eternal twilight. The musty air, thick with the smell of rain, wet clothes and cooking, could not escape from it”—but Stalin could. He had even more reason to stay out with his gang in the streets and up Gorijvari Mountain.

While still the finest choirboy at the church school, Stalin started to show an interest in the plight of the poor and to doubt his faith. He became close friends with three priests’ sons—the brothers Lado and Vano Ketskhoveli, who were to play a vital role in his future life, and Mikheil Davitashvili,[23] who, like Stalin, walked with a limp. The elder Ketskhoveli brother, Lado, soon entered the Tiflis Seminary and brought back news of how he had led a protest and strike that led to his being sent down. Stalin was inspired by these new friends and their books, but he still saw the priesthood as his vocation to help the poor. Now, however, he aspired to politics for the first time. Under Lado Ketskhoveli’s charismatic influence, he declared he wanted to be a local administrator with the power to improve conditions.

He talked about books all the time. If he coveted a volume, he was happy to steal it from another schoolboy and run home with it. When he was about thirteen, Lado Ketskhoveli took him to a little bookshop in Gori where he paid a five kopeck subscription and borrowed a book that was probably Darwin’s Origin of Species. Stalin read it all night, forgetting to sleep, until Keke found him.

“Time to go to bed,” she said. “Go to sleep—dawn is breaking.”

“I loved the book so much, Mummy, I couldn’t stop reading…” As his reading intensified, his piety wavered.

One day Soso and some friends, including Grisha Glurjidze, lay on the grass in town talking about the injustice of there being rich and poor when he amazed all of them by suddenly saying: “God’s not unjust, he doesn’t actually exist. We’ve been deceived. If God existed, he’d have made the world more just.”

“Soso! How can you say such things?” exclaimed Grisha.

“I’ll lend you a book and you’ll see.” He presented Glurjidze with a copy of Darwin.

Soso’s dreams of handing down justice merged with the stories of popular bandit-heroes and the resurgent Georgian nationalism. He revered the poems of the Georgian nationalist Prince Raphael Eristavi, memorizing his masterpiece Khevsur’s Motherland. “That wonderful poem,” Stalin enthused in old age. The schoolboy was now writing his own romantic poems. All the boys hung around Stalin’s place avidly discussing these forbidden ideas and works.{53}

By now, Stalin had fallen in love, another human moment that was cut out of the official memoirs and never published. His passion was for Father Charkviani’s daughter: he and his mother had rented rooms from the family. “In the third form, he fell in love with the Charkviani girl,” says Giorgi Elisabedashvili. “He used to tell me about this emotion and laugh at himself for the fact that he was carried away with the sentiment.” When she was learning Russian, “I often dropped by and took an interest in these lessons,” Stalin reminisced fifty years later. “Once when the pupil was in trouble, I gave her a hand…” We do not know whether the priest’s daughter returned his love, but the two of them had always been close in childhood as her brother Kote noticed: “He began to play dolls with my sister. He’d drive her to tears, but after a moment they’d reconcile and sit together with their books as real friends…”{54}

One event—the “most remarkable occasion in Gori in the late nineteenth century”—made a deep impression on Stalin. On 13 February 1892, the teachers of the church school ordered all their pupils to attend a gruesome mise-en-scene that they hoped “would arouse fear and respect in the boys”: a hanging.

Three gallows were erected on a sunny winter’s day on the banks of the Kura River beneath the mountain fortress. Many of the Gorelis came to watch and the uniforms of the church school pupils were visible in the crowd. But the boys were “deeply depressed by the execution.”

The condemned men had stolen a cow and, in the ensuing pursuit, had killed a policeman. But the boys learned that the criminals were actually just three “peasants who had been so oppressed by landowners that they escaped into the forest,” petty Robin Hoods, attacking only local squires and helping other peasants. Stalin and Peter Kapanadze wondered how it could be right to kill the bandits given that the priests taught them the Mosaic commandment: “Thou shalt not kill.” The two schoolboys were especially appalled to see a priest standing at the gallows with a big cross.

The boys were fascinated. “Soso Djugashvili, me and four other schoolboys climbed a tree and watched the terrifying show from there,” remembers one of the group, Grigory Razmadze. (Yet the police chief Davrichewy banned his own son from attending.) Another spectator whom Stalin would later befriend and promote was Maxim Gorky, then a journalist, soon to be Russia’s most celebrated writer.

The Gorelis sympathized with these brave Caucasian bandits—two of them Ossetians, one an Imeretian. The executions were a Russian show of strength; young Davrichewy called the condemned men “holy martyrs.” The crowd became menacing; double ranks of Russian soldiers encircled the square. The drums began to beat. “The authorities in uniforms lingered around the scaffold,” wrote Gorky in his article. “Their dreary and severe faces looked strange and hostile.” They had reason to be nervous.

The three bandits in leg irons were marched onto the scaffold. One was separated from the others—he had been reprieved. The priest offered the two condemned men his blessings; one accepted and one refused. Both asked for a smoke and a sip of water. Sandro Khubuluri was silent, but the handsome and strong “ringleader,” Tato

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