Jimenez stammered and hung up. Falcon knew the man was a lawyer but he hadn’t come across as one; too uncertain and unconfident. He turned off the lamp and went out on to the patio. He breathed in the cool night air and the near silence, as the workings of the city arrived at a faint roar in this dark and hollow centre of the house. He stretched, opened his chest and arms, and saw among the arches of the gallery above the patio what Eloisa Gomez would have called, ‘the shadows move’. He sprinted up the stairs, digging in his pocket for the key to open the wrought-iron barred door at the top. He strode the length of the gallery to the next wrought-iron door, which led to another stretch of arches outside his father’s old studio. It was empty. He moved back to the arch where he thought he’d seen the movement and looked down into the patio. The water in the fountain, flat and black as a pupil, stared up to the sky. Just tired, he thought, and squeezed his eyes shut.
He left the house, stepped out through a small door cut into the massive wooden-and-brass riveted gates, which were the entrance to his oversized home on Calle Bailen. Too big for him, he knew it, and too grand for his position, but each time he thought of selling it he quickly foundered on what it would entail. First of all, he would have to do what he should have done as instructed by his father’s will — clear out the studio and incinerate everything. Burn the lot, right down to the last rough sketch. He couldn’t do it. He hadn’t done it. He hadn’t even been back into the studio since his father died nearly two years ago. He hadn’t even unlocked that last wrought-iron door in the gallery.
His father’s lawyer had died three months after the reading of the will, and Paco and Manuela didn’t give a damn. They were too engrossed in their own inheritance — Paco’s bull-breeding
Falcon headed down the narrow, cobbled street canyons to the bar on Calle Gravina. It was a converted
‘My little brother,’ she said, as she’d always said since they were small, ‘you look tired. More dead bodies?’
‘Only one.’
‘Not another gruesome drug slaying?’ she said, lighting one of her foul menthol cigarettes, which she thought were better for her.
‘Gruesome, yes, but not drugs this time. More complicated.’
‘I don’t know how you do it.’
‘There can’t be many of your friends who could imagine that someone as beautiful and sophisticated as Manuela Falcon could have been up to her shoulder dragging out stillborn calves.’
‘Oh, I don’t do that any more.’
‘I can’t see you cutting poodles’ toenails.’
‘You must talk to Paco,’ she said, ignoring him. ‘He’s very stressed, you know.’
‘The Feria’s his busiest time of year.’
‘No, no, not that,’ she whispered. ‘It’s the
Falcon sipped his beer, ate a slice of sweet and melting
‘If they bring in official testing,’ she continued, ‘and they find one animal with the disease, he has to slaughter the whole herd, even the ones with 120-year-old bloodlines.’
‘That’s stressful.’
‘His leg’s bad. It always is when he’s stressed. He can hardly walk some days.’
Alejandro put a plate of cheese in front of them and Javier instinctively turned his face away.
‘He doesn’t like cheese,’ explained Manuela, and the plate was removed.
‘Your name came up today at work,’ said Falcon.
‘That can’t be good.’
‘You vaccinated a dog for someone. It was a bill.’
‘Whose dog?’
‘I hope he paid you.’
‘You wouldn’t have found a signed receipt if he hadn’t.’
‘Raul Jimenez.’
‘Yes, a very nice Weimeraner. It was a present for his kids … they’re moving to a new house. He was due to collect today.’
Falcon stared at her. Manuela blinked at her beer, put it down. This happened rarely, that real murder slipped into a social situation. Normally he would entertain, if asked, with tales of detection, his idiosyncratic approach, his attention to detail. He never told how it really was — always laborious, at times very tedious and interspersed with moments of horror.
‘I worry about you, little brother,’ she said.