The Blind Man of Seville

Thursday, 12th April 2001, Edificio Presidente, Los Remedios, Seville

Falcon told Ramirez to interview the removals men — specifically to ask them when they arrived and left, and whether their gear was unattended at any stage.

‘You think that’s how he got in?’ asked Ramirez, the man incapable of just doing something.

‘This is not an easy building to get into and out of without being seen,’ said Falcon. ‘If the maid confirms that the door was double locked when she arrived this morning, it’s possible he used the lifting gear to get in. If it wasn’t then we’ll have to scrutinize the closed-circuit tapes.’

‘That takes a lot of nerve, Inspector Jefe,’ said Ramirez, ‘to wait in here for more than twelve hours.’

‘And then slip out when the maid came in to find the body.’

Ramirez bit his bottom lip, unconvinced that that sort of steel in a man existed. He left the room as if more questions were about to turn him back.

Falcon sat at Raul Jimenez’s desk. All the drawers were locked. He tried a key from a set on the desk, which opened all the drawers down both sides, while another opened the central one. Only the top two drawers on either side had anything in them. Falcon flicked through a stack of bills, all recent. One caught his attention, not because it was a vet’s bill for a dog’s vaccinations, and there had been no evidence of any dog, but rather that it was his sister’s practice and it was her signature on the bill. It unnerved him, which was illogical. He dismissed it as another non-coincidence.

He went through the central drawer, which contained several empty Viagra packets and four videos. From their titles, they seemed to be blue movies. They included Cara o Culo II, the sequel to the video whose slipcase had been left empty on the TV cabinet. It occurred to him that they hadn’t found the porn video that was showing on the TV while Raul was with the prostitute. He shut the drawer. He began a detailed inspection of the photographs behind him. He thought that Raul Jimenez might have known his father. He was, after all, a famous painter, a well-known figure in Seville society, and Jimenez seemed to be a celebrity collector. As he worked his way from the centre out to the edges he realized that this was a collection of a different order of celebrity. There was Carlos Lozano, the presenter of El Precio Justo. Juan Antonio Ruiz, known in the bullring as ‘Espartaco’. Paula Vazquez, the presenter of Euromillon. They were all TV faces. There were no writers, painters, poets, or theatre directors. No anonymous intellectuals. This was the superficial face of Spain, the Hola! crowd. And when it wasn’t, it was the bourgeoisie. The police, the lawmen, the functionaries who would make Raul Jimenez’s life easier. The glamour and the graft.

‘Did you find who you were looking for?’ asked Sra Jimenez from behind him.

She was out of her coat, wearing a black cardigan and leaning against a guest chair. Her eyes were pink- rimmed despite the make-up repair.

‘I’m sorry you saw that,’ he said, nodding at the television.

‘I’d been warned,’ she said, taking a packet of Marlboro Lights out of her cardigan pocket and lighting one with a Bic from the desk. She threw the pack on the desk, offering him one. He shook his head. Falcon was used to this ritual sizing up. He didn’t mind. It gave him time, too.

He saw a woman about the same age as himself and well groomed, maybe over groomed. There was a lot of jewellery on her fingers whose nails were too long and too pink. Her earrings clustered on her lobes, winking from the nest of her blonde helmet. The make-up, even for a repair job, was heavily slapped on. The cardigan was the only simple thing about her. The black dress would have worked well had it not had a hem of lace which, rather than bringing grief to mind, brought sex awkwardly into contention. She had square shoulders and an uplifted bust and was full-bodied with no extra fat. There was something of the health club fitness regime about her, the way the straps of muscle in her neck framed her larynx and her calf muscles were delineated beneath her black stockings. She was what the English would call handsome.

She saw a fit man in a perfectly cut suit with all his hair, which had gone prematurely grey but belonged to a class of person who would never think of returning it to its original black. He wore lace-up shoes and the tightness of the bows led her to believe that this was someone who rarely unbuttoned his jacket. The handkerchief in his breast pocket she assumed was always there but never used. She imagined that he had a lot of ties and that he wore them all the time, even at weekends, possibly in bed. She saw a man who was contained, trussed and bound. He did not give out, which may have been a professional attitude but she thought not. She did not see a Sevillano, not a natural one anyway.

‘You said earlier, Dona Consuelo, that you and your husband had few secrets.’

‘We should sit,’ she said, pointing him into her husband’s desk chair with her cigarette fingers and pivoting the guest chair round with some dexterity. She sat quickly, slipped sideways on to one of the arms and crossed her legs so that the lace hem rode up her calf.

‘Are you married, Inspector Jefe?’

‘This is an investigation into your husband’s murder,’ he said flatly.

‘It’s relevant.’

‘I was married,’ he said.

She smoked and counted her fingers with her thumb.

‘You didn’t need to tell me that,’ she said. ‘You could have left it at “Yes”.’

‘These are games we should not be playing,’ he said. ‘Every hour that goes past takes us an hour away from your husband’s death. These hours are important. They count more than the hours, say, in three or four days’ time.’

‘You’ve separated from your wife?’ she said.

‘Dona Consuelo …’

‘I’ll be quick,’ she said, and batted the smoke away from between them.

‘We are separated.’

‘After how long?’

‘Eighteen months.’