finally successful in the year before I came to the Grunewaldstrasse, ‘finally to get truly modern works into the school library’.
Several of these works shaped my life. In a large encyclopedic guide to contemporary German writing I discovered the poems (as distinct from the songs and plays) of Bertolt Brecht. And it was to the school library that an exasperated master – his name was Willi Bodsch, and I remember nothing else about him – referred me when I announced my communist convictions. He told me firmly (and correctly): ‘You clearly do not know what you are talking about. Go to the library and look up the subject.’ I did so, and discovered the
What I learned in the formal schoolroom lessons is less clear. I can see that they were not a particularly central part of school experience, except as occasions for observing, manipulating and sometimes testing the nerves and authority of a group of ill-understood adults. Most of them seemed to me to be almost caricatures of German schoolmasters, square, with glasses and (when not bald) crew-cut, and to be rather old – they were mostly in their late forties or early fifties. All of them sounded like passionate conservative German patriots. No doubt those who were not kept a low profile, but most of them probably were. None more so than the George Groszian figure of Professor Emil Simon, whose Greek lessons we became expert at side-tracking, either by asking what Wilamowitz would have thought of the passage (good for at least ten minutes of panegyric about the greatest of German classical scholars) or, more reliably, stimulating his reminiscences of the world war. This would invariably lead us from construing Homer’s
In any case, life was too interesting to concentrate essentially on school work. I did not at this time have particularly brilliant school reports. The truth is, teachers and at least this pupil talked past one another. I learned absolutely nothing in the history lessons given by a small, fat old man, ‘Tonnchen’ (‘little barrel’) Rubensohn, except the names and dates of all the German emperors, all of which I have since forgotten. He taught them by dashing round the form pointing a ruler at each of us with the words: ‘Quick, Henry the Fowler – the dates.’ I now know that he was as bored by this exercise as we were. He was, in fact, the most distinguished scholar in the school, author of a monograph on the mystery cults of Eleusis and Samothrace, a contributor to Pauly-Wissowa, the great encyclopedia of classical antiquity and a recognized classical archaeologist in the Aegean and papyrus expert long before the war. Perhaps I should have discovered this in the sixth form where education was no longer based on compulsory memorization. Until then the main effect of his teaching was to turn at least one potential future historian off the subject. It is not surprising that in Berlin I learned by absorption rather than instruction. But, of course, I did learn.
The months in Berlin made me a lifelong communist, or at least a man whose life would lose its nature and its significance without the political project to which he committed himself as a schoolboy, even though that project has demonstrably failed, and, as I now know, was bound to fail. The dream of the October Revolution is still there somewhere inside me, as deleted texts are still waiting to be recovered by experts, somewhere on the hard disks of computers. I have abandoned, nay, rejected it, but it has not been obliterated. To this day I notice myself treating the memory and tradition of the USSR with an indulgence and tenderness which I do not feel towards Communist China, because I belong to the generation for whom the October Revolution represented the hope of the world, as China never did. The Soviet Union’s hammer and sickle symbolized it. But what exactly made the Berlin schoolboy a communist?
To write an autobiography is to think of oneself as one has never really done before. In my case it is to strip the geological deposits of three quarters of a century away and to recover or to discover and reconstruct a buried stranger. As I look back and try to understand this remote and unfamiliar child, I come to the conclusion that, had he lived in other historical circumstances, nobody would have forecast for him a future of passionate commitment to politics, though almost every observer would have predicted a future as some kind of intellectual. Human beings did not appear to interest him much, either singly or collectively; certainly much less than birds. Indeed, he seems to have been unusually remote from the affairs of the world. He had no personal reasons for rejecting the social order and did not feel himself suffer even from the standard anti-Semitism of central Europe, since, fair-haired and blue- eyed, he was not identified as ‘
In short, if I were to make the mental experiment of transposing the boy I was then into another time and/or place – say, into the England of the 1950s or the USA of the 1980s – I cannot easily see him plunging, as I did, into the passionate commitment to world revolution.
And yet, the mere fact of imagining this transposition demonstrates how unthinkable it was in the Berlin of 1931–3. It has indeed been imagined. Fred Uhlman, a few years older than me when he left Germany, a refugee lawyer who took to painting sad pictures of the bleak Welsh countryside, wrote a quasi-autobiographical novella later made into a film (