The Saint Closes the Case

'A man like an overgrown gorilla—with a face according——'

'How beautifully you put it, old dear! Almost the very words I used myself. You know——'

'Marius!' snapped Harding.

The Saint nodded.

'It rings the bell,' he said, 'and your penny will be re­turned in due course. But you don't surprise us. We knew.'

'We guessed Marius was in this——'

'We could have told you.'

Harding's eyes narrowed,

'How much more do you know?' he asked.

'Oh, lots of things,' said the Saint blandly. 'In my more brilliant moments I can run Teal a close race on some tracks. For instance, I wouldn't mind betting my second-best pair of elastic-sided boots that you were followed to- day—by one of Marius's men. But you mightn't have noticed that.'

'But I did!'

Harding's automatic was still coolly and steadily aimed at the Saint's stomach, as it had been throughout the interview —when the aim was not temporarily diverted to Roger Con-way. But now there was just a little more steadiness and rigid­ity in the hand that held it. The change was almost imper­ceptible, but Simon Templar never missed anything like that. He translated the inflection in his own way; and when he . shifted his gaze back to Harding's eyes he found the interpre­tation confirmed there.

'I shook off my shadow a mile back,' said Harding. 'But I don't mind telling you that I shouldn't have come in here alone without waiting for reinforcements if I hadn't seen that somebody was a darned sight too interested in what I was do­ing. And the same reason is the reason why I want Vargan at once!'

The Saint rested gracefully against the table and blew two smoke-rings of surpassing perfection.

'Is—that—so!'

'That is so,' said Harding curtly. 'I'll give you two minutes to decide.'

'The alternative being?'

'I shall start shooting holes in you. Arms, legs. ... I think you'll tell me what I want to know before that's gone on very long.'

Simon shook his head.

'You mayn't have noticed it,' he said, 'but I have an im­pediment in my speech. I'm very sensitive, and if anyone treats me unkindly it makes my impediment worse. If you started shooting at me it'd make me stammer so frightfully that I'd take half an hour to get out the first d-d-d-d-damn—let alone answering any questions.'

'And,' said Harding relentlessly, 'I'll treat your friend in the same way.'

The Saint flashed Roger Conway a smile.

'You wouldn't breathe a word, would you, old Roger?'

'Let him try to make me!' Conway scoffed.

Simon turned again.

'Honestly, Algernon,' he said quietly, 'you'll get nothing that way. And you know it.'

'We shall see,' said Harding.

The telephone stood on a small table beside the window. Still keeping the Saint and Conway covered, he took up the receiver.

'Hullo. . . . Hullo. . . . Hullo. . . .'

Harding looked at his watch, fidgeting with the receiver-hook.

'Fifteen seconds gone. . . . Blast this exchange! Hullo. . . . Hullo!'

Then he listened for a moment in silence, and after that he replaced the receiver carefully. He straightened up again, and the Saint read his face.

'There was another man in your gang,' said Harding. 'I remember now. Is he here?'

'Is the line dead?'

'As pork.'

'No one in this house would have cut the line,' said Simon. 'I'll give you my word for that.'

Harding looked at him straightly.

'If that's true——'

'It can only be Marius,' said the Saint slowly. 'Perhaps the man who followed you wasn't so easy to shake off.'

Roger Conway was looking out of another window from which he could see the lawn and the river at the end of the garden. Beyond the Saint's motor-boat another motor-boat rode in mid-stream, but it was not the motor-boat in which he had seen Teal. It seemed to Roger that the two men in the second motor-boat were looking intently towards the bunga­low; but he could not be sure.

'Naturally,' he agreed, 'it might be Marius.'

It was then that Simon had his inspiration, and it made him leap suddenly to his feet.

'Harding!'

Simon cried the name in a tone that would have startled anyone. Harding would not have been human if he had not turned completely round.

He had been looking through a window, with the table be­tween himself and the Saint for safety, trying to discover what Conway was looking at. But all the time he had been there he had kept the windows in the corner of his eye. Simon had real­ised the fact in the moment of his inspiration, and had under­stood it. Norman had not been overlooked. But Harding ad­mitted that he had come alone, and he had to make the best of a bad job. He had to keep covering the two prisoners he had already taken, and wait and hope that the third man would blunder unsuspectingly into the hold-up. And as long as part of Harding's alertness was devoted to that waiting and hoping, Norman's hands were tied. But now . . .

'What is it?' asked Harding.

He was staring at the Saint, and his back was squarely turned to the window behind him. Roger Conway, from the other side of the room, was also looking at the Saint in perplexed surprise. Only the Saint saw Norman Kent step through the window behind Harding.

But Harding felt and understood the iron grip that fell upon his gun wrist, and the hard bluntness that nosed into the small of his back.

'Don't be foolish,' urged Norman Kent.

'All right.'

The words dropped bitterly from the youngster's lips after a second's desperate hesitation. His fingers opened grudgingly to release his gun, and the  Saint caught it neatly off the carpet.

'And our own peashooters,' said Simon.

He took the other two automatics from Harding's pocket, restored one to Roger, and stepped back to the table with a gun in each of his own hands.

'Just like the good old story-book again,' he remarked. 'And here we are—all armed to the teeth. Place looks like an arsenal, and we all feel at home. Come over and be sociable, Archibald. There's no ill-feeling. . . . Norman, will you have a dud cheque or a bag of nuts for that effort?'

'I was wondering how much longer it'd be before you had the sense to create a disturbance?'

'I'm as slow as a freight car to-day,' said the Saint. 'Don't know what's the matter with me. But all's well that ends well, as the actress used to say, and——'

'It is?' asked Norman soberly.

Simon lifted an eyebrow.

'Why?'

'I heard you talking about the telephone. You were right. I didn't cut the line. Didn't think of it. And if the line is dead——'

The sentence was not finished.

No one heard the sound that interrupted it. There must have been a faint sound, but it would have been lost in the open air outside. But they all saw Norman Kent's face sud­denly twist and go white, and saw him stagger and fall on one knee.

'Keep away from that window!'