The Hollow Man

timing devices, and … with a little luck … several Stinger-type, shoulder-launched ground-to-air missiles. Enough matériel to level a police station, to cut down a gaggle of politicians like a sharp blade scything wheat … enough killing technology to bring down a fully loaded 747 …

Bremen stuffed his fists tight against his ears, but the babble continued and grew louder as the mercury vapor lamps switched on along the darkening interstate exchanges. Donna went into labor in earnest just as they crossed the Texas line and Bremen’s last glimpse of the couple was in the Beaumont bus station just after midnight, Donna curled up on a bench in great pain as the contractions racked her, Donnie standing with boots planted wide apart, weaving, the empty bottle of Meredith’s moonshine still in his right fist. Bremen actually looked into Donnie’s mind then, extending his telepathic probe through the surrounding neurobabble, but pulled it back quickly. Except for the drunken fragments of the earlier argument with Meredith still rattling around in there, there was nothing in Donnie Ackley’s mind. No plan. No suggestion of what to do with his wife and the infant trying to be born. Nothing.

Bremen actually sensed the panic and pain of the baby itself as it … she … approached her final struggle to be born. The infant’s consciousness burned through the gray shiftings of the bus station neurobabble like a searchlight through a thin fog.

Bremen stayed aboard the bus again, too exhausted to flee the cauldron of images and emotions boiling around him. At least Burk and Alice Jean, the horny Marine just out of the brig and the equally horny WAF, had disembarked to find a room somewhere near the bus station. Bremen wished them well.

Meredith Soloman was snoring, his gums gleaming in the reflection from sodium vapor lamps as they pulled out of Beaumont at midnight. The old man was dreaming of the mines, of men shouting in the cold damp air, and of a clean, white, painless death. Donna’s birthing pains receded in Bremen’s mind as they left the downtown and climbed onto the interstate access ramp. Kushwat Singh touched his money belt where the hundred and thirty thousand dollars in Sikh cash waited to be converted into vengeance.

The seat next to Bremen’s was empty. He pulled the armrest back and curled up in a fetal position, drawing his legs up onto the seats and hugging his fists against his temples. At that second he wished that he had his brother-in-law’s .38 back; he wished that Vanni Fucci had succeeded in delivering him to Sal and Bert and Ernie.

Bremen wished—with no melodrama, with no shred of self-consciousness or regret—that he was dead. The silence. The peacefulness. The perfect stillness.

But, for now, trapped in his living body and tortured mind, the roar and onslaught of mindrape continued, even as the bus moved southwest on causeways above swampland and pine forest, tires hissing on wet pavement now as the late-night rains came down in earnest. Bremen felt himself slowly being released to sleep now that the others slept, the small universe of sleeping humanity within the bus falling with him in the night, their muted dreams flickering like snippets of old film projected on an unwatched wall, the entire sealed cabin of them tumbling like the shattered Challenger shuttle in midnight free-fall together toward Houston and Denver and the deeper regions of darkness that Bremen knew that he was, for some reason he could not fathom, condemned to live to see.

EYES

Of all the new concepts that Jeremy has brought to me, the two most intriguing are love and mathematics.

These two sets would seem to have few common elements, but, in truth, the comparisons and similarities are powerful to someone who has experienced neither. Both pure mathematics and pure love are completely observer dependent—one might say observer generated—and although I see in Jeremy’s memory the assertion by a few mathematicians like Kurt Gödel that mathematical entities exist independently of the human mind, rather like stars that would persist in shining even if there are no astronomers to study them—I choose to reject Gödel’s Platonism in favor of Jeremy’s stance of formalism: i.e., numbers and their mathematical relationships are merely a set of human-generated abstracts and the rules with which to manipulate these symbols. Love seems to me to be a similar set of abstracts and relation-of-abstracts, despite their frequent relationship with things in the real world. (2 apples + 2 apples did indeed = 4 apples, but the apples are not needed for the equation to be true. Similarly, the complex set of equations governing the flow of love does not seem dependent upon either the giver or recipient of that love. In a real sense I have rejected the Platonic idea of love, in its original sense, in favor of a formalist approach to the topic.)

Numbers are an astonishing revelation to me. In my former existence, prior to Jeremy, I understand the concept of thing but never dream that a thing—or several things—have the ghost echo of numerical values sewn to them like Peter Pan’s shadow. If I am allowed three glasses of apple juice at lunch, for instance, for me there is only juice … juice … juice, and no hint of quantification. My mind no more counts the juices than my stomach would. Similarly, the shadow of love, so attached to a physical object yet simultaneously so separate, never occurs to me. I find that property connected to only one thing in my universe—my teddy bear—and my reaction to that one thing has been in the form of pleasure / pain response with the bias toward the pleasurable, so that I “miss” teddy when he is lost. The concept of “love” simply never enters the equation.

Jeremy’s worlds of mathematics and love, so often overlapped before he comes to me, strike me like powerful lightning bolts, illuminating new reaches to my world.

From simple one-to-one correspondence and counting, to basic equations such as 2 + 2 = 4, to the equally basic (for Jeremy) Schrödinger wave equation that had been the starting point for his evaluation of Goldmann’s neurological studies:

All is revealed to me simultaneously. Mathematics descends upon me like a thunderclap, like the Voice of God in the biblical story of Saul of Tarsus being knocked off his horse. More importantly, perhaps, is that I can use what Jeremy knows to learn things that Jeremy does not consciously know. Thus, Jeremy’s basic knowledge of the logical calculus of neural nets, almost too elementary for him to remember, allows me to understand the way that neurons can “learn”:

Not my neurons, perhaps, given Jeremy’s rather frightening understanding of holographic learning functions in the human mind, but the neurons of … let’s say … a laboratory rat: some simple form of life that responds almost exclusively to pleasure and pain, reward and punishment.

Me. Or at least me, pre-Jeremy.

Gail does not care about mathematics. No, that is not quite accurate, I realize now, because Gail cares immeasurably about Jeremy, and much of Jeremy’s life and personality and deepest musings are about mathematics. Gail loves that aspect of Jeremy’s love of mathematics, but the realm of numbers itself holds no innate appeal for her. Gail’s perception of the universe is best expressed through language and music, through dance and photography, and through her thoughtful and often forgiving appraisal of other human beings.

Jeremy’s appraisal of other people—when he takes time to appraise them at all—is frequently less forgiving and often downright dismissive. Other people’s thoughts, on the whole, bore him … not out of innate arrogance or self-interest, but due to the simple fact that most people think about boring things. Back when his mindshield—his and Gail’s combined mindshields—could separate him from the random neurobabble around them, he did so. It was no more a value judgment on his part than if another person in deep and fruitful concentration had risen to close a window to shut out distracting street sounds.

Gail once shared her analysis of Jeremy’s distance from the common herd of thoughts. He is working up in his study on a summer evening; Gail is reading a biography of Bobby Kennedy down on the couch by the front window. The thick evening light comes through the white cotton curtains and paints rich stripes on the couch and hardwood floor.

Jerry, here’s something I want you to see.