attendant, and a half-hour later the culprit stood in the
Presence.
“Thou bastard son of a three-legged hunchback without thumbs!”
roared the sovereign — “why didst thou but lightly tap the neck
that it should have been thy pleasure to sever?”
“Lord of Cranes of Cherry Blooms,” replied the executioner,
unmoved, “command him to blow his nose with his fingers.”
Being commanded, Jijiji Ri laid hold of his nose and trumpeted
like an elephant, all expecting to see the severed head flung
violently from him. Nothing occurred: the performance prospered
peacefully to the close, without incident.
All eyes were now turned on the executioner, who had grown as
white as the snows on the summit of Fujiama. His legs trembled
and his breath came in gasps of terror.
“Several kinds of spike-tailed brass lions!” he cried; “I am a
ruined and disgraced swordsman! I struck the villain feebly
because in flourishing the scimetar I had accidentally passed it
through my own neck! Father of the Moon, I resign my office.”
So saying, he gasped his top-knot, lifted off his head, and
advancing to the throne laid it humbly at the Mikado’s feet.
SCRAP-BOOK, n. A book that is commonly edited by a fool. Many persons of some small distinction compile scrap-books containing whatever they happen to read about themselves or employ others to collect. One of these egotists was addressed in the lines following, by Agamemnon Melancthon Peters:
Dear Frank, that scrap-book where you boast
You keep a record true
Of every kind of peppered roast
That’s made of you;
Wherein you paste the printed gibes
That revel round your name,
Thinking the laughter of the scribes
Attests your fame;
Where all the pictures you arrange
That comic pencils trace —
Your funny figure and your strange
Semitic face —
Pray lend it me. Wit I have not,
Nor art, but there I’ll list
The daily drubbings you’d have got
Had God a fist.
SCRIBBLER, n. A professional writer whose views are antagonistic to one’s own.
SCRIPTURES, n. The sacred books of our holy religion, as distinguished from the false and profane writings on which all other faiths are based.
SEAL, n. A mark impressed upon certain kinds of documents to attest their authenticity and authority. Sometimes it is stamped upon wax, and attached to the paper, sometimes into the paper itself. Sealing, in this sense, is a survival of an ancient custom of inscribing important papers with cabalistic words or signs to give them a magical efficacy independent of the authority that they represent. In the British museum are preserved many ancient papers, mostly of a sacerdotal character, validated by necromantic pentagrams and other devices, frequently initial letters of words to conjure with; and in many instances these are attached in the same way that seals are appended now. As nearly every reasonless and apparently meaningless custom, rite or observance of modern times had origin in some remote utility, it is pleasing to note an example of ancient nonsense evolving in the process of ages into something really useful. Our word “sincere” is derived from
SEINE, n. A kind of net for effecting an involuntary change of environment. For fish it is made strong and coarse, but women are more easily taken with a singularly delicate fabric weighted with small, cut stones.
The devil casting a seine of lace,
(With precious stones ‘twas weighted)
Drew it into the landing place
