WHEN GEMMA HAD FIRST MOVED INTO the Cavendishes’ garage flat, which had only a tiny shower, Hazel had given her carte blanche use of the bathtub in the house. She’d seldom found time to take advantage of the offer, but tonight, after the children had been bathed and got ready for bed, she’d brought over a towel, a dressing gown, and a handful of CDs and locked herself in the bathroom.
Hazel kept a small CD player on the shelf above the tub, insisting that music not only kept the children calm in the bath, but restored her own sanity, and at the moment Gemma felt in dire need of a little restorative treatment. She started the water, added lavender bath gel, lit the candles Hazel kept ready, then hesitated over the choice of music. In the end, she chose Jim Brickman over Loreena McKennitt, and as the unaccompanied notes of the piano filled the room, she slipped out of her clothes and dimmed the lights.
The bathroom was large enough to have existed as a dressing room in a previous incarnation, but Hazel had managed to make it serene and cozy at the same time. A stained-glass lamp produced multiple reflections in the mahogany dressing table’s time-speckled triple mirrors; the walls had been sponged a soft, periwinkle blue with a border of seashells; and a bookcase held volumes for perusing while soaking in the clawfoot tub.
But the books didn’t tempt Gemma for once, and the room did little to calm her troubled thoughts. She sank down into the foaming water, willing herself into the music as if she could absorb the clean simplicity of it.
Involuntarily, however, she looked down at her body, half submerged in the water, and touched her bare shoulders as if Gordon Finch’s fingertips might have left a tactile impression on her skin. Even remembering the sensation made her shiver, then flush with shame. She’d tried telling herself that nothing had actually happened between them that afternoon, but she knew she’d teetered on the very edge of temptation—and that if she had fallen she would have compromised both her career and her relationship with Duncan irrevocably.
As much as she wanted to believe Gordon innocent, he was a suspect in a murder investigation, and her behavior had been rash and dangerous. The fact that she suspected something similar had happened to Duncan on a case they’d worked last year didn’t make her feel any better, and he’d at least not been involved with her at the time.
She closed her eyes and eased herself further down into the water, wishing she could wash away what had happened. But she knew that no amount of guilt or regret could alter the connection that existed between her and Gordon Finch—a connection she somehow had never doubted was mutual, a connection so powerful it had made her contemplate throwing away everything that made her who she was.
The thought frightened her so much she felt tears well behind her closed eyelids. She blinked them angrily away. Were her commitments to the job and to Duncan flimsy fabrications that would crumble under the slightest pressure?
Could it be that she didn’t know herself at all?
CHAPTER 13
Memories of Childhood
on the Isle of Dogs, 1870–1970
Teresa Robbins dressed carefully in her best pale blue suit and white lawn blouse, even putting on tights, although it took the help of a bit of talcum powder to get them up in the morning’s sticky heat. At least the sky was solidly overcast, she thought, and there was hope the weather might break by the end of the day.
She painstakingly applied her makeup, and at the last minute used a bit of spray to set her hair—all the while feeling as if she were the condemned going to face the guillotine. Sharply, she reminded herself that it was unlikely anything that happened to her today could be worse than the things she had endured in the past week.