residents.

Once inside, Alex brushed the accumulated moisture from his jacket and took a seat in the back at his favorite table—favored because he liked the nearness of the gas fire. Unfortunately, the cafe’s furniture had not been designed to suit anyone over five feet tall. Surprising, really, when you looked at Otto, a giant of a man. Did he ever sit in his own chairs? Alex couldn’t recall ever seeing him do so; Otto hovered, as he did now, wiping his face with the hem of his apron, his bald head gleaming even in the dim light.

“Sit down, Otto, please,” Alex said, testing his hypothesis. “Take a break.”

Otto glanced towards Wesley, his second-in-command, serving the customers who had just come in, then flipped one of the delicate curve-backed chairs round and straddled it with unexpected grace.

“Nasty out, is it?” Otto’s wide brow furrowed as he took in Alex’s damp state. Even though Otto had lived all of his adult life in London, his voice still carried an inflection of his native Russia.

“Can’t quite make up its mind to pour. What sort of warming things have you on the menu tonight?”

“Beef and barley soup; that and the lamb chops would do the trick, I think.”

“Sold. And I’ll have a bottle of your best burgundy. No plonk for me tonight.”

“Alex, my friend! Are you celebrating something?”

“You should have seen it, Otto. I’d run down to Sussex to see my aunt when I happened across an estate sale in the village. There was nothing worth a second look in the house itself, then on the tables filled with bits of rubbish in the garage, I saw it.” Savoring the memory, Alex closed his eyes. “A blue and white porcelain bowl, dirt- encrusted, filled with garden trowels and bulb planters. It wasn’t even tagged. The woman in charge sold it to me for five pounds.”

“Not rubbish, I take it?” Otto asked, an amused expression on his round face.

Alex looked round and lowered his voice. “Seventeenth-century delft, Otto. That’s English delft, with a small “d,” rather than Dutch. I’d put it at around 1650. And underneath the dirt, not a chip or a crack to be found. It’s a bloody miracle, I’m telling you.”

It was a moment Alex had lived for since his aunt had taken him with her to a jumble sale on his tenth birthday. Spying a funny dish that looked as if someone had taken a bite out of its edge, he had been so taken with it that he’d spent all his birthday money on its purchase. His Aunt Jane had contributed a book on porcelain, from which he’d learned that his find was an English delft barber’s bowl, probably early-eighteenth-century Bristol ware. In his mind, Alex had seen all the hands and lives through which the bowl had passed, and in that instant he had been hooked.

The childhood passion had stayed with him through school, through university, through a brief tenure lecturing in art history at a small college. Then he had abandoned the steady salary for the much more precarious—and infinitely more interesting—life of a dealer in English porcelain.

“So, will this bowl make your fortune? If you can bear to part with it, that is,” Otto added with a twinkle born of long association with dealers.

Alex sighed. “Needs must, I’m afraid. And I have an idea who might be interested.”

Otto gazed at him for a moment with an expression Alex couldn’t quite fathom. “You’re thinking Karl Arrowood would want it.”

“It’s right up his alley, isn’t it? You know what Karl’s like; he won’t be able to resist.” Alex imagined the bowl elegantly displayed in the window of Arrowood Antiques, one more thing of beauty for Karl to possess, and the bitterness of his envy seeped into his soul.

“Alex—” Otto seemed to hesitate, then leaned closer, his dark eyes intent. “I do know what he’s like, perhaps more than you. You’ll forgive my interfering, but I’ve heard certain things about you and Karl’s young wife. You know what this place is like—” his gesture took in more than the cafe “—nothing stays secret for very long. And I fear you do not realize what you’re dealing with. Karl Arrowood is a ruthless man. It doesn’t do to come between him and the things he owns.”

“But—” Alex felt himself flushing. “How—” But he knew it didn’t matter how, only that his affair with Dawn Arrowood had become common knowledge, and that he’d been a fool to think they could keep it hidden.

If the discovery of the delft barber’s bowl had been an epiphanic experience, so too had been his first glimpse of Dawn, one day when he’d stopped by the shop to deliver a creamware dinner service.

Dawn had been helping the shop assistant with the window displays. At the sight of her, Alex had stood rooted to the pavement, transfixed. Never had he seen anything so beautiful, so perfect; and then she had met his eyes through the glass and smiled.

After that, she’d begun coming by his stall on Saturday mornings to chat. Shed been friendly rather than coy or flirtatious, and he’d immediately sensed her loneliness. His weeks began to revolve around the anticipation of her Saturday visits, but never had he expected more than that. And then one day she’d shown up unannounced at his flat. “I shouldn’t be doing this,” she’d said, ducking her head so that wisps of blonde hair hid her eyes, but she had come inside, and now he couldn’t imagine his life without her.

“Does Karl know?” he asked Otto.

The other man shrugged. “I think you would know if he did. But you can be sure he will find out. And I would hate to lose a good customer. Alex, take my advice, please. She is lovely, but she is not worth your life.”

“This is England, for heaven’s sake, Otto! People don’t go round bumping people off because they’re narked about … well, you know.”

Otto stood and carefully reversed his chair. “I wouldn’t be so sure, my friend,” he replied before disappearing into the kitchen.

“Bollocks!” Alex muttered, resolved to slough off Otto’s warning, and he ate his dinner and drank his wine with determination.

His good humor somewhat restored, he walked slowly back to his flat, thinking of the other find he’d made that day—not a steal as the delft bowl had been, but a lovely acquisition just the same, an Art Deco teapot by the English potter Clarice Cliff, in a pattern he had seen Dawn admire. It would be his Christmas gift to her, an emblem of their future together.

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