honest from her hat to her boots, of having nothing to hide, not even in the matter of stockings, and she was willing to work for it. She rented a little studio away from that house of misfortune and began to give lessons. She managed well and was the sort of girl people liked to help. The bills were paid and Auguste went on composing, growing indignant only when she refused to insist that her pupils should study his compositions for the piano. She began to get engagements in New York to play accompaniments at song recitals. She dressed well, made herself agreeable, and gave herself a chance. She never permitted herself to look further than a step ahead, and set herself with all the strength of her will to see things as they are and meet them squarely in the broad day. There were two things she feared even more than poverty: the part of one that sets up an idol and the part of one that bows down and worships it.
When Caroline was twenty-four she married Howard Noble, then a widower of forty, who had been for ten years a power in Wall Street. Then, for the first time, she had paused to take breath. It took a substantialness as unquestionable as his; his money, his position, his energy, the big vigor of his robust person, to satisfy her that she was entirely safe. Then she relaxed a little, feeling that there was a barrier to be counted upon between her and that world of visions and quagmires and failure.
Caroline had been married for six years when Raymond d'Esquerre came to stay with them. He came chiefly because Caroline was what she was; because he, too, felt occasionally the need of getting out of Klingsor's garden, of dropping down somewhere for a time near a quiet nature, a cool head, a strong hand. The hours he had spent in the garden lodge were hours of such concentrated study as, in his fevered life, he seldom got in anywhere. She had, as he told Noble, a fine appreciation of the seriousness of work.
One evening two weeks after d'Esquerre had sailed, Caroline was in the library giving her husband an account of the work she had laid out for the gardeners. She superintended the care of the grounds herself. Her garden, indeed, had become quite a part of her; a sort of beautiful adjunct, like gowns or jewels. It was a famous spot, and Noble was very proud of it.
'What do you think, Caroline, of having the garden lodge torn down and putting a new summer house there at the end of the arbor; a big rustic affair where you could have tea served in midsummer?' he asked.
'The lodge?' repeated Caroline looking at him quickly. 'Why, that seems almost a shame, doesn't it, after d'Esquerre has used it?'
Noble put down his book with a smile of amusement.
'Are you going to be sentimental about it? Why, I'd sacrifice the whole place to see that come to pass. But I don't believe you could do it for an hour together.'
'I don't believe so, either,' said his wife, smiling.
Noble took up his book again and Caroline went into the music room to practice. She was not ready to have the lodge torn down. She had gone there for a quiet hour every day during the two weeks since d'Esquerre had left them. It was the sheerest sentiment she had ever permitted herself. She was ashamed of it, but she was childishly unwilling to let it go.
Caroline went to bed soon after her husband, but she was not able to sleep. The night was close and warm, presaging storm. The wind had fallen, and the water slept, fixed and motionless as the sand. She rose and thrust her feet into slippers and, putting a dressing gown over her shoulders, opened the door of her husband's room; he was sleeping soundly. She went into the hall and down the stairs; then, leaving the house through a side door, stepped into the vine-covered arbor that led to the garden lodge. The scent of the June roses was heavy in the still air, and the stones that paved the path felt pleasantly cool through the thin soles of her slippers. Heat-lightning flashed continuously from the bank of clouds that had gathered over the sea, but the shore was flooded with moonlight and, beyond, the rim of the Sound lay smooth and shining. Caroline had the key of the lodge, and the door creaked as she opened it. She stepped into the long, low room radiant with the moonlight which streamed through the bow window and lay in a silvery pool along the waxed floor. Even that part of the room which lay in the shadow was vaguely illuminated; the piano, the tall candlesticks, the picture frames and white casts standing out as clearly in the half-light as did the sycamores and black poplars of the garden against the still, expectant night sky. Caroline sat down to think it all over. She had come here to do just that every day of the two weeks since d'Esquerre's departure, but, far from ever having reached a conclusion, she had succeeded only in losing her way in a maze of memories--sometimes bewilderingly confused, sometimes too acutely distinct--where there was neither path, nor clue, nor any hope of finality. She had, she realized, defeated a lifelong regimen; completely confounded herself by falling unaware and incontinently into that luxury of reverie which, even as a little girl, she had so determinedly denied herself, she had been developing with alarming celerity that part of one which sets up an idol and that part of one which bows down and worships it.
It was a mistake, she felt, ever to have asked d'Esquerre to come at all. She had an angry feeling that she had done it rather in self-defiance, to rid herself finally of that instinctive fear of him which had always troubled and perplexed her. She knew that she had reckoned with herself before he came; but she had been equal to so much that she had never really doubted she would be equal to this. She had come to believe, indeed, almost arrogantly in her own malleability and endurance; she had done so much with herself that she had come to think that there was nothing which she could not do; like swimmers, overbold, who reckon upon their strength and their power to hoard it, forgetting the ever-changing moods of their adversary, the sea.
And d'Esquerre was a man to reckon with. Caroline did not deceive herself now upon that score. She admitted it humbly enough, and since she had said good-by to him she had not been free for a moment from the sense of his formidable power. It formed the undercurrent of her consciousness; whatever she might be doing or thinking, it went on, involuntarily, like her breathing, sometimes welling up until suddenly she found herself suffocating. There was a moment of this tonight, and Caroline rose and stood shuddering, looking about her in the blue duskiness of the silent room. She had not been here at night before, and the spirit of the place seemed more troubled and insistent than ever it had in the quiet of the afternoons. Caroline brushed her hair back from her damp forehead and went over to the bow window. After raising it she sat down upon the low seat. Leaning her head against the sill, and loosening her nightgown at the throat, she half-closed her eyes and looked off into the troubled night, watching the play of the heat-lightning upon the massing clouds between the pointed tops of the poplars.
Yes, she knew, she knew well enough, of what absurdities this spell was woven; she mocked, even while she winced. His power, she knew, lay not so much in anything that he actually had--though he had so much--or in anything that he actually was, but in what he suggested, in what he seemed picturesque enough to have or be and that was just anything that one chose to believe or to desire. His appeal was all the more persuasive and alluring in that it was to the imagination alone, in that it was as indefinite and impersonal as those cults of idealism which so have their way with women. What he had was that, in his mere personality, he quickened and in a measure gratified that something without which--to women--life is no better than sawdust, and to the desire for which most of their mistakes and tragedies and astonishingly poor bargains are due.
D'Esquerre had become the center of a movement, and the Metropolitan had become the temple of a cult. When he could be induced to cross the Atlantic, the opera season in New York was successful; when he could not, the management lost money; so much everyone knew. It was understood, too, that his superb art had disproportionately little to do with his peculiar position. Women swayed the balance this way or that; the opera, the orchestra, even his own glorious art, achieved at such a cost, were but the accessories of himself; like the scenery and costumes and even the soprano, they all went to produce atmosphere, were the mere mechanics of the beautiful illusion.
