on her face.
We had just reached them when we heard the shots.
Three of them, each on the other's heels.
The woman's composure broke; she screamed 'No!' and the cop restrained her, and the kid hung onto her, afraid.
'What do you think you're doing?' the cop said as we moved by, pointing the gun toward Eliot, who flashed his credentials at the guy.
'I'm Eliot Ness. And I'm going in that room.' He pointed to the room with the number 361 on it. across from where we stood. He didn't have to say.
Eliot put his credentials away and took his gun out and opened the door.
A man was sprawled on his stomach over by a far window; nearby there was a chair, a calendar on the wall, a dresser with an open drawer. On the dresser, a scrawny two-foot-tall Christmas tree roped with tinsel sat in a little green wooden stand that looked to be home-made. The man was bleeding; there were three entry wounds in his back, three bloody scorched bulletholes against the pale yellow of his shirt. If this guy wasn't dead or about to be, I was the Marx Brothers.
Speaking of comedy, Miller was standing over the apparent corpse with a gun in his hand; smoke trailed out the barrel like a ghost.
Two other plainclothes cops, neither of whom I recognized, were closer to us as we came into the hotel room: a stocky guy with a mustache, and a stocky guy without a mustache. The one with a mustache was near the door; the one without was over at the left, by the double bed, which had a cream-color bedspread and a nightstand with phone. Everybody looked at us- except the guy on the floor.
'Ness,' Miller said, something like surprise registering on the blank putt)' face, eyes wide behind the
Coke-bottle lenses. 'Heller? What the hell…?'
Eliot bent over the body. Eased him over, barely; put him back.
'Nydick,' he said to me. I was still over by the door. 'I think he may be breathing, but it's a habit he's going to break real soon.' He looked at the cop near the phone. 'Call an ambulance. Now!'
The cop did as he was told; in sotto voce, he could be heard asking the switchboard for Mount Sinai, the closest hospital.
Eliot rose, staying by the body. 'How did it happen. Miller?'
'What jurisdiction you got here, Ness?'
'I have jurisdiction anywhere I damn well want it. This man was wanted for questioning in several federal matters, if it matters. How'd it happen. Miller?'
Miller put his gun on the dresser, under the Christmas tree, like a gift; it was the only one. He pointed at the open drawer, where a little.32 lay; the drawer was otherwise empty.
'He went for the gun.' he said, like the bad actor he was. 'I had to shoot.'
'Three bullets in the back.' Eliot said. 'That'll slow a man down.'
Miller continued. 'The boys came up and broke in and secured the suspect. I came up and sent the wife and kid out. and I read him the warrant. He grabbed it and tore it up.' He pointed. The warrant lay on the floor, not far from Nydick, torn in two.
I said. 'Are you sure he didn't try to eat it?'
Miller got a little red. '
Eliot said. 'Then what happened?'
'He was sitting a few feet from that dresser. Then he turned and tried to reach in a dresser drawer for that pistol. I couldn't take any chances. I fired and he fell.'
Eliot turned to the cop near me. 'Why didn't you just
The cop made a helpless, shrugging gesture. 'I wasn't close enough.' The other cop, having finished with his phone call, was staying in the background.
'How about you?' Eliot asked him. 'Why didn't you grab Nydick when he went for the gun?'
'I started to jump over the bed, but- Miller, he- already fired.'
Eliot glared at Miller. 'Let's step out in the hall.' He pointed a finger at first one, then the other cop. 'You two stay put. Make sure your suspect doesn't make a break for it.'
When we got out in the hall, the wife, being held by one arm by the cop in the brown suit, said, 'What in God's name happened in there?'
Eliot said, 'Are you Mrs. Nydick?'
The woman lowered her head. 'I'm Mrs. Long.'
Miller said, 'That's the name Nydick was registered under.'
Eliot said it again: 'Are you Mrs. Nydick?'
She nodded, looking at the floor. 'He's… dead, isn't he?'
'He's been shot,' Eliot said. 'It doesn't look good for him.'