stay very near the ship so we can get back on her.”
“No, we must get away,” another insisted.
“I am pulling for the light,” Seaman Jones said firmly. That ended the conversation, but as he rowed, the light seemed to retreat further and further.
Finally he swung his oar back into the boat. He could not reach the light, he reckoned, so it would be best to stand by. He was still convinced that they had been sent away only for an hour or so.
XI
On the
When Jack returned to the wireless shack, he told Harold Bride to put on his life belt. “Things look queer,” he said. “Very queer indeed.”
Then he went back to the wireless set, sending one message after another, even though the power was fading and it was hard to get a spark. In any case, by then he would have known that it was far too late for his efforts to prove anything but futile.
At 2:05 a.m., Captain Smith appeared in the shack again. “Men, you have done your full duty,” he told them. “You can do no more. Abandon your cabin. Now it’s every man for himself.”
If Jack heard the Captain, he gave no sign. His bruised, reddened fingers still tapped out CQD… SOS… CQD…
“You look out for yourselves,” Captain Smith said, more forcefully. “I release you.” Then, as if talking to himself, he added softly, “That’s the way of it at this kind of time.”
But Jack would not stop. “Come quick,” he cabled the
By then the wireless had lost all power. Harold Bride ran fore. Jack ran aft. There was no time to say “Godspeed.”
XII
The passengers in Lifeboat No. 8 looked back at the ship, where some fifteen hundred people crowded the stern, clustered as far from the rails as possible. They huddled together, some weeping, some praying, all conjoined in what an onlooker would later describe as “a mass of hopeless, dazed humanity.”
The melodies of the eight-man band drifted across the water. Their songs? Who can say? Some were convinced they heard ragtime, others said the last song was “Autumn.” Still others insisted it was the hymn “Nearer, My God, to Thee.”
The vantage point of Lifeboat No. 8 obscured the particulars of the final, excruciating scene: the English priest making his way through the forsaken crowd, taking confessions, the unwavering Isidor and Ida Straus side by side on the deck, which was now slanting upward, the Allisons standing near them, Mrs. Allison clutching her husband’s hand and sheltering her little daughter in her skirts.
Mere hours had passed since the passengers in Lifeboat No. 8 had nibbled on after-dinner chocolates and petits fours and lain in their Queen Anne and Louis XV beds, soothed by the constant rhythm of the
The lights in every window and porthole of the
Higher and higher she rose, until the forward funnel came crashing down into the ocean, crushing dozens of men desperate enough to believe they could save themselves by swimming. When the
On the decks, husbands, wives, sisters, and brothers were rent from one another as entire families tumbled down, down, down into the deadly, frigid sea: steerage passengers from Ireland and Holland, Italy and Armenia, bound for a new life; stewards and engineers, plate washers and firemen proud to be chosen for the great ship’s maiden voyage; Major Archibald Butt, President Taft’s favorite military aide; Clarence Moore, master of hounds of the Chevy Chase Hunt; the ship’s eight noble musicians; Margaret Rice and her five boys; Anna and William Skoog, their two sons and two daughters; and the three wealthiest men on board, who had tried to save others but not themselves, and who were, as Benjamin Guggenheim said, “prepared to go down like gentlemen.”
As they fell, every light on the ship went out, came back on in a single flash, then went out again, extinguished forever. The sudden darkness was followed by an earsplitting, hellish roar as four giant engines fell from their moorings and the glorious etched glass dome of the Grand Staircase shattered and everything loose came crashing down: Louis Vuitton wardrobe trunks; 29,000 pieces of glassware; 44,000 pieces of cutlery; potted palms from the Parisian cafe; the marmalade machine owned by passenger Edwina Troutt; fifty cases of wine; seventy-five cases of anchovies; three crates of models for the Denver Museum; Mrs. White’s locked suitcases; the Countess of Rothes’s diamond belt buckle; the miniature photograph of Gladys Cherry’s mother; pans of newly baked breakfast rolls; a copy of
Then there was quiet once again and the
Seated behind the Countess, Mrs. Margaret Swift looked at the watch she wore on a platinum chain around her neck. It was 2:20 a.m.
XIII
Maria Penasco screamed for her husband. The Countess handed the tiller to Gladys, then slipped down beside Maria and held her.
Then came other screams, the horrifying screams of more than a thousand women and men, struggling and adrift in the subfreezing water, frantically seeking to steady themselves on floating crates, tabletops, deck chairs, or someone else’s back. Their despairing cries carried across the still-calm water: “Save one soul!” … “Help, please, help!” … “Oh my God, oh my God…”