Dreaming Of The Bones

the cradle, she knew who it was.

“Vic? I hope it’s not too late, but I managed to get away from the conference a day early.”

“No, it’s all right. I’m still up,” she said, her breathing quickening at the sound of Nathan’s voice.

“It was a bloody weekend, I can tell you,” he said, and she could imagine him smiling. He’d gone unenthusiastically on Friday to a botanists’ meeting in Manchester, mumbling that they could hardly have picked anywhere less appropriate.

She hadn’t often talked to him on the telephone, and she thought how much she liked his voice, deep, with laughter resonating under the surface. She’d always been a sucker for voices, Duncan’s, too, with its hint of Cheshire drawl, blunted now by so many years in London.

“Come round and I’ll tell you about it,” Nathan urged.

Hesitating, Vic felt the anxious knot of dread forming in her stomach. Did she want to confront him tonight? No point putting it off, she thought, and took a deep breath.

“Yes, all right. I suppose I can come over for a bit.”

“Come the front way. The garden’s a bog.” He added, teasing, “I don’t think the neighbors will see you this time of night.” The phone clicked, then the dial tone buzzed in her ear.

He still wore his jacket and tie, though he’d undone his collar button and pulled the knot of his tie down to a rakish angle. “I’ve got the fire going,” he said, ushering her into the hall. “Let me get you a drink.”

She shook her head. “Not just now.” The door to the music room stood open and the lamp on the piano was lit. “You’ve been playing,” she said, wandering in and touching the sheet music open on the stand. It was handwritten, and she recognized Nathan’s strong, black script.

“Just doodling while I waited for you.” He stood in the doorway, looking perplexed.

Vic slid onto the piano bench and stared at the keyboard. After a moment, she began to pick out a hesitant, childish version of “Chopsticks,” all she remembered from the brief lessons forced on her by her mother. Her rebellion had taken the form of stoic silence coupled with an adherence to the exact number of minutes she was required to practice. After a few months, her mother had given up in defeat. Vic was not musically gifted.

Ballet had been next. She should have stuck with piano.

“Didn’t you tell me that you were writing music based on DNA sequences?” she asked. “Is that what this is?”

“In part. It’s an idea mentioned briefly in a lecture by Leonard Bernstein, and I’ve always been fascinated by it. An innate universal musical language.” He left his position by the door frame and came towards her. “Vic, I happen to know that your interest in the mechanics of music lies somewhere on a par with your interest in particle physics. And you haven’t once looked at me since you came in. What is the matter? Has something happened?”

She turned towards him. “Nathan, why didn’t you tell me that you found Lydia?”

He stared at her. “It never occurred to me. I suppose if I’d thought about it, I’d have assumed you knew.”

“No. I’d no idea until I saw a copy of the police report today.”

“Does it matter?” he asked, sounding baffled. “Did you think I was deliberately keeping something from you?”

“No, not really,” she said, not willing to admit what she had thought in the face of his matter-of-factness. “It’s just that everything surrounding Lydia’s death seems so elusive.” She shivered with a sudden chill.

“It’s cold in here. Come in by the fire,” Nathan said with instant concern, and this time she followed him obediently.

“Why didn’t you ask me?” he said when he’d settled her in the armchair nearest the heat. “I’d have told you anything you wanted to know.”

“I didn’t know to ask. And even now I feel uncomfortable, because I’m afraid talking about it might distress you.”

“Ah.” Nathan sat across from her and took a sip of a drink he’d apparently made while waiting. “It was very distressing, actually, at the time,” he said slowly. “And I didn’t speak about it to anyone except the police, but I’d always assumed it had got about somehow, as everyone seemed to avoid the subject so assiduously.

“But it’s been a long time, and I don’t mind talking about it now, if you like.”

A simple explanation after all, thought Vic, and she had worked herself into a lather over it. Was she becoming paranoid, imagining conspiracies, and suspecting Nathan, of all people? Collecting herself, she said, “The police seemed to think that Lydia asked you to come that evening because she wanted you to find her.”

Nathan shrugged. “I suppose that’s the logical explanation. Or perhaps at some level she was hoping to be rescued.”

“As Adam rescued her the first time?”

“Poor Adam. At least I didn’t find her floating in her own blood. Sorry, love,” he added with a grimace. “Not a nice picture.”

“She wrote about it—Life blood/Salt and iron/cradle gentle as a/mother’s kiss…” Vic recited softly. She stood up and went to the old gramophone cabinet Nathan used to store drinks in the sitting room. Pouring herself a generous sherry, she said, “What did she say when she called you that day, Nathan? How did she sound?”

He thought for a long moment. “Tense … excited … almost combative. I suppose all of those would be natural if she were working herself up to suicide.”

“But what exactly did she say? Can you remember the particular words or phrases?” Vic came back to her chair and curled up with her feet beneath her.