'You numskull, didn't you see me COUNT 'm?'
'I know, but—'
'Well, I'll count 'm AGAIN.'
So I smouched one, and they come out nine, same as the other time. Well, she WAS in a tearing way—just a-trembling all over, she was so mad. But she counted and counted till she got that addled she'd start to count in the basket for a spoon sometimes; and so, three times they come out right, and three times they come out wrong. Then she grabbed up the basket and slammed it across the house and knocked the cat galley-west; and she said cle'r out and let her have some peace, and if we come bothering around her again betwixt that and dinner she'd skin us. So we had the odd spoon, and dropped it in her apron-pocket whilst she was a- giving us our sailing orders, and Jim got it all right, along with her shingle nail, before noon. We was very well satisfied with this business, and Tom allowed it was worth twice the trouble it took, because he said NOW she couldn't ever count them spoons twice alike again to save her life; and wouldn't believe she'd counted them right if she DID; and said that after she'd about counted her head off for the next three days he judged she'd give it up and offer to kill anybody that wanted her to ever count them any more.
So we put the sheet back on the line that night, and stole one out of her closet; and kept on putting it back and stealing it again for a couple of days till she didn't know how many sheets she had any more, and she didn't CARE, and warn't a-going to bullyrag the rest of her soul out about it, and wouldn't count them again not to save her life; she druther die first.
So we was all right now, as to the shirt and the sheet and the spoon and the candles, by the help of the calf and the rats and the mixed-up counting; and as to the candlestick, it warn't no consequence, it would blow over by and by.
But that pie was a job; we had no end of trouble with that pie. We fixed it up away down in the woods, and cooked it there; and we got it done at last, and very satisfactory, too; but not all in one day; and we had to use up three wash-pans full of flour before we got through, and we got burnt pretty much all over, in places, and eyes put out with the smoke; because, you see, we didn't want nothing but a crust, and we couldn't prop it up right, and she would always cave in. But of course we thought of the right way at last—which was to cook the ladder, too, in the pie. So then we laid in with Jim the second night, and tore up the sheet all in little strings and twisted them together, and long before daylight we had a lovely rope that you could a hung a person with. We let on it took nine months to make it.
And in the forenoon we took it down to the woods, but it wouldn't go into the pie. Being made of a whole sheet, that way, there was rope enough for forty pies if we'd a wanted them, and plenty left over for soup, or sausage, or anything you choose. We could a had a whole dinner.
But we didn't need it. All we needed was just enough for the pie, and so we throwed the rest away. We didn't cook none of the pies in the wash- pan—afraid the solder would melt; but Uncle Silas he had a noble brass warming-pan which he thought considerable of, because it belonged to one of his ancesters with a long wooden handle that come over from England with William the Conqueror in the Mayflower or one of them early ships and was hid away up garret with a lot of other old pots and things that was valuable, not on account of being any account, because they warn't, but on account of them being relicts, you know, and we snaked her out, private, and took her down there, but she failed on the first pies, because we didn't know how, but she come up smiling on the last one. We took and lined her with dough, and set her in the coals, and loaded her up with rag rope, and put on a dough roof, and shut down the lid, and put hot embers on top, and stood off five foot, with the long handle, cool and comfortable, and in fifteen minutes she turned out a pie that was a satisfaction to look at. But the person that et it would want to fetch a couple of kags of toothpicks along, for if that rope ladder wouldn't cramp him down to business I don't know nothing what I'm talking about, and lay him in enough stomach-ache to last him till next time, too.
Nat didn't look when we put the witch pie in Jim's pan; and we put the three tin plates in the bottom of the pan under the vittles; and so Jim got everything all right, and as soon as he was by himself he busted into the pie and hid the rope ladder inside of his straw tick, and scratched some marks on a tin plate and throwed it out of the window-hole.
CHAPTER XXXVIII.
MAKING them pens was a distressid tough job, and so was the saw; and Jim allowed the inscription was going to be the toughest of all. That's the one which the prisoner has to scrabble on the wall. But he had to have it; Tom said he'd GOT to; there warn't no case of a state prisoner not scrabbling his inscription to leave behind, and his coat of arms.
'Look at Lady Jane Grey,' he says; 'look at Gilford Dudley; look at old Northumberland! Why, Huck, s'pose it IS considerble trouble?—what you going to do?—how you going to get around it? Jim's GOT to do his inscription and coat of arms. They all do.'
Jim says:
'Why, Mars Tom, I hain't got no coat o' arm; I hain't got nuffn but dish yer ole shirt, en you knows I got to keep de journal on dat.'
'Oh, you don't understand, Jim; a coat of arms is very different.'
'Well,' I says, 'Jim's right, anyway, when he says he ain't got no coat of arms, because he hain't.'
'I reckon I knowed that,' Tom says, 'but you bet he'll have one before he goes out of this—because he's going out RIGHT, and there ain't going to be no flaws in his record.'
So whilst me and Jim filed away at the pens on a brickbat apiece, Jim a- making his'n out of the brass and I making mine out of the spoon, Tom set to work to think out the coat of arms. By and by he said he'd struck so many good ones he didn't hardly know which to take, but there was one which he reckoned he'd decide on. He says:
'On the scutcheon we'll have a bend OR in the dexter base, a saltire MURREY in the fess, with a dog, couchant, for common charge, and under his foot a chain embattled, for slavery, with a chevron VERT in a chief engrailed, and three invected lines on a field AZURE, with the nombril points rampant on a dancette indented; crest, a runaway nigger, SABLE, with his bundle over his shoulder on a bar sinister; and a couple of gules for supporters, which is you and me; motto, MAGGIORE FRETTA, MINORE OTTO. Got it out of a book—means the more haste the less speed.'
'Geewhillikins,' I says, 'but what does the rest of it mean?'
'We ain't got no time to bother over that,' he says; 'we got to dig in like all git-out.'
'Well, anyway,' I says, 'what's SOME of it? What's a fess?'
'A fess—a fess is—YOU don't need to know what a fess is. I'll show him how to make it when he gets to it.'
'Shucks, Tom,' I says, 'I think you might tell a person. What's a bar sinister?'
'Oh, I don't know. But he's got to have it. All the nobility does.'
That was just his way. If it didn't suit him to explain a thing to you, he wouldn't do it. You might pump at him a week, it wouldn't make no difference.
He'd got all that coat of arms business fixed, so now he started in to finish up the rest of that part of the work, which was to plan out a mournful inscription—said Jim got to have one, like they all done. He made up a lot, and wrote them out on a paper, and read them off, so:
1. Here a captive heart busted. 2. Here a poor prisoner, forsook by the world and friends, fretted his sorrowful life. 3. Here a lonely heart broke, and a worn spirit went to its rest, after thirty-seven years of solitary captivity. 4. Here, homeless and friendless, after thirty-seven years of bitter captivity, perished a noble stranger, natural son of Louis XIV.
