you think we lost him?”

In the dark night, it’s so funny, all I can do is laugh, and finally Amy laughs too, and I say, “He never even had us.”

SHANGHAIED BY GIGI LITTLE

Old Town

Eight o’clock

So, I’m walking down this seedy street in Old Town with Kit and Rhonda, silently lamenting my sorrowful existence-how rent’s going up again, how I need some new clothes, how good cheese is so fucking expensive-and up ahead, on the next corner, here’s this old woman begging. How’s that for juxtaposition?

In other words, I’m a pathetic, whiny bitch.

She’s squat like a folding chair. Hunched, head straight out from the crossbar of her shoulders. Hand out at the people walking by. And this funny look on her face, this little twisted thing with her lips, almost a smile-and, damn, look at her eyes. She’s got crooked eyes. Like she’s wearing crooked glasses, but she’s not wearing glasses at all.

“Spare change?” she says. “Pretty jewelry?”

And that’s the thing that really has me reaching into my purse. Pretty jewelry. Because Jesus, I mean, just look at her.

All right, it’s not the dress-that’s just some old house-dress. Yellow faded to white. Some splattery stain covering it that, when I step close enough, turns out to be what was once a pattern of flowers. But her hat. That’s bright blue velvet. With one of those little feathers at the side and some torn net hanging from the brim. And her jewelry. Trying so hard to be pretty. She’s covered in junky plastic-big earrings, clinking bracelets-old and broken. And what looks like-step closer-clippings of wire circled around her fingers. Necklaces made of tied-together pieces of gutter-stained string and buttons and faded sequins. Step right in front of her now, and the brooch pinned to her chest is an arthritic metal claw with no rhinestones.

She looks her crooked eyes down my face to the pearls at my neck. “Pretty jewelry?”

I’ve got a fistful of coins and I step up and hang it over her open hand and let go.

Her other hand comes up fast. Takes a jabbing snatch at me.

Her rough, knobby fingers around the four of mine.

The top of my head does that scared thing where it feels like someone’s cracked a raw egg up there. I hang my mouth open but my brain forgets what screaming’s for, and then she lets go. And now we’re walking away, Kit glancing back. That touch still on my fingers. The way the squirm hangs around in your stomach after the scare’s over.

Rhonda’s good enough to wait until we’re one step away from being out of earshot. “My friend,” she says, “you are such a sap.”

Nine o’clock

After a couple hours walking through the dungeons and opium dens below the streets of Portland you need a drink. It was thick hot down there, and dark. They gave us flashlights and said, Now, direct your attention to this corner where, in eighteen-hundred- and-I-can’t-remember, men were held captive in foul prison cells.

Rhonda had the reaction I thought she’d have: “Shanghai Tunnels? Shit, that was more like the Shanghai Basement.”

But if you enjoy good lore and don’t mind close, dark spaces where the air is like breathing dirt and it’s so hot you could keel over but for being constantly revived by the exquisite reek of body odor coming off the tourist next to you, it’s quite a hoot.

Me, I love good lore. Lore is my favorite kind of story. Because it’s not only historical, it’s a lie everyone knows is a lie but tells anyway. I love that. Of course every story I tell is true. Completely true. Completely and utterly at least five-eighths of the way to being true, which is truer than any piece of lore and truer than most truths you’ll hear, including the one about George Washington and the cherry tree. Look it up.

But after the tunnels and then the old woman grabbing my hand, we had to get out of Old Town. I said we could walk to the Pearl District, but Rhonda always has to call a cab. She couldn’t have gotten very far anyway on those shoes of hers that are somewhere between fuck-me pumps and fuck-you pumps. She sat in the middle so she could lean in between the front seats and show her boobs to the cab driver.

And now we’re at the Everett Street Bistro, Rhonda’s favorite place-sitting at her favorite sidewalk table. I wanted to sit inside, and I’m trying to drown my frustrations in some sort of sugar-on-the-rim, house-infused, fruit-muddled, herb-atomized cocktail, and pommes frites with a side of bearnaise sauce.

Kit is big blue eyes over an even bluer drink. “No, seriously, Rhonda, there are tunnels running all under this city. From Old Town all the way to the Willamette River.”

Kit’s reciting word for word what the tour guide said. She smiles like the tour guide did. Her large, goaty teeth are a shade of blue.

“You want to know what I think?” Rhonda says, pointing a pomme frite at us. “I think they heard some old legend, found a basement, threw some old, broken shit down there, and started charging admission.”

“No, seriously,” says Kit and her blue teeth. “Back in the day, the bars were full of trap doors, and if you were an able-bodied man and you got yourself drunk, bang, down you’d go, to be chained up and shanghaied away on some pirate boat.”

Again: tour guide. Except that her two drinks-closing in on three-are making Kit both more emphatic and less articulate. And I’m pretty sure the tour guide didn’t say anything about pirates.

Rhonda rolls her eyes. It’s ticking me off. She’s rolling her eyes at the lore of our city. Which in my book is like you’re dissing my story. I mean, this evening’s entertainment was my idea. And first she’s making cracks under her breath the whole tour, then she’s acting like me giving some change to a woman on the street is the most obvious act of chumpdom she’s ever seen. I’m going inside to find a waiter and ask if this place has a trap door I can shove her down.

Dusk is dying, and the city’s washed blue to match Kit’s teeth. A car drags a curtain of bright white down the street in front of us.

“You want to know what I think?” Rhonda says, but then she glances out across the road. “Hey, look who’s come back for more.”

Right there on the far corner. Faded dress, velvet hat, hand out at people walking by.

“I’ll bet she works a circuit,” Rhonda says. “I’ll bet she knows exactly where to go at what time to milk the public of the most money.”

I push out a laugh and try not to sound pissy defensive. “There are people in need in this world, you know.”

“Her name’s Dorothy,” Rhonda says in that way she has when it’s less about her knowing more than it is about you knowing less. “As in, we’re not in Kansas anymore? I heard she lives at the Biltmore Apartments in Northwest.” Points her chin down so she can give us the just-under-the-eyebrows look. “I also heard from an equally reliable source that she lives in a loft here in the Pearl. And owns a car.”

Kit downs her drink. Her voice is just a step past not-quite-too-loud. “Well, I heard she lives in the Shanghai Tunnels.”

Which is all lore-of some lame sort-and normally this would at least somewhat intrigue me, but now I look down at my hand all naked on the white tablecloth, and what the hell?

My ring.

The garnet and the amethyst are on my left hand, but the right hand, the hand she grabbed-

All right, hold on, maybe I didn’t put it back on after I showered this morning. I try to remember having it on in the tunnels.

Rhonda’s still going at it: “I heard she has this son who lets her beg and then takes the money and buys

Вы читаете Portland Noir
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату