“A friend? Bless your heart! it’s our little American cousin, Naomi Colebrook.”
I vaguely remembered that a younger sister of Mr. Meadowcroft’s had married an American merchant in the remote past, and had died many years since, leaving an only child. I was now further informed that the father also was dead. In his last moments he had committed his helpless daughter to the compassionate care of his wife’s relations at Morwick.
“He was always a speculating man,” Ambrose went on. “Tried one thing after another, and failed in all. Died, sir, leaving barely enough to bury him. My father was a little doubtful, before she came here, how his American niece would turn out. We are English, you know; and, though we do live in the United States, we stick fast to our English ways and habits. We don’t much like American women in general, I can tell you; but when Naomi made her appearance she conquered us all. Such a girl! Took her place as one of the family directly. Learned to make herself useful in the dairy in a week’s time. I tell you this—she hasn’t been with us quite two months yet, and we wonder already how we ever got on without her!”
Once started on the subject of Naomi Colebrook, Ambrose held to that one topic and talked on it without intermission. It required no great gift of penetration to discover the impression which the American cousin had produced in this case. The young fellow’s enthusiasm communicated itself, in a certain tepid degree, to me. I really felt a mild flutter of anticipation at the prospect of seeing Naomi, when we drew up, toward the close of evening, at the gates of Morwick Farm.
CHAPTER II. THE NEW FACES.
IMMEDIATELY on my arrival, I was presented to Mr. Meadowcroft, the father.
The old man had become a confirmed invalid, confined by chronic rheumatism to his chair. He received me kindly, and a little wearily as well. His only unmarried daughter (he had long since been left a widower) was in the room, in attendance on her father. She was a melancholy, middle-aged woman, without visible attractions of any sort—one of those persons who appear to accept the obligation of living under protest, as a burden which they would never have consented to bear if they had only been consulted first. We three had a dreary little interview in a parlor of bare walls; and then I was permitted to go upstairs, and unpack my portmanteau in my own room.
“Supper will be at nine o’clock, sir,” said Miss Meadowcroft.
She pronounced those words as if “supper” was a form of domestic offense, habitually committed by the men, and endured by the women. I followed the groom up to my room, not over-well pleased with my first experience of the farm.
No Naomi and no romance, thus far!
My room was clean—oppressively clean. I quite longed to see a little dust somewhere. My library was limited to the Bible and the Prayer-book. My view from the window showed me a dead flat in a partial state of cultivation, fading sadly from view in the waning light. Above the head of my spruce white bed hung a scroll, bearing a damnatory quotation from Scripture in emblazoned letters of red and black. The dismal presence of Miss Meadowcroft had passed over my bedroom, and had blighted it. My spirits sank as I looked round me. Supper-time was still an event in the future. I lighted the candles and took from my portmanteau what I firmly believe to have been the first French novel ever produced at Morwick Farm. It was one of the masterly and charming stories of Dumas the elder. In five minutes I was in a new world, and my melancholy room was full of the liveliest French company. The sound of an imperative and uncompromising bell recalled me in due time to the regions of reality. I looked at my watch. Nine o’clock.
Ambrose met me at the bottom of the stairs, and showed me the way to the supper-room.
Mr. Meadowcroft’s invalid chair had been wheeled to the head of the table. On his right-hand side sat his sad and silent daughter. She signed to me, with a ghostly solemnity, to take the vacant place on the left of her father. Silas Meadowcroft came in at the same moment, and was presented to me by his brother. There was a strong family likeness between them, Ambrose being the taller and the handsomer man of the two. But there was no marked character in either face. I set them down as men with undeveloped qualities, waiting (the good and evil qualities alike) for time and circumstances to bring them to their full growth.
The door opened again while I was still studying the two brothers, without, I honestly confess, being very favorably impressed by either of them. A new member of the family circle, who instantly attracted my attention, entered the room.
He was short, spare, and wiry; singularly pale for a person whose life was passed in the country. The face was in other respects, besides this, a striking face to see. As to the lower part, it was covered with a thick black beard and mustache, at a time when shaving was the rule, and beards the rare exception, in America. As to the upper part of the face, it was irradiated by a pair of wild, glittering brown eyes, the expression of which suggested to me that there was something not quite right with the man’s mental balance. A perfectly sane person in all his sayings and doings, so far as I could see, there was still something in those wild brown eyes which suggested to me that, under exceptionally trying circumstances, he might surprise his oldest friends by acting in some exceptionally violent or foolish way. “A little cracked”—that in the popular phrase was my impression of the stranger who now made his appearance in the supper-room.
Mr. Meadowcroft the elder, having not spoken one word thus far, himself introduced the newcomer to me, with a side-glance at his sons, which had something like defiance in it—a glance which, as I was sorry to notice, was returned with the defiance on their side by the two young men.
“Philip Lefrank, this is my overlooker, Mr. Jago,” said the old man, formally presenting us. “John Jago, this is my young relative by marriage, Mr. Lefrank. He is not well; he has come over the ocean for rest, and change of scene. Mr. Jago is an American, Philip. I hope you have no prejudice against Americans. Make acquaintance with Mr. Jago. Sit together.” He cast another dark look at his sons; and the sons again returned it. They pointedly drew back from John Jago as he approached the empty chair next to me and moved round to the opposite side of the table. It was plain that the man with the beard stood high in the father’s favor, and that he was cordially disliked for that or for some other reason by the sons.
The door opened once more. A young lady quietly joined the party at the supper-table.
Was the young lady Naomi Colebrook? I looked at Ambrose, and saw the answer in his face. Naomi Colebrook at last!
A pretty girl, and, so far as I could judge by appearances, a good girl too. Describing her generally, I may say that she had a small head, well carried, and well set on her shoulders; bright gray eyes, that looked at you honestly, and meant what they looked; a trim, slight little figure—too slight for our English notions of beauty; a strong American accent; and (a rare thing in America) a pleasantly toned voice, which made the accent agreeable to English ears. Our first impressions of people are, in nine cases out of ten, the right impressions. I liked Naomi Colebrook at first sight; liked her pleasant smile; liked her hearty shake of the hand when we were presented to each other. “If I get on well with nobody else in this house,” I thought to myself, “I shall certainly get on well with
