“But too old for her body,” Allie declares.

She is a pleasant combination of warm golden hues, honey skin and hair, light amber eyes, jeans cut off before her buttocks end. She lives there. She’s a townie. Her house is lit up at night, every night, all night. One of the windows is busted.

“Is that her room? How does she sleep at night?” But once Allie thinks about it, she decides she would like to sleep in a room with the ocean right outside, every night, whistling into the hole in her windowpane.

“It’s a bullet hole,” Grace says.

“Oh, don’t be stupid,” Allie tells her. “Whoever lives there, her single mom or whatever, can’t afford to fix it. That’s all.”

Tricia glances over at Grace, casting her pale lashes down. She agrees, she agrees with Allie. Grace can be such a child.

Allie’s mom is a single mom. She can afford to fix broken windows, but she can’t afford add-a-bead necklaces or adoptive Cabbage Patch dolls. Allie’s mother often reminds her that there are children who don’t have enough money for band instruments or three square meals. There are children who run wild and don’t know their times tables because there is nobody looking out for them, aiming for a better quality of life. Allie isn’t sure what she means by better quality of life. When Allie visits the twins, Melanie isn’t around much. She imagines it would be very lonely to live that way without a twin. The twins have each other though. And there is little doubt, when she watches them in their matching bunny-fur coats and freshly curled wings, singing the winter holiday program or twirling their batons in unison at the football game, that those two have achieved a finer quality of life. Last winter, when the other girls in the program snuck makeup on in the bathroom, Trina and Tricia wore nothing more than Vaseline on their brow bones and bow-shaped lips. When they throw the batons up high, they spin in unison, and there is never any question that they will catch the batons at the exact same moment. Every time they spin down. Every time.

Many years later, one of the girls will be a woman.

She comes here with her husband and her daughter, they take the ferry out to Crystal Beach.

There isn’t any parking, and the husband says, “Goddamnit, why didn’t you tell me?” when the state trooper tickets them for expired registration.

“Forgot about that,” Tricia says. When their child falls asleep in the back, she reaches over. This trip is about him, how he says he feels no love for her anymore. She climbs over the seat, in the daylight, thinking, This will do it, this has to do it. Her long pale hair in his face, her mother’s blue eyes, the lashes darkened now. “I love you, I love you, I love you,” she says, and when his arm fumbles and he pushes her off, she’ll think, Fuck it. You fucker.

He doesn’t push her off, he is soft there, holding his head back from her face.

“There are worse things in life than a job you don’t like and a wife who leaves you cold,” she says. “You could have a knife in your back.”

“I don’t want to talk about that. You aren’t thinking about it anyway,” he says.

And he is right, until she seats herself again and looks back at her daughter.

“Don’t make yourself cry for my benefit,” he says.

“Man, it’s really changed,” she says aloud on the drive back. She’d imagined walking along the beach, their girl on his shoulders, her hand inside his. She would point to the dunes, And there it is, that’s it, that’s where… and he would put his hand on the small of her back, guiding her away. Or no, he would rest it on the nape of her neck, cradling.

There is a coffee shop with free wi-fi, and they pass gift shops, even a couple of hotels. “It wasn’t like this back then. It was just houses and a corner store. We used to go crabbing, did I tell you that? Mom would cook them for us, if we cleaned them and pulled them apart. We did it when they were alive. It didn’t bother us. Grace said they had no nerves. One time, I was about to gut one of them and it started eating its brains out. Autocannibalism, Allie said. She was the smart one. We thought it was funny. And we ate mussels too. Trina and I, we brought the traps in every morning, We woke up at the same time. Trina said the same sound woke us, but I don’t remember. I don’t know. Maybe I never heard the sound.”

He is smoking, window down. She would like to think that he is afraid of his own love for her, but the way he’s looking at the windshield, she’s thinking maybe not. They’ve been married for eleven years. When she met him, he was a skinny studio art major at a state college. Now he’s grown more handsome. And glib.

In the backseat, her baby girl gurgles. Two years old, fingers in her mouth. Her hair is black like her daddy’s, cut straight across her cheeks. Her eyes are blue like her mother’s, like her grandmother’s, like Trina’s.

The girls sleep out on the balcony, listening to Judy Collins tapes. She sounds so otherworldly. There is a song with whales calling, and a song about eyes like isinglass windows. The girls don’t know what isinglass is, but it sounds like something from old ships or lighthouses. Then Allie puts in Stevie Nicks. Sylvia and Melanie are dancing in the field. They wear black bathing suits and sarongs. Melanie unties her sarong, letting it float up, up, and away. It’s a warm and breezy night. Across the way, at that girl’s house, men whoop and holler.

“I want to call my mom,” Grace says. “Your mom drinks too much.”

“Oh, go inside and call her then,” Trina says. Allie and Tricia smile.

Grace falls asleep with her glasses on, her arm thrown over her face.

Allie, Tricia, and Trina watch as Melanie and Sylvia walk off past the dunes.

“She’ll find a bonfire,” Trina says.

“Will she come back?” Allie says, then thinks about how that sounds.

“She always does,” the twins say.

Allie whispers, making her voice low, husky. Like the girl’s. “I don’t think she’s a girl,” Allie says. “She’s a spook. She’s a ghost. She’s a demon inside a girl’s body.”

And then she hisses:

Miss Mary Mack, Mack, Mack

All dressed in black, black, black

With silver buttons, buttons, buttons

All down her back, back, back.

She cannot read, read, read

She cannot write, write, write

But she can smoke, smoke, smoke

Her father’s pipe, pipe, pipe.

She asked her mother, mother, mother

For fifty cents, cents, cents

To see the elephants, elephants, elephants

Jump over the fence, fence, fence.

They jumped so high, high, high

They reached the sky, sky, sky

And they didn’t come back, back, back

Till the Fourth of July, ly, ly!

July can’t walk, walk, walk

July can’t talk, talk, talk

July can’t eat, eat, eat

With a knife and fork, fork, fork!

She went upstairs, stairs, stairs

To say her prayers, prayers, prayers

And bumped her head, head, head

And now she’s dead, dead, dead!

In the mornings the twins carry in the crab traps. They wake up at the same moment, and leave Grace and Allie asleep on the balcony. They walk in their pajamas, and wear flip-flops to protect their calloused feet from the sticker burrs.

July Fourth, firecrackers and watermelon. Melanie sips a mint julep from a tall blue glass. The girls sip from the bottom of the tumblers. Their father is there, for this celebration, an arm thrown over his wife’s shoulders. They are surprisingly broad for such a petite woman. Allie approves of the exposed freckles, the blood-red stone

Вы читаете Lone Star Noir
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