‘Taffy, Taffy, give us a song!’ they chanted.
‘Go away!’
Finally, finally, he got his key out and into the lock. He turned the key. The door stuck sometimes in wet weather. He had to push it.
Something hit him in the back of the head, hard. It hit him so hard, it slammed his face into the door.
Davey Morgan fell down. He flopped back against the door of his house, his own bloody house, and sagged, feeling the warm drip coming out of his nose.
‘You bloody bastards,’ he whispered.
On the path in front of him, a ball bounced to rest.
They’d thrown it at him, thrown it at his head.
Bastards.
He looked up. The yobbos had gathered on the pavement, crowing and laughing, pointing and whooping. Ozzie and the other man-boys. Stupid haircuts, stupid skinny faces, stupid clothes, trousers that didn’t pull up past their hips and left a waistband of underpants on show.
‘You bloody bastards!’ he spat.
‘Oooh, Taffy! Such strong friggin’ language!’ Ozzie shouted.
‘Mess him up! Mess him up!’ the others sang. Scrawny boys. Scrawny bloody bastards.
Ozzie gathered up the ball in his hands and tossed it over and over. ‘One on one, eh, Taffy? You and me? One on one?’
‘Go to hell, boy,’ Davey said, picking himself up.
The ball walloped him in the face. As he fell down again, his swollen knee shooting pain up his thigh, all he heard was wild, mocking laughter. They’d broken his nose. His cheek too, it felt like. Bloody, bloody bastards.
Davey blinked away tears. Ozzie was picking up the bouncing ball again.
‘Want another go, you old git?’ he asked.
Davey found an iota of strength from somewhere and hoisted himself up. He leant on the door and turned the key. As the door swung open and carried him in, he felt the ball ricochet of his back. More laughter.
The umbrella stand lived just inside the door, exactly where it had stood since Glynis had put it there in 1951. It held his old black brolly, her neat beige collapsible, a walking stick.
Davey Morgan reached for none of those. He took hold of the other object leaning innocuously in the stand.
Upright, he turned in the doorway.
‘One on one, eh, Taffy?’ Ozzie called, bouncing the ball. His chorus of bastards whinnied and shrieked.
‘Go on, then, you bloody bastard,’ Davey said.
Ozzie chucked the ball at him.
It struck Davey and somehow, miraculously, stayed put on his hand. The yobbos fell silent for a second, puzzled.
With a slow fart, the ball deflated. Davey Morgan slid it off the blade and let it
Army-issue Bayonet No. 1. A little dulled with age, like him, but still seventeen bloody inches long and sharp as a bugger. Like a bloody sword, it was, the size of it.
Davey raised it. The yobbos gawped.
‘Bugger off, you tossers, or I’ll do you up a treat!’ he declared, brandishing the blade.
They looked on. They stared. They fled like a bunch of nancies down the street, scattering in all directions.
Davey picked up his string bag of books and went indoors. He put the bayonet back in the umbrella stand, and locked the door behind him.
He made himself a cup of tea. There was still no sign of the cat. The bowl of food had been left uneaten.
He sat down with the three books he’d borrowed. Each one was an illustrated volume on modern sculpture. He was sure he’d seen the thing in the shed, or something like it, before. Glynis had loved sculpture. They’d once gone all the way to Bath, to see a modern art show. 1969. He’d gone along with it because he had loved to see her happy.
It had meant nothing to him then. It meant something to him now. He flicked through the pages, stopping at various images: Brancuzzi, Epstein, Giacometti. That’s what he had seen. Lean, attenuated bodies made of metal; cramped, pigeon-chested torsos; flaring slipstream limbs; burnished, angular heads.
But not still. Moving.
Humming.
Walking.
Gwen pulled the Saab into the dead lot. They could both see the SUV parked ahead of them.
They got out.
Gwen looked around. James fitted his Bluetooth.
‘Jack? Tosh? Hello?’
He paused, listening. His expression had turned sour.
‘What is it?’ Gwen asked.
‘Jack says boiled egg,’ said James.
They started to run.
TWELVE
Old warehouses lacking roofs. The bones of the city’s vanished industry. High-walled stone sheds with bare socket windows and roof-tile avalanches on the floors. Pigeons, weeds, puddles of rainwater.
No Jack. No Tosh.
‘Spread out,’ James said. They wandered around the derelict spaces, keeping each other in sight. There were scraps of metal tracks inlaid into parts of the concourse hardpan where freight trucks had once shunted. Broken lead raingoods spilt green stains down scabby brick work. In places, there were little caches of junk — wrappers and cartons, doorless fridges and defunct cookers. The residents of Butetown evidently used this place to dump their junk. Oddly, there was no evidence that the homeless lingered here, in what Gwen thought would be a typical location. What kept them out? Old attempts at fencing and boarding had long since perished and given up the ghost.
Gwen paused below a massive brick archway that demarcated the plots between two warehouses. Part of a bas-relief inscription decorated the curve of the arch:
MILL ER amp; PEA ODY MBER FOUR POT 1 53
Lower down, newer signs had been fixed to the brickwork with wire and rivets. Red lettering on white fields:
KEEP OUT DANGEROUS STRUCTURE DANGER OF DEATH
She tried her phone again. She’d lost count of the number of attempts she’d made to reach Jack in the previous forty minutes. Since the ‘boiled egg’ message to James, nothing had been heard from their illustrious leader.
Dialling tone, connecting.
‘Please wait,’ said a voice. ‘We are diverting you to the voice mail box.’
‘James! I’ve got voice mail!’ Gwen called, keeping the phone pressed to her ear. That was an improvement.
