overtones. This one is meant as a model of its type – a show home, a demonstration of the possible. This is a lebensborn village, Gary. Now come and see the public facilities.'
At the heart of the 'village' were unopened shops with their functions displayed on hastily painted signs, and a space with sheds and stock-yards, like an agricultural market. There was even a British pub, mocked up in concrete and white paint; it had no name, but the sign outside carried a stern portrait of Hitler. What Fiveash called the sportplatz was a complex of arenas and facilities, including a soccer pitch and a shooting gallery. There was a large open field which Fiveash said would be a cemetery – very important in this community, she said, a place to honour the dead. 'It's all very Iron Age,' she said drily.
The most imposing facility was the thingplatz, an arena like an open-air theatre with a raised podium. Flagpoles soared, and Gary saw searchlight mounts. You could hold a hell of a rally here. All this was brand new, unused; Gary could smell paint. The only colour amid all the white was the vivid green of the lawns.
'You're one of the first candidates to see this.' Fiveash smiled, her teeth dazzling white in the sun. 'You may not feel this way now, but you're honoured. Really, you are!'
She led him back through the village to the residential buildings, and opened up one of the houses. Inside the decor was functional – more white paint, with false pillars to mask the concrete, and solid-looking furniture of wood and leather. The house was in two halves, he found, looking around, with a family living area at one end, and an open space at the far end that Fiveash said was meant as a barn.
The living room felt cold, all that concrete sucking out the warmth. A television sat mute in one corner, and there was a fireplace, unlit. Standing in this clean space Gary felt even more shabby, like a scarecrow brought in from the field.
There was a knock. A young soldier walked in with a tray laden with biscuits, fruit and a jug of coffee. He put this on a low table and left.
Fiveash smiled at Gary. 'Eat. Drink. Go ahead; there are no strings.'
He hesitated for one second. Then he sat, pulled the tray to him, and stuffed a biscuit in his mouth. It was shortbread coated with sugar; the crystals seemed to burst on his tongue. While he chewed on that he poured out a coffee, slopping it a little, and sucked up a great hot mouthful.
'I'll take mine white,' Fiveash said, good humoured. She took off her cap, revealing blonde hair tightly plaited.
He poured her a coffee and found a jug of cream. He continued to cram his mouth. 'Sorry,' he said. 'Shit, this coffee. Makes the tea we get in the stalag taste like dishwater. Probably is dishwater.'
'What do you think of the design? I mean the village as a whole. Himmler himself had a hand in it, you know. The house is based on a Roman era design called a wohnstallhaus' – the remains of such houses are found all over Germany. You could say this village is an Ahnenerbe experiment. There is a scheme called the Generalplan Ost which will see a great belt of such communities as this serving as a buffer between the Slavic homelands and the Reich. This is when the Jewish-Bolshevik conspiracy is destroyed, and the Slavs pushed back.' She said this as neutrally as if she were describing some feature of the house.
'And who would live here? The racially pure like me, right? What the hell would we do all day? Listen to reruns of Hitler's speeches?'
She laughed. 'What a card you are. No – you would farm. Party ideology is founded on ideals of purity, you see, Corporal. And one such ideal is the nobility of the farmer. In the east there'll be no shortage of land, or indeed labour, and the farms could be quite extensive.'
He picked up the tray and sat back with it on his lap, still eating. He had no scruples about being ill-mannered before this nutcase Nazi. 'Party ideology?'
She smiled. 'Some of it can be a little baroque. But it's hard to argue with Hitler's fundamental thesis. There are three sorts of people in the world, Corporal. Those who create culture, those who preserve it, those who destroy it. There is overwhelming evidence in the historical record that those who create human culture are of the Nordic type.'
'How about the Greeks? I didn't know they were Scandinavians.'
'No, but they were of Nordic extraction. There have been many diasporas.'
'And these destroyers of yours?'
'The Jews. All this Hitler has set out clearly in his own writings. Of course even Hitler drew on the work of earlier thinkers. We have libraries here, you should read up. It was an Englishman called William Jones who in the eighteenth century first identified the Aryan race, you know-indeed he coined the term – based on a comparison of languages, Sanskrit, Greek, Latin. Hitler and Himmler both refer to a recent work by another Englishman called Houston Stewart Chamberlain. A son-in-law of Wagner. Called Race and Nation, it-'
'I'll take the scholarship as read. Look, you're English, I still can't believe you swallow a word of this.'
Her smile was thinner now. 'But I have seen these ideas work themselves out in my own life.'
'How?'
'My father, and his father before him, served the empire in India.'
'The white man's burden?'
'Under the British the Indians advanced more in decades than they had in millennia. But my father's properties near Bombay were burned out by insurgents; he was forced to return to England. And then his savings, the fruit of the labour of generations, were destroyed through the criminal incompetence of a financier-'
'A Jew?'
'Almost certainly, though I could not prove it.'
'So that's it. To avenge Daddy, you joined the SS.'
She flared, 'My father died in poverty. Do you imagine that the lands my family had to abandon in India are better off than they were under us? Do you imagine that my family's money is being put to good use by those who stole it from us? You see, I grew up amid living proof of Hitler's thesis.'
'Yeah, yeah,' he said. 'So what do you want from me?'
'We're offering selected prisoners of war the chance to come here, lightly supervised at first-'
'You want me to be your poster boy in the States.'
'Well, if you took on the challenge it would create a lot of headlines. I've been over there; I know how it works. It could generate some goodwill.'
'And it might neutralise the news my mother sent back about Peter's Well. Right?'
She leaned forward, crisp in her black uniform. 'I won't try to minimise the harm that has been done to you and your family, Gary. I'm well aware of it. Since I've been stationed in Hastings I've got to know your father-in-law. Rather well, actually.'
'George?' He couldn't believe it. 'You're the SS!'
'Well, I'm also a human being. And he doesn't have anybody else. The civilian police are rather shunned, you know, by those who don't understand. Some call them collaborators, and worse. George needs company – somebody who understands.'
''Company.' My God. So this was why you were detailed to recruit me.'
'We often talk of Hilda-'
'Don't you dare speak of her.'
'Try to keep calm, Gary.'
'I've had enough of this farce. I want to go back to the stalag.'
She stood, setting down her coffee cup. 'Well, that isn't going to happen,' she said with a touch of steel in her voice. 'Not for now, at any rate.' She made for the door. 'Give it twenty-four hours. You'll have the house to yourself. Enjoy. Eat, shower. Watch the television. Wash your clothes, for heaven's sake. Walk around the village a bit; somebody will escort you. Twenty-four hours. Then, if you wish, I'll take you back to the homosexuals and madmen of your precious stalag.' She walked out, closing the door behind her.
He stood there, alone, confused. He grabbed the last of the biscuits off the plate and stuck them in his coat pocket, a prisoner's reflex. And he stared at the television, which gazed back at him, a glass eye focused on his uncertainty.
XIX
