detective. The door was locked.
The carpet installers looked to be on their lunch break. The old carpet had been removed, and new carpet covered about a third of the floor, with more of it rolled up awaiting installation.
I spent a few minutes there. As the man had assured me, there was really nothing to see. The room was as empty of traces of Kim as it was of furniture. The walls were bright with fresh paint and the bathroom fairly sparkled. I walked around like some psychic practitioner, trying to pick up vibrations through the tips of my fingers. If there were any vibrations present, they eluded me.
The window faced downtown, the view chopped up by the facades of other tall buildings. Through a gap between two of them I could catch a glimpse of the World Trade Center all the way downtown.
Had she had time to look out the window? Had Mr. Jones looked out the window, before or afterward?
I took the subway downtown. The train was one of the new ones, its interior a pleasing pattern of yellow and orange and tan. The inscribers of graffiti had already scarred it badly, scrawling their indecipherable messages over every available space.
I didn't notice anyone smoking.
I got off at West Fourth and walked south and west to Morton Street, where Fran Schecter had a small apartment on the top floor of a four-story brownstone. I rang her bell, announced myself over the intercom, and was buzzed through the vestibule door.
The stairwell was full of smells— baking smells on the first floor, cat odor halfway up, and the unmistakable scent of marijuana at the top.
I thought that you could draw a building's profile from the aromas in its stairwell.
Fran was waiting for me in her doorway. Short curly hair, light brown in color, framed a round baby face. She had a button nose, a pouty mouth, and cheeks a chipmunk would have been proud of.
She said, 'Hi, I'm Fran. And you're Matt. Can I call you Matt?' I assured her that she could, and her hand settled on my arm as she steered me inside.
The marijuana reek was much stronger inside. The apartment was a studio. One fairly large room with a pullman kitchen on one wall. The furniture consisted of a canvas sling chair, a pillow sofa, some plastic milk crates assembled as shelves for books and clothes, and a large waterbed covered with a fake-fur spread. A framed poster on one wall over the waterbed showed a room interior, with a railway locomotive emerging from the fireplace.
I turned down a drink, accepted a can of diet soda. I sat with it on the pillow sofa, which turned out to be more comfortable than it looked.
She took the sling chair, which must have been more comfortable than it looked.
'Chance said you're investigating what happened to Kim,' she said. 'He said to tell you whatever you want to know.'
There was a breathless little-girl quality to her voice and I couldn't tell how much of it was deliberate. I asked her what she knew about Kim.
'Not much. I met her a few times. Sometimes Chance'll take two girls at once out to dinner or a show. I guess I met everyone at one time or another. I just met Donna once, she's on her own trip, it's like she's lost in space. Have you met Donna?' I shook my head. 'I like Sunny. I don't know if we're friends exactly, but she's the only one I'd call up to talk to. I'll call her once, twice a week, or she'll call me, you know, and we'll talk.'
'But you never called Kim?'
'Oh, no. I never had her number, even.' She thought for a moment.
'She had beautiful eyes. I can close my eyes and picture the color of them.'
Her own eyes were large, somewhere between brown and green.
Her eyelashes were unusually long, and it struck me that they were probably false. She was a short girl of the body type they call a pony in Las Vegas chorus lines. She was wearing faded Levi's with the cuffs turned up and a hot pink sweater that was stretched tight over her full breasts.
She hadn't known that Kim had planned to leave Chance, and she found the information interesting.
'Well, I can understand that,' she said after some thought. 'He didn't really care for her, you know, and you don't want to stay forever with a man who doesn't care for you.'
'What makes you say he didn't care for her?'
'You pick these things up. I suppose he was glad to have her around, like she didn't make trouble and she brought in the bread, but he didn't have a feeling for her.'
'Does he have a feeling for the others?'
'He has a feeling for me,' she said.
'And anybody else?'
'He likes Sunny. Everybody likes Sunny, she's fun to be with. I don't know if he cares for her. Or Donna, I'm sure he doesn't care for Donna, but I don't think she cares for him either. I think that's strictly business on both sides. Donna, I don't think Donna cares for anybody. I don't think she knows there are people in the world.'
'How about Ruby?'
'Have you met her?' I hadn't. 'Well, she's like, you know, exotic.
So he'd like that. And Mary Lou's very intelligent and they go to concerts and shit, like Lincoln Center, classical music, but that doesn't mean he has a feeling for her.'
She started to giggle. I asked her what was so funny. 'Oh, I just flashed that I'm the typical dumb hooker, thinks she's the only one the pimp loves. But you know what it is? I'm the only one he can relax with.
