In Plain Sight

in the old dining room of the main ranch house, was Gothic. Ranch Gothic. Not the kind of Gothic she was used to, like those black-clad Goths in school who painted their nails and lips black and looked amazingly silly in P.E., but the older definition of Gothic, the kind she’d read about in novels. Until now, that definition had always been beyond her grasp, because she’d never encountered it. She never thought there was anyplace in Wyoming ancient enough or sinister enough to be considered Gothic. Until now. An image of Miss Havisham from Great Expectations wearing her wedding dress and riding a horse across the meadow outside popped into Sheridan’s head. She almost giggled at the thought but she was too on edge.

A ROILING BUT invisible cloud seemed to hang in the air of the dining room and throughout the house. She imagined the cloud to be made up of violent past emotions. The whole place, she thought, could use a good airing out.

The decor within the main ranch house had obviously not been changed—simply added onto—since it was built. The walls and wallpaper were dark and the trim ornate, the cornices were hand carved, each doorway a custom lark of intricate woodwork. Ancient wagon-wheel chandeliers hung from high ceilings on rough chains. The kitchen was big enough that when the cast-iron cookstoves were replaced by modern ovens there was no need to throw the old ones out. The dining room and sitting room were close and stuffy, with old paintings on the wall of Wyoming and Scottish landscapes. Sheridan had found herself staring at an entire wall of framed black-and-white photographs in the living room.

“This is the Scarlett Legacy Wall I told you about,” Julie had said, sweeping her hand through the air. “There are pictures here of all of my relatives.”

Sheridan had looked at her friend, expecting to see a smile on Julie’s face when she said “the Scarlett Legacy.” But she was serious, and much more solemn than Sheridan had seen her before. It was as if Julie had been schooled to be solemn in front of that wall the way a good Catholic would cross herself in midsentence as she passed by a cathedral.

Julie pointed out the photos of her great-great-grandparents who had founded the ranch, then her great- grandparents. Prominent within the display was a portrait of Opal Scarlett as a girl, the photo tinted with color to redden her cheeks and bring out her blue eyes. Even then, Sheridan thought, she looked like a tough bird. Her eyes, even through the blue tint, were sharp and hard and gave off a glint, like inset rock chips. In the photo, though, Opal had smiled an enigmatic smile that was disarming. Sheridan had only met Julie’s grandmother a couple of times before and had never seen the smile.

The high school portraits of Arlen, Hank, and Wyatt were fascinating, she thought. It was telling seeing Julie’s dad and uncles at ages more closely resembling her own, so she could look at them more as contemporaries than old men. Arlen looked then as he did now: handsome, confident, full of himself, and a little deceitful. Hank wore a fifties-style cowboy hat with the brim turned up sharply on both sides, his face sincere, serious, earnest, dark. It was the face of a boy who looked determined to stake a claim, a hard worker who would not be stopped. Wyatt looked big and soft, eager to please, proud of a mustache that was nothing to be proud of. Something about his face seemed wounded, as if he’d already met great disappointment. He was not a guy, Sheridan thought, you would pick first for your team if you wanted to win. Arlen would be, though, if the competition was a debate. And Hank would be the choice if there was a chance a fight might break out.

“Your dad looked cool,” Sheridan said.

Julie nodded. “He can be,” she said simply.

“But you live here with your uncle.”

“I moved to be with my grandmother and my mom.” Julie shrugged. “But my grandma, well, you know . . . she’s gone.”

AS SHE SAT across from Julie at the massive table that at one time fed twenty “strapping ranch hands,” as Arlen put it, Sheridan felt as if she were in a place and with people who shared a mutual faded glory that she wasn’t a part of.

She tried not to stare at Arlen or Wyatt as they ate, but she did observe them carefully. Wyatt tore into his food as if he were a starved animal. He pistoned forkfuls of food into his mouth with a mechanical fury, as if he couldn’t wait to complete his meal and punch off the clock. Arlen was leisurely, urbane, continuously refilling his wineglass before it was empty.

Julie appeared to be oblivious to both of them, picking at her food. She seemed put out by something. She kept stealing glances at Sheridan, and Sheridan had the feeling she was somehow disappointing her friend.

Sheridan was uncomfortable. It wasn’t the food, which was very good: steak, salad, fresh hot rolls with butter, garlic mashed potatoes, apple cobbler for dessert. Uncle Arlen was a great cook, and he told both girls so repeatedly.

It was interesting when Julie’s mother, Doris, returned from the kitchen with a plate filled with the cookies Julie and Sheridan had baked. As she served Sheridan, Doris leaned down and spoke in a tone so low the others at the table couldn’t hear her.

“This place used to weird me out as well,” she said. “But you eventually get used to it.”

Sheridan nodded but didn’t meet her eyes.

BEFORE THEY WATCHED a DVD movie and went to bed, Uncle Arlen told them stories with a fire crackling in the fireplace. He was a good storyteller. He knew how to use words and inflection and would look right into Sheridan’s eyes as he made a point, as if it were the most important thing in the world that she hear him and hear him now.

Sheridan had been seated next to Julie on a bear rug at Arlen’s feet. The way Julie walked over, collapsed on the rug, and turned her immediate attention to her uncle suggested to Sheridan this Story Time was a very common occurrence.

“Tell about Grandpa Homer,” Julie had asked her uncle. And he complied. About how Homer had to confront a bear (“You’re sitting on it,” Arlen said). How he fought with the Indians. When Homer stood up to the ranch hands—there were dozens of cowboys living on the ranch back then—and told them either to get out or shape up when they threatened to walk off the job unless they got more pay and better food.

To hear Arlen tell it, the Scarlett family had been involved in everything that had ever happened in the valley, and in Twelve Sleep County, Wyoming. While haughty newcomers either tried to overreach and failed or panicked and ran, the Scarletts provided the grounding force. When locals ran around like “chickens with their heads cut off” about a drought, fire season, flash floods, or the fact that the world seemed to have passed Saddlestring by, the Scarletts were there to provide context, experience, and wisdom. Sheridan was aware of how Julie kept looking over at her as Arlen talked, as if to say, “See how lucky you are that I’m sharing this with you?”

Arlen called it “oral history,” and said he repeated the stories to Julie over the years so she could continue the tradition when she got older. “It’s sad that families don’t hand down stories anymore,” Arlen said. Then, shaking his head and clucking, he said, “Of course, maybe they don’t have much to tell.”