Odd pair of ducks—that was Vince’s first thought when he saw them. They were wearing clothes of the sort you sometimes saw on those people who spent their weekends playing at being knights and fighting with swords. They didn’t have any armor on, but they wore robes and tunics and scarves and boots and big belts with silver buckles. One was tall and skinny with a head that looked too big for the rest of his body, and the other was short like a dwarf and all wrinkled and whiskery. They did not look happy, their faces contorted and flushed with anger and frustration. They wanted out, but neither Vince nor Roy was about to help them. How they had gotten into the cage in the first place was hard to guess, considering that the cage door was still locked. But they had no business being there, whatever their excuse. At best, they were trespassing on city property, and it was likely that by interacting with the animals without authority they had broken a few more laws, as well.

Roy had already called security, so Vince and he stood side by side watching the two men rant and rave. Neither could understand anything the pair was saying. Roy thought they were speaking an Eastern European dialect, although how he would know that, being of Scottish descent, was a mystery to Vince. Vince thought it more likely that they were speaking Arabic. He thought the emphasis on the hard vowels suggested one of the Middle Eastern languages, and even if the big one was as pale as a ghost, it wasn’t impossible that he might be an Arabic albino or something. He might have been raised in Egypt or Morocco, Vince thought—even though he had never been anywhere outside the state and didn’t know the first thing about either of those countries.

Nevertheless, the two speculated on the matter until security got there and hauled the interlopers out of the cage in handcuffs and tossed them into one of those holding pens on wheels they used when the animals needed to be moved to a new enclosure. Shut the doors and took them away, and that was the last anyone had heard of either one. Vince guessed the authorities would try to find out where they came from and send them back. But he heard later that they didn’t have any identification on them, and no one could figure out what language they were speaking. That last was especially puzzling. In this day and age, with people all over the world moving here and there at the drop of a hat, you would think they could find someone close by who could speak any language in existence.

But not in this case, apparently. So the pair had ended up in the hands of the Homeland Security people to determine if they might be terrorists. But if no one could understand them or figure out where they came from, what could Homeland Security do?

It was odd that the two men had appeared just like the crow with the red eyes. Exactly the same way: not there one day, there the next, and no explanation for how they got there. It was as if animal shelters and aviaries were some sort of transport devices, like in that TV show Star Trek. Beam me up, Scotty. Maybe the madmen and the bird had been beamed up from another planet.

Staring at the aviary now, in the aftermath of all the excitement, Vince shrugged his disinterest. What did it matter? If there were answers to be had, they weren’t going to be given to him. They were gone, all three of them, and they likely weren’t coming back. The crow with the red eyes especially. It wasn’t coming back for sure. Any fool who had watched it as he had could tell you that. Now that it was free, it was long gone. It wouldn’t be caught again, either. Not that bird.

He wondered where it would go. Somewhere far away, he hoped. He didn’t like that bird. He didn’t want to see it again. Better if it were someone else’s problem.

That bird was trouble waiting to happen.

ABOUT THE AUTHOR

TERRY BROOKS is the New York Times bestselling author of more than twenty-five books, including the Genesis of Shannara novels Armageddon’s Children, The Elves of Cintra, and The Gypsy Morph; The Sword of Shannara; the Voyage of the Jerle Shannara trilogy: Ilse Witch, Antrax, and Morgawr; the High Druid of Shannara trilogy: Jarka Ruus, Tanequil, and Straken; the nonfiction book Sometimes the Magic Works: Lessons from a Writing Life; and the novel based upon the screenplay and story by George Lucas, Star Wars ®: Episode I The Phantom Menace.™ His novels Running with the Demon and A Knight of the Word were selected by the Rocky Mountain News as two of the best science fiction/fantasy novels of the twentieth century. The author was a practicing attorney for many years but now writes full-time. He lives with his wife, Judine, in the Pacific Northwest.

www.shannara.com

Terrybrooks.net

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