'Not up yet.' She giggled.
I drove on down the hill through the quiet opulent streets with their faces washed by the rain, bore east to La Brea, then south. We reached the place she meant in about ten minutes.
'In there.' She leaned out of the window and pointed.
It was a narrow dirt road, not much more than a track, like the entrance to some foothill ranch. A wide five-barred gate was folded back against a stump and looked as if it hadn't been shut in years. The road was fringed with tall eucalyptus trees and deeply rutted. Trucks had used it. It was empty and sunny now, but not yet dusty. The rain had been too hard and too recent. I followed the ruts along and the noise of city traffic grew curiously and quickly faint, as if this were not in the city at all, but far away in a daydream land. Then the oil-stained, motionless walkingbeam of a squat wooden derrick stuck up over a branch. I could see the rusty old steel cable that connected this walking-beam with a half a dozen others. The beams didn't move, probably hadn't moved for a year. The wells were no longer pumping. There was a pile of rusted pipe, a loading platform that sagged at one end, half a dozen empty oil drums lying in a ragged pile. There was the stagnant, oil-scummed water of an old sump iridescent in the sunlight.
'Are they going to make a park of all this?' I asked.
She dipped her chin down and gleamed at me.
'It's about time. The smell of that sump would poison a herd of goats. This the place you had in mind?'
'Uh-huh. Like it?'
'It's beautiful.' I pulled up beside the loading platform. We got out. I listened. The hum of the traffic was a distant web of sound, like the buzzing of bees. The place was as lonely as a churchyard. Even after the rain the tall eucalyptus trees still looked dusty. They always look dusty. A branch broken off by the wind had fallen over the edge of the sump and the flat leathery leaves dangled in the water.
I walked around the sump and looked into the pumphouse. There was some junk in it, nothing that looked like recent activity. Outside a big wooden bull wheel was tilted against the wall. It looked like a good place all right.
I went back to the car. The girl stood beside it preening her hair and holding it out in the sun. 'Gimme,' she said, and held her hand out.
I took the gun out and put it in her palm. I bent down and picked up a rusty can.
'Take it easy now,' I said. 'It's loaded in all five. I'll go over and set this can in that square opening in the middle of that big wooden wheel. See?' I pointed. She ducked her head, delighted. 'That's about thirty feet. Don't start shooting until I get back beside you. Okey?'
'Okey,' she giggled.
I went back around the sump and set the can up in the middle of the bull wheel. It made a swell target. If she missed the can, which she was certain to do, she would probably hit the wheel. That would stop a small slug completely. However, she wasn't going to hit even that.
I went back towards her around the sump. When I was about ten feet from her, at the edge of the sump, she showed me all her sharp little teeth and brought the gun up and started to hiss.
I stopped dead, the sump water stagnant and stinking at my back.
'Stand there, you son of a bitch,' she said.
The gun pointed at my chest. Her hand seemed to be quite steady. The hissing sound grew louder and her face had the scraped bone look. Aged, deteriorated, become animal, and not a nice animal.
I laughed at her. I started to walk towards her. I saw her small finger tighten on the trigger and grow white at the tip. I was about six feet away from her when she started to shoot.
The sound of the gun made a sharp slap, without body, a brittle crack in the sunlight. I didn't see any smoke. I stopped again and grinned at her.
She fired twice more, very quickly. I don't think any of the shots would have missed. There were five in the little gun. She had fired four. I rushed her.
I didn't want the last one in my face, so I swerved to one side. She gave it to me quite carefully, not worried at all. I think I felt the hot breath of the powder blast a little.
I straightened up. 'My, but you're cute,' I said.
Her hand holding the empty gun began to shake violently. The gun fell out of it. Her mouth began to shake. Her whole face went to pieces. Then her head screwed up towards her left ear and froth showed on her lips. Her breath made a whining sound. She swayed.
I caught her as she fell. She was already unconscious. I pried her teeth open with both hands and stuffed a wadded handkerchief in between them. It took all my strength to do it. I lifted her up and got her into the car, then went back for the gun and dropped it into my pocket. I climbed in under the wheel, backed the car and drove back the way we had come along the rutted road, out of the gateway, back up the hill and so home.
Carmen lay crumpled in the corner of the car, without motion. I was halfway up the drive to the house before she stirred. Then her eyes suddenly opened wide and wild. She sat up.
'What happened?' she gasped.
'Nothing. Why?'
'Oh, yes it did,' she giggled. 'I wet myself.'
'They always do,' I said.
She looked at me with a sudden sick speculation and began to moan.
32
The gentle-eyed, horse-faced maid let me in the long gray and white upstairs sitting room with the ivory drapes tumbled extravagantly on the floor and the white carpet from wall to wall. A screen star's boudoir, a place of charm and seduction, artificial as a wooden leg. It was empty at the moment. The door closed behind me with the unnatural softness of a hospital door. A breakfast table on wheels stood by the chaise-longue. Its silver glittered. There were cigarette ashes in the coffee cup. I sat down and waited.
It seemed a long time before the door opened again and Vivian came in. She was in oyster-white lounging pajamas trimmed with white fur, cut as flowingly as a summer sea frothing on the beach of some small and exclusive island.
She went past me in long smooth strides and sat down on the edge of the chaise-longue. There was a cigarette in her lips, at the corner of her mouth. Her nails today were copper red from quick to tip, without half moons.
'So you're just a brute after all,' she said quietly, staring at me. 'An utter callous brute. You killed a man last night. Never mind how I heard it. I heard it. And now you have to come out here and frighten my kid sister into a fit.'
I didn't say a word. She began to fidget. She moved over to a slipper chair and put her head back against a white cushion that lay along the back of the chair against the wall. She blew pale gray smoke upwards and watched it float towards the ceiling and come apart in wisps that were for a little while distinguishable from the air and then melted and were nothing. Then very slowly she lowered her eyes and gave me a cool, hard glance.
'I don't understand you,' she said. 'I'm thankful as hell one of us kept his head the night before last. It's bad enough to have a bootlegger in my past. Why don't you for Christ's sake say something?'
'How is she?'
'Oh, she's all right, I suppose. Fast asleep. She always goes to sleep. What did you do to her?'
'Not a thing. I came out of the house after seeing your father and she was out in front. She had been throwing darts at a target on a tree. I went down to speak to her because I had something that belonged to her. A little revolver Owen Taylor gave her once. She took it over to Brody's place the other evening, the evening he was killed. I had to take it away from her there. I didn't mention it, so perhaps you didn't know it.'
The black Sternwood eyes got large and empty. It was her turn not to say anything.
'She was pleased to get her little gun back and she wanted me to teach her how to shoot and she wanted to show me the old oil wells down the hill where your family made some of its money. So we went down there and
