The Silent World Of Nicholas Quinn

The dull eyes stared at Morse in anxious bewilderment. 'You must be joking.'

'Of course I am, sir.' He leaned across and opened the Lancia's nearside door, and Donald Martin sullenly eased his long body into the passenger seat.

The traffic was heavy as they drove up the narrow street, and Morse decided to turn right and cut straight across to Woodstock Road. As he stopped at yet another Pelican crossing, he realized just how close the Syndicate building was to Studio 2. And as the lights turned to flashing amber, he held the car on half-clutch as a late pedestrian galloped his way across: a bearded young man. He was in too much of a rush to recognize Morse; but Morse recognized him, and the last words that Monica had spoken re-echoed in his mind. In his rear mirror he could see that the man was walking briskly down the right-hand side of Woodstock Road towards the Radcliffe Infirmary, and he swung the Lancia sharp left at the next turning, furiously cursing the crawling stream of cars. He parked on the double yellow lines at the back of the Radcliffe, told Martin to stay where he was, and ran like a crippled stag to the accident ward. She was still there: still sitting up prettily amid the pillows as he peeped behind the screens. Phew! He rang up HQ from the Sister's office, told Dickson he was to get there immediately, and stood there breathing heavily.

'You all right, Inspector?'

'Just about, thank you, Sister. But listen. I don't want anyone to talk to Miss Height or to get anywhere near her. All right? And if anyone does try to visit her, I want to know who it is. One of my men will be here in ten minutes.'

He paced impatiently up and down the corridor waiting for Dickson's arrival. Like Pilgrim he seemed to be making but sluggish progress — up the hill of difficulty and down into the slough of despond. But there was no sign whatsoever of Richard Bartlett. Perhaps Morse was imagining things.

CHAPTER TWENTY-ONE

THREE-QUARTERS OF an hour later, with the office clock showing half past two, Morse's irritation with the young philanderer was mounting towards open animosity. What a flabby character Donald Martin was! He admitted most things, albeit with some reluctance. His relationship with Monica had sputtered into sporadic passion, followed by the usual remorse and the futile promises that the affair had got to finish. Certainly it was he who had always tried to force the pace; yet when they were actually making love together (Morse drew the blinds across his imagination) he knew that she was glad. She could surrender herself so completely to physical love; it was wonderful, and he had known nothing like it before. But when the passion was spent, she would always retreat into indifference — callousness, almost. Never had she made any pretence about her reasons for letting him take her: it was purely physical. Never had she spoken of love, or even of deep affection. . His wife (he was sure of it) had no suspicions of his unfaithfulness, although she must have sensed (of course she must!) that the careless rapture of their early married days had gone — perhaps for ever.

How despicable the man was! His dark, lank hair, his horn-rimmed glasses, his long, almost effeminate fingers. Ugh! Nor was Morse's dark displeasure dissipated as Martin repeated what he had already told Lewis about his whereabouts the previous evening. He'd been lucky to find a parking space in the Broad, and he'd gone to the King's Arms first, where he thought the barmaid would probably remember him. Then to the White Horse, where he didn't know anyone. Another pint. Then down to the Turl Bar. Another pint. No he didn't often go out for a binge: very rarely in fact. But the last few days had been a nightmarish time. He'd found he couldn't sleep at all well, and beer had helped a bit; it usually did. But why did Morse keep on and on at him about it? He'd gone nowhere near Ogleby's! Why should he? What, for heaven's sake, could he have had to do with Ogleby's murder? He'd not even known him very well. He doubted if anybody in the office knew him very well.

Morse said nothing to enlighten him. 'Let's come back to last Friday afternoon.'

'Not again, surely! I've told you what happened. All right, I lied for a start, but—'

'You're lying now! And if you're not carefuf you'll be down in the cells until you do tell me the truth.'

'But I'm not lying.' He shook his head miserably. 'Why can't you believe me?'

'Why did you say you spent the afternoon at Miss Height's house?'

'I don't know, really. Monica thought. ' His voice trailed off.

'Yes. She's told me.'

'Has she?' His eyes seemed suddenly relieved.

'Yes,' lied Morse. 'But if you don't want to tell me yourself, we can always wait, sir. I'm in no great rush myself.'

Martin looked down at the carpet. 'I don't know why she didn't want to say we'd been to the pictures. I don't — honestly! But I didn't think it mattered all that much, so I agreed to what she said.'

'It's a bit odd to say you'd been to bed when all you'd done was sit together in the cinema!'

Martin seemed to recognize the obvious truth of the assertion, and he nodded. 'But it's the truth, Inspector. It's the honest truth! We stayed in the cinema till about a quarter to four. You've got to believe that! I had nothing at all — nothing! — to do with Nick's death. Nor did Monica. We were together—all the afternoon.'

'Tell me something about the film.'

So Martin told him, and Morse knew that he could hardly be fabricating such entirely gratuitous obscenities. Martin had seen the film; seen it sometime, anyway. Not necessarily that Friday, not necessarily with Monica, but. .

Martin was convincing him, he knew that. Assume he was there that Friday afternoon. With Monica? Yes, assume that too. Sit them down there on the back row of the rear lounge, Morse. Martin had been waiting for her, and she'd come in. Yes, keep going! She'd come in and. . and they had stayed after all! Who, if anyone, had they seen? No. Go back a bit. Who had Martin seen going in? No. Who had Monica seen? Going in? Or. .? Yes.Yes!

Think of it the other way for a minute. Ogleby had gone into the cinema at about quarter to five, say. But he must have known all about Quinn's ticket, mustn't he? In fact he must have seen it. When? Where? Why had he made a careful freehand drawing of that ticket? Ogleby must have known, or at least suspected, that the ticket was vitally important. All right. Agree that Monica and Martin had seen the film together. But had Quinn gone? Or had someone just wished to make everyone else think that he'd gone? Who? Who knew of the ticket? Who had drawn it? Where had he