‘Yes?’
‘I couldn’t help overhearing your telephone call just now. I believe you wish to speak to me. I am Aurelio Zen.’
The man’s impatience turned first to perplexity and then embarrassment.
‘Ah, dottore, it was you, sitting there at the table? And there I was, talking about you like that! Whatever must you have thought?’
His voice drifted away. He seemed to be rapidly searching his memory, trying to recall what exactly he had said. Then with an apologetic gesture he went on, ‘I am getting old, dottore! Old and indiscreet. Well, what’s done is done. Forgive me, I haven’t even introduced myself. Antonio Crepi. How do you do. Welcome to Perugia! Will you allow me to offer you a coffee?’
They returned to the cafe, where Crepi hailed the barman familiarly.
‘Marco, this is Commissioner Zen, a friend of mine. Any time he comes in I want you to give him good service, you understand? No, nothing for me. You know, dottore, they say we must be careful not to drink too much coffee. I’m down to six cups a day, which is my limit. It’s like a bridge, you know. You can reduce the number of supports up to a certain point, depending on the type of construction, nature of the soil and so on. After that the bridge collapses. For me the lower limit is six coffees. Fewer than that and I can’t function. Anyway, how do you like Perugia? Beautiful, eh?’
‘Well, I’ve only just…’
‘It’s a city on a human scale, not too big, not too small. Whenever I go to Rome, which nowadays is almost never, I feel like I am choking. It’s like putting on a collar that’s too tight, you know what I mean? Here one can breathe, at least. A friend of mine once told me, “Frankly, Antonio, the moment I set foot outside the city walls I just don’t feel right.” That’s the way we are! Provincial and proud of it. But listen, dottore, I want to be able to talk to you properly, not standing in some bar. Can you come to dinner this evening?’
Zen avoided a reply by taking a sip of coffee. He still hadn’t the faintest idea who he was talking to!
‘I’m sure this is very different from the way you do things in Rome,’ Antonio Crepi went on. ‘Maybe you even think it’s a bit strange, but I don’t care! The only thing that interests me is getting Ruggiero released. The only thing! Do you understand? It is wonderful that you’re here, your arrival gives us all new heart. Come to dinner! Valesio will be there too, the lawyer who’s been handling the negotiations. Talk informally, off the record. Say what you like, ask any question you like. Be as indiscreet as I am, if you can! No one will mind, and when you start work tomorrow morning you’ll know as much about the case as anyone in Perugia. What do you say?’
This time there was no way out.
‘I’ll be delighted.’
Crepi looked pleased.
‘Thank you, dottore. Thank you. I’m glad you understand. We Umbrians are just simple, forthright country folk. Rome is another world. If at first you find us a bit rough, a bit blunt, that’s just our way. After a while you’ll get used to it. We lack polish, it’s true, but the wood beneath is sound and solid. But you’re not from Rome, surely? Excuse me asking.’
‘I’m from the North.’
‘I thought so. Milan?’
‘Venice.’
‘Ah. A beautiful city. But Perugia is beautiful too! I’ll send someone to collect you at about eight. No, I insist. It’s easier than trying to give directions. You need to have been born here! Until this evening, then.’
As Zen walked back to his hotel he noticed several people staring at him curiously, but it was not until he caught sight of his reflection in a shop window that he realized that he was wearing one of those annoying little Mona Lisa smiles which makes everyone wonder why you’re so pleased with yourself. It was just as well that no one knew him well enough to ask, for he had no idea what he would have replied.
Whatever the reason might have been, by eight o’clock the smile had definitely faded.
Zen had spent the afternoon and early evening reading the background material he had been given on the Miletti case. Like most police drivers, Luigi Palottino clearly considered himself a Formula One contender manque, and the relentless high speeds and a succession of near misses had brought on a mild attack of the car sickness from which Zen often suffered, so that he just hadn’t been able to face the pile of documents Enrico Mancini had sent round with the Alfetta. Not that he needed them, of course, to know who Ruggiero Miletti was. To any Italian of his generation the name was practically synonymous with the word gramophone. Ruggiero’s father, Franco, had started the business, first repairing and later constructing the new-fangled machines in a spare room at the back of the family’s furniture shop on Corso Vanucci, the main street of Perugia. That was in 1910. Ruggiero had been born the previous year. By the time he left school Miletti Phonographs had become a flourishing concern which had outgrown the original premises and moved to a site convenient to the railway line down in the valley.
Although by no means cheap, the Miletti instruments had enjoyed from the first the reputation of being well made, durable, and technically advanced, ‘combining the ancient traditions of Umbrian craftsmanship with an irresistible surge towards the Future’, as the advertisements put it. Franco had a flair for publicity, and before long such notables as D’Annunzio, Bartali the cycle ace and the composer Respighi had consented to be photographed with a Miletti machine. Franco’s greatest coup came when he persuaded the Duce himself to issue a typically bombastic endorsement: ‘I declare and pronounce that your phonographs are truly superior instruments and represent a triumph of Fascist civilization.’ Meanwhile the radio age had arrived, and the Miletti company were soon producing the massive sets which formed the centrepiece of every wealthy family’s sitting-room, around which friends and hangers-on would congregate on Sunday afternoons to listen to the programme called ‘The Four Musketeers’, which eventually became so popular that the football authorities had to delay matches until it was over.
The family’s good fortune continued. Although Ruggiero’s elder brother Marco was killed in Greece, the Milettis had a relatively easy war. Having sacrificed one son, it was easy for Franco to persuade influential friends that Ruggiero’s brains were too valuable a commodity to be put at risk, and hostilities ended with them and the Miletti workshops intact. Both were quickly put to work. The post-war economic boom, artificially fuelled by the Americans to prevent Italy falling to the Communists, provided ideal conditions for rapid growth, while Ruggiero soon proved that he combined his father’s technical genius with even greater ambition and vision. In the next decade the company steadily expanded and diversified, though often in the teeth of considerable opposition from Franco Miletti. When his father died in 1959, Ruggiero found himself at the head of one of the most successful business concerns in the country, producing hi-fi equipment, radios, televisions and tape recorders, exporting to every other country in Europe as well as to many in South America, and often cited as a glowing example of the nation’s economic resurgence. In 1967 the firm became the Societa Industriale Miletti di Perugia, or SIMP for short, but this fashionably ugly acronym changed nothing. The Miletti family, which in practice meant Ruggiero himself, remained in absolute and sole control.
The kidnap itself was described in a few pages of material copied over the teleprinter from Perugia. The contents proved to be highly predictable, but at least Zen discovered who Antonio Crepi was: the retired director of a construction company with whom Ruggiero Miletti was in the habit of spending Sunday evening playing cards. One week Crepi would motor over to the Miletti villa, the next Ruggiero would drive down to his friend’s place, overlooking the Tiber valley. On the last Sunday in October, four and a half months earlier, it had been Ruggiero’s turn to visit Crepi. He had left home as usual at eight o’clock and arrived at Crepi’s twenty minutes later. The two had played cards and chatted until about a quarter past eleven, when Ruggiero left to drive home. He had never arrived.
The alarm had been given by Silvio, one of Ruggiero’s three sons. It was rare for Ruggiero not to be back by midnight, and since there was a hard frost Silvio began to worry that his father might have had an accident. He therefore phoned Crepi, who had already gone to bed, and learned that Ruggiero had set out on his return journey an hour earlier. But, as so often, no one thought of a kidnapping. Daniele, the youngest son, arrived home while his brother was speaking to Crepi, and instead of alerting the police the two decided to search the road themselves. When they arrived at Crepi’s villa without having found any trace of Ruggiero the police were finally informed. It was twelve thirty-seven.
Perugia is blessed with a crime rate among the lowest in Italy, and at that hour only a skeleton staff was on duty at the Questura. It took another quarter of an hour to call out the men on standby, and it was twenty past one before a complete set of roadblocks had been set up. Meanwhile the route Miletti had taken was thoroughly
