Patty and Len looked at each other, and then he tucked his bottom lip under and nodded.
“They’re going to foreclose.”
Patty’s stomach clenched. She would not sit down in front of this man. She would not cry. “What can we do?”
“Patty, the only way to fix this is money. Now. If you want to keep this place. I’m talking borrow, beg, or steal. I’m saying time is over for pride. So: How badly do you want this farm?” The mattress springs bounced harder. The eggs in Patty’s belly turned. Len kept smiling.
Libby DayNOW
After my mother’s head was blown off, her body axed nearly in two, people in Kinnakee wondered whether she’d been a whore. At first they wondered, then they assumed, then it became a loose jingle of fact. Cars had been seen at the house at strange times of night, people said. She looked at men the way a whore would. In these situations, Vern Evelee always remarked that she should have sold her planter in ’83, as if that was proof she was prostituting herself.
Blame the victim, naturally. But the rumors turned so substantial: everyone had a friend who had a cousin who had another friend who’d fucked my mom. Everyone had some bit of proof: they told of a mole on the inside of her thigh, a scar on her right buttock. I don’t think the stories can be true, but like so much from my childhood, I can’t be sure. How much do you remember from when you were seven? Photos of my mother don’t reveal a wanton woman. As a teenage girl, hair shooting from her ponytail like fireworks, she was the definition of nice looking, the kind of person who reminds you of a neighbor or an old babysitter you always liked. By her twenties, with one or two or four kids clambering up her, the smile was bigger, but hassled, and she was always leaning away from one of us. I picture her as constantly under siege by her children. The sheer weight of us. By her thirties there weren’t many photos of her at all. In the few that exist, she’s smiling in an obedient fashion, one of those take-the-dang- photo smiles that will disappear with the camera flash. I haven’t looked at the photos in years. I used to paw at them obsessively, studying her clothes, her expression, whatever was in the background. Looking for clues: Whose hand is that on her shoulder? Where is she? What occasion is it? When I was still a teenager, I sealed them away, along with everything else.
Now I stood looking at the boxes as they slouched under my staircase, apologetic. I was gearing up to reacquaint myself with my family. I’d brought Michelle’s note to the Kill Club because I couldn’t bear to actually open those boxes, instead I’d reached into one cardboard corner where the tape was loose, and that’s the first thing I pulled out, a pathetic carnival game. If I was really going to take this on, if I was really going to think about the murders after all these careful years spent doing just the opposite, I needed to be able to look at basic household possessions without panicking: our old metal egg-beater that sounded like sleigh bells when you turned it fast enough, bent knives and forks that had been inside my family’s mouths, a coloring book or two with defined crayoned borders if it was Michelle’s, bored horizontal scrawls if it was mine. Look at them, let them just be objects.
Then decide what to sell.
To the Kill Creeps, the most desired items from the Day home are unavailable. The 10-gauge shotgun that killed my mom—her goose gun—is snug away in some evidence drawer, along with the axe from our toolshed. (That was another reason Ben got convicted: those weapons were from our house. Outside killers don’t arrive at a sleeping home with limp hands, just hoping to find convenient murder weapons.) Sometimes I tried to picture all that stuff—the axe, the gun, the bedsheets Michelle died on. Were all those bloody, smoky, sticky objects all together, conspiring in some big box? Had they been cleaned? If you opened the box, what would the smell be like? I remembered that close, rot-earth smell just hours after the murder—was it worse now, after so many years of decay?
I’d once been to Chicago, seen Lincoln’s death artifacts in a museum: thatches of his hair; bullet fragments; the skinny spindle bed he’d died on, the mattress still slouched in the middle like it knew to preserve his last imprint. I ended up running to the bathroom, pressing my face against the cold stall door to keep from swooning. What would the Day death house look like, if we reunited all its relics, and who would come to see it? How many bundles of my mother’s blood-stuck hair would be in the display cabinet? What happened to the walls, smeared with those hateful words, when our house was torn down? Could we gather a bouquet of frozen reeds where I’d crouched for so many hours? Or exhibit the end of my frostbitten finger? My three gone toes?
I turned away from the boxes—not up to the challenge—and sat down at a desk that served as my dining room table. The mail had brought me a package of random, crazy-person offerings from Barb Eichel. A videotape, circa 1984, titled
I removed the paperclip from the packet and put it in my paperclip cup in the kitchen (no one should ever buy paperclips, pens— any of those free-range office supplies). Then I popped the videotape into my very old VHS player. Click, whir, groan. Images of pentagrams and goat-men, of screaming rock bands and dead people flashed on the screen. A man with a beautiful, hairsprayed mullet was walking along a graffiti’d wall, explaining that “This video will help you identify Satanists and even watch for signs that those you love most may be flirting with this very real danger.” He interviewed preachers, cops, and some “actual Satanists.” The two most powerful Satanists had tire-streak eyeliner and black robes and pentagrams around their necks, but they were sitting in their living room, on a cheap velveteen couch, and you could just see into the kitchen on the right, where a yellow refrigerator hummed on a cheery linoleum floor. I could picture them after the interview, rummaging through the fridge for tuna salad and a Coke, their capes getting in the way. I turned off the video right about when the host was warning parents to scour their children’s rooms for He-Man action figures and Ouija boards.
The clippings were just as useless, and I had no idea what Barb wanted me to do with the photos of her. I sat defeated. And lazy. I could have gone to the library to look things up properly. I could have set myself up with home Internet access three years ago, when I said I would. Neither seemed like an option right now—I was easily wearied—so I phoned Lyle. He picked up on the first ring.
“Heeyyyy, Libby,” he said. “I was going to call you. I really wanted to apologize for last week. You must have felt ganged-up on, and that wasn’t what was supposed to happen.” Nice speech.
“Yeah, it really sucked.”
“I guess I didn’t realize that all of us had our own theories, uh, but none of them included Ben being guilty. I didn’t think it through. And I didn’t realize. I didn’t take into account. Just. You know, this is real to you. I mean, I
