'I'm fine.'
'You're not.' She was eyeing me as if for the first time in serious puzzlement. 'You're a wreck and going downhill like a pining child.' That was a real laugh. At my age.
'It's just I'm used to one way of doing things—'
'Wait here,' she said suddenly. 'Learn the past perfect of essere. I'll not be a minute.'
I shrugged. She hared off, obviously in the grip of some vital decision, while I wheedled a ton of cake from one of the tea-women and sat noshing it while admiring the clip-handled jug. You can still get these little polychrome beauties for a song—almost. And when you think they are always older than two whole centuries, made with love and elegance by potters with all the gifts of God in their gnarled fingers, and less than a day's average wage… I had tears in my eyes when finally Maria returned and jerked me back to reality.
She was dressed to go out. 'Get your coat, Lovejoy.'
'I've got none.'
'Sorry. I meant get ready.'
'I'm always ready. Where are we going?'
'Round the art galleries, antique shops and ruins of this fair town. Folk Museum.
Minories.'
My eyes misted and I reached for her, ignoring the delighted gaze of the canteen women. 'Darling,' I said. She was seeing things my way at last.
'Yes, darling,' she murmured, misty too. 'There's only one thing, Lovejoy.'
'Eh?' I drew back full of apprehension.
'Everything in Italian, please. You know the rules.'
Breathlessly but angrily I raced upstairs for my dictionary and the grammar, thinking of that sly bitch falling about laughing down in the porch. As I hurried I raged at myself, I'll kill her one of these days, just see if I don't.
I wish I hadn't thought that terrible thought now, but you can't look into the future, can you? And honest to God none of this was my fault. None of it.
* * *
That day was sheer torture. There was I, frantically trying to tell Maria about the engravings on the Jacobite drinking glasses in the town museum, and of the really serious need for ultraviolet light to distinguish between the fluorescence that demonstrates a glass's origin, and there she was nodding encouragement as I ballsed up my declensions time and again. At the finish we both knew it was hopeless. I was the only known language learner with zero vocabulary, which is some handicap. I lost half a ton in sweat that afternoon.
Maria dropped me off in the village at the end of a harrowing day. I had an idea she lived somewhere down on the estuary but didn't dare ask. During the somewhat uncontrolled journey out of town—the snow was still about with the roads pretty grim—
she hit on the idea of one particular item per day.
'It'll work, Lovejoy,' she asserted confidently. 'Pick a card.'
'Illuminated manuscripts,' I said. I've a real love for those.
She glanced at me, oddly amused. 'Fine. See you after midmorning break. We might as well go together in the car.'
That night I worked in a maniacal fever, slogging like a mad thing to scrape together enough language to tell the stupid woman about the purity and complexity of style in the mediaeval illuminator's work. Our town museum can only afford this one mediaeval Psalter, but there was so much to say. I was desperate to convert Maria's moronic mind from materialism to a proper appreciation of love in human skills. The trouble is, nothing shuts you up like having no words.
By dawn I was knackered, but capable of bleating a few short sentences about the most beautiful things on earth.
* * *
Five weeks later I had worn out my first pocket dictionary and I kept going in grammar only by the neat trick of nicking Hyacinth's text. I'm good at swapping flyleaves without trace so I could prove the book I'd pinched out of her satchel was mine. Anyhow, by then I was streets ahead of the rest. They were even leaving me out of the end-of-day tests. I out-smirked Hyacinth by miles, which served her right.
It was that day too that Maria came to me for the first time. We were speaking in her language all the time now. Admittedly, I had to pause every minute or so for a feverish fumble through the book, but basically it was all progress. I'd discovered the most curious thing: learn one word and use it, and before long it somehow grows into two.
Also, by then I wasn't hungry any more and had started filling out. Maria bought me a second-hand overcoat and my wages were already sparkling with bonus gelt. Likewise Tinker had prospered, the parasitic old devil. Maria and I had taken to using our pub hour for revision, and Tinker would bob up in the Cups to cadge enough for five pasties and get paralytic drunk. I didn't mind—though Maria presumably found him hard going—because when he's sloshed his mental radar works best and he starts to find antiques.
Just before everything closed one day Tinker found a small piece of pietra dura in Jeff Archer's shop in the antiques arcade. We shot over, me blathering halting explanations to Maria. Jeff's a pleasant bloke who lives with a young blind woman in Arlesford. He has the most phenomenal luck. I don't actually believe in luck, but there's a lot of it about.
'Wotcher, Lovejoy.' Jeff shoved a small gold box on the counter. Tinker took the quid I slipped him and faded like grinning mist, duty done. 'Genuine Florentine, seventeenth century.'
'Pietra dura.' The lovely pictorial stone was beautifully laid on the box lid. 'But Derbyshire, early
