They walked through the door and Giordan took in the details of what he’d only vaguely noted the first time through. This underground tunnel had been in Paris much longer than Moldavi had.
“How did you come to choose the catacombs as a place to live?” Giordan asked as they passed along the corridor. What he really meant was how had Moldavi taken over control of these underground tunnels where varlets and vagrants had lived for centuries. “I would have thought you’d prefer a château or some other mansion.”
The walls of this hallway were lined with neat rows of skulls, their empty eyes and toothy upper jaws an eerie and morbid decor. Above each row of skulls were lined several layers of large bones—femurs, he guessed by the size of them, with the joint ends facing out. They made for bumpy texture, and the hollows provided homes for spiders and other insects.
Giordan made no attempt to hide his surprise that a man as refined as Moldavi—at least in attire and his selection of food and drink—would choose to live in such base surroundings. But then again…this was a vampire who bled children to death and who imprisoned his sister for the pleasure of others. He tightened his jaw to control the rage. Perhaps he would kill the man now.
“It is a bit gauche, isn’t it?” his companion replied, brushing a hand lovingly over one of the skulls. “But I find it such an interesting topic of conversation. At the least,” he said with his faint lisp, “they are long dead and gone and we don’t have the rot and smell of the decomposing bodies in the…the place where they are moving all of them now…what is it called?”
“The Ossuary,” Giordan replied, having regained control of his temper. He noted that the skull-lined corridor had branched off into two different directions and that they’d taken the eastern route. “In the old stone quarries.”
He recognized that the tunnels they now traversed were old quarries as well, but that these bones must be the original ones from the fifteenth and sixteenth centuries. The placement of these bones decades ago were the inspiration for the disposal of the bodies from the overcrowded church cemeteries, the newest wave which had begun thirty years earlier from parishes like Holy Innocents.
Giordan had traversed many of these underground tunnels even before he was turned Dracule, and now he was redrawing a map in his head. Combining his memory of the network and the actual route they took, he was attempting to connect the two areas. That would come in handy if—
They came to another door at a T-intersection of the corridor. When they passed through the entrance into a hallway that looked exactly like one in his own home, Giordan realized that Moldavi must simply use the skull-lined quarry as a conduit between his torture chamber and his real living space.
This suspicion was confirmed as they strode through, chatting amiably about a variety of things, and Giordan smelled Narcise, among other aromas. She obviously spent much time here, as did Moldavi and others.
That was an optimistic sign. If she were kept here, in this furnished, plastered and painted area, Giordan would have a much better chance of freeing her from it. And perhaps not quite as many nightmares about her cloistered in the torture chamber.
“Please, sit,” Moldavi offered as a steward opened a tall, white door at the end of a gently ascending hallway. Inside there were many comfortable chairs and a roaring fireplace. “I hope you do not mind,” his host said, gesturing to the flames. “But I tend to easily take a chill and I prefer a blaze in every chamber.”
“I find it rather chill and damp beneath the ground, so I welcome the heat,” Giordan told him.
Glasses clinked and Moldavi offered him a small ornate vessel shaped like an upside-down bell. They talked for some time about the spice ship, and all the while Giordan kept his ears and nose attuned for the presence of Narcise.
But it was when Moldavi, after a long moment of silence, said, “I find that I will need to be absent from Paris for a week or more to attend to a business interest in Marseilles,” that Giordan’s body came to full awareness.
Something prickled over the back of his shoulders and he sipped the very fine sparkling wine that had come from Barcelona. “Do you travel by coach or horse?” he asked just to keep the conversation going, even as his mind worked madly. He kept his eyes heavily-lidded and his attention purposely jumping about the chamber. “I cannot help but admire your selection of artwork,” he said. “Perhaps you’ve noticed I am a patron of Monsieur David.”
“I did notice,” Moldavi replied. “He has given my sister painting lessons, and in fact, that is one of her works.” He gestured to a small square painting, surrounded by an ornate frame as wide as the image it embraced.
Giordan had already taken note of the dark, stark image of a city beneath the moonlight. The rows of buildings appeared like angry gray teeth thrusting up into a dark sky. Out of politeness, he looked again, and then, because he couldn’t appear too interested, he drew his attention away almost immediately.
“I see little resemblance between her work and that of David,” he commented, thinking of not only the lack of hue but also the subject matter. Monsieur David generally concentrated on portraits rather than landscapes, and even his stark portrait of the murder of his friend Marat wasn’t as angry and undulating as Narcise’s world.
Cezar gave a short laugh. “I certainly concur, but the painting keeps Narcise occupied.” He spoke as if she were some young girl who tended to be around underfoot.
Giordan had to raise the drink to keep from speaking his mind…and from lunging for the repugnant being next to him…and found that his fangs threatened to clink against the edge of the delicate glass. He drew in a slow breath and sipped, willing his teeth to resheath themselves, his eyes to keep from burning with an angry glow.
Aside of his surprise that the painting was Narcise’s, Giordan was also taken aback that Cezar obviously allowed his sister to interact with people—men—other than when she fought for her own body. Through general conversation with Moldavi and others of those who moved in their circles, he was aware that Narcise often helped her brother entertain, and of course, very occasionally accompanied him on social engagements. He also realized why Narcise had seemed to be so familiar with, and interested in, the David painting in his own parlor.
“No, indeed not,” Moldavi agreed. “But a thought has just occurred to me.”
Giordan raised an eyebrow in question and tried not to look back at that dark, hopeless painting.
“I must be gone for a week perhaps, as I mentioned. I have no desire to bring Narcise and the entire household with me. Perhaps since you both are so appreciative of Monsieur David—although for different reasons, I venture—perhaps you might be willing to see to Narcise in my absence?”
Giordan went cold for a moment but recovered immediately as he saw the trap.
Giordan had obviously made the right move in such a blatant denial of interest.
But whatever it was that Moldavi intended, Giordan had also learned one other thing: without a doubt, the man was exceedingly cunning.
He would have to be very careful in how he proceeded. To give a man like Cezar Moldavi any sort of knowledge was also to give him the greatest of power.
And to make a move in haste or desperation could be a fatal mistake.
Narcise woke suddenly, those words echoing in her mind. Remnants of dreams. As she stared into the soft candlelight, a bitter laugh formed in the back of her throat, startling her with its ferocity, and she pressed her lips together.
Her fingers shook as she skimmed them over her naked belly, then curled them between her breasts, where her heart beat roughly, and held her hand there. Oh, yes, she had a heart, and though it had become enclosed by stone, she still felt its soft core.
What had Cale meant by saying such things? Particularly the absurd
