yourself that you're still alive. And being alive feels pretty good.
My name's Markowski. I carry a badge.
Acknowledgments
Betsy Brown, that most unlikely descendant of Cotton and Increase Mather, helped me avoid a fundamental error concerning these august gentlemen.
John Carroll, who has been my friend since dinosaurs walked the Earth, was very helpful concerning the details of life in the Wyoming Valley, where I no longer live but Stan Markowski does.
Karen Case sustained my soul.
Jean Cavelos, Director of the Odyssey Writing Work shop and sole proprietor of Jean Cavelos Editoral Services, Inc, has the best mind for story development of anyone I've ever met. She was of immense help to me in plotting this novel.
My agent, the lovely and talented Miriam Kriss of the Irene Goodman Agency, did her usual fine job of contract negotiations.
Terry Bear's job was providing snack suggestions, a responsibility he fulfilled admirably, as always.
About the Author
Justin Gustainis was born in Northeast Pennsylvania in 1951. He attended college at the University of Scranton, a Jesuit university that figures prominently in several of his writings.
After earning both Bachelor's and Master's degrees, he was commissioned a Lieutenant in the US Army. Following military service, he held a variety of jobs, including speechwriter and professional bodyguard, before earning a PhD at Bowling Green State University in Ohio.
Mr Gustainis currently lives in Plattsburgh, New York. He is a Professor of Communication at Plattsburgh State University, where he earned the SUNY Chancellor's Award for Excellence in Teaching in 2002. His academic publications include the book American Rhetoric and the Vietnam War, published in 1993, and a number of scholarly articles that hardly anybody has ever read. His popular series of urban fantasy novels featuring investigator Quincey Morris include Evil Ways, Black Magic Woman and the forthcoming Sympathy for the Devil. www.justingustainis.com
Extras
An excerpt from Evil Dark – the next thrilling Occult Crimes Unit investigation.
The red circle, which was maybe ten feet across, looked like it had been carefully painted on the concrete floor. The five-pointed star inside it had also been done with care, probably by someone who understood the consequences of getting it wrong. It was easy to see the detail under those bright lights, which would have done credit to any movie set.
Inside the circle squatted two heavy wooden chairs. One of them was stained and splattered all along its legs and sides with a brown substance. When it was fresh, the brown stuff might have been red – blood red.
A man sat in each chair. There was nothing remarkable about them – apart from the fact that they were both naked and bound firmly to the chairs with manacles at hands and feet.
Not far from the chairs stood a cheap-looking table, its wood scarred and pitted. Someone had laid out a number of instruments there, including a small hammer, a corkscrew, a pair of needle-nose pliers, a blowtorch, and several different sizes of knives.
A man's voice could be heard chanting, in a language that had been old when Christianity was young. This had been going on for several minutes. The men in the chairs sometimes looked outside the circle in the direction of the chanting, other times at each other. The one with dark hair looked confused. The other man was blond and clearly the more intelligent of the two, because he looked terrified.
Then came the moment when the air in the middle of the pentagram seemed to shiver and ripple. The ripple grew, but never crossed the boundary of the circle. After a while, some thin white smoke began to issue from that shimmering column. Over the next minute, the color of the smoke went from white to gray, then from gray to black. The chanting continued throughout all of this.
The dark-haired man went suddenly rigid in his chair. He threw his head back as if in great pain, the muscles and tendons in his skin standing out all over his body. This lasted for several seconds. Then, all at once, the man seemed to relax. He looked around the room, and the circle, as if seeing them for the first time. His facial expression was one he hadn't displayed before. It combined cunning and hatred in roughly equal proportions.
The chanting stopped. Then the voice said a couple of words in that same obscure language. It spoke sharply, as if giving a command.
The shackles holding the dark-haired man to the chair sprung open, as if by their own accord, and fell clattering to the floor.
The dark-haired man stood slowly, facing in the direction the voice had come from. He spoke in what sounded like the same language, his voice harsh and guttural. No human voice should sound like that. The voice from outside the circle replied, using the same commanding tone as before. The dark-haired man bowed his head briefly, as if acknowledging the other's authority.
Then he walked slowly to the table and surveyed the instruments that had been lined up like a macabre smorgasbord. He turned and looked at the blond man, a terrible smile growing on his thin face. Then the dark- haired man picked up from the table the pair of pliers and the blowtorch. After taking a moment to make sure that the blowtorch was wrking, he walked over to the chair where the blond man sat chained, naked and helpless.
What happened next went from zero to unspeakable in a very few seconds. Soon afterward, it went beyond unspeakable, to a level of horror that there are no words to describe.
Twelve very long minutes later, the blond man gave one last, agonized scream and escaped into death. I sat there and watched him die.
• • • •
Then somebody must've pressed 'Stop,' because the screen went mercifully dark. A few seconds later, the lights came on.
The nine people in the room sat in stunned silence, blinking in the sudden brightness. Then everybody started talking at once.
There had been eleven people in the room when the DVD started. But there'd been enough residual glow from the big monitor for me to see two tough, experienced police officers quietly leave over the last few minutes, one with a hand clasped tightly over his mouth.
I was glad nobody would know how close I came to being number three out the door.
My partner Karl leaned toward me and said softly, 'Sweet Jesus Christ on a pogo stick. And people say vampires are inhuman.'
'Well, strictly speaking, you are,' I told him, just to be saying something.
'You know what I mean, Stan.'
'Yeah, I do. And I'm not arguing with you, either.'
The two FBI agents walked to the front of the room and stood waiting for us to quiet down. They'd been introduced to us earlier, before the horror show started. Linda Thorwald was the senior agent, and she'd done most of the talking so far. She was of average height for a woman and slim, with the ice blue eyes you associate with Scandinavia. Her hair was jet black, and I wondered if she was a blonde who'd had it dyed to increase her chances of being taken seriously in the macho culture of the FBI. People have done stranger things, and for worse reasons.
Her partner was a guy named McCreery who had big shoulders, brown hair, and a wide mustache that probably had J. Edgar Hoover spinning in his grave. He moved like an athlete, and I thought he might be one of the many former college jocks who find their way into law enforcement once it sinks in that they're not quite good enough for the pros.
When the room was quiet, Thorwald said, 'I regret that I had to subject all of you to that revolting exhibition of sadism and murder. If it's any consolation, I've seen more than one veteran FBI agent lose his lunch either during or immediately after a showing of this… supernatural snuff film.'
Snuff films are an urban legend, probably started by the same kind of tight-ass public moralists who used to rant about comic books destroying the nation's moral fiber. But the myth made its way into popular culture, and stayed there. There's been plenty of counterfeit ones made over the years, with sleazeballs using special makeup effects to rip off the pervs who think torture and murder are fun. These days, you can see stuff like that at your local multiplex. It's all fake, but I still wouldn't want to know anybody who was a fan. If I'm going to hang out with
