finished his examinations as chuang yuan, the number one scholar in all China, and he proudly wore the emblem of the rose. In addition, he had a breast emblem of imperial axes and dragons: chien-kuan, the dreaded censor who is empowered to promote or decapitate on the spot. (Years ago he had been entitled to wear it.) His lacquered cap bore all nine buttons of rank, and he handed me his state umbrella. I put it together and raised it above the heads of the scholar and the handsome peacock.
“Arrogance, lads!” said Master Li. “Never forget that the flames of Hell exist for the privilege of brewing tea for noble Neo-Confucians like us.”
We took deep breaths and marched out into the cold gray landscape of Hell. Demon nostrils twitched in disgust at the aroma of living flesh, and fiery eyes turned toward us.
“Make a note of that fat fellow with the purple eyes and lumps of flesh hanging from his fangs! Ten lashes for slovenliness,” said Master Li, and Moon Boy scribbled in a ledger. “Look at these lines! Mired in molasses and not even straight! Isn't that the corpse of the fellow who called himself Duke of Chou? Since when does a pimp take a place in the aristocrats’ line? A good housecleaning is what this place needs, along with a few hundred decapitations.”
The fierce old fellow appeared to be the type of person one passes on to superiors, and fangs and talons hovered but did not strike. We marched rapidly toward the gates. Moon Boy had the natural assurance of beautiful people. He graciously inclined his head right and left as though acknowledging applause, and a faint frown indicated that the least the ogres could do was line his path with incense and flower petals. Meanwhile, I was discovering why so many of my humble class take pride in their servility and lash marks.
I held a state umbrella on high, which meant that I too was marching beneath the yellowish-black gauze cover, red raw silk linings, three tiers and silver spires that signified an official of the highest rank. I belonged. What is a great official without a peasant to lash? A sense of power passed from the handle to my hand, and I discovered that the most natural expression in the world was a lofty sneer. Slavery is a marvelous refuge from uncertainty.
The fiends who guarded the gates held up their claws: halt! “Look at those filthy nails! Twenty lashes!” Master Li screamed furiously, and he marched right between them. I clutched the umbrella for dear life, and the next thing I knew we were through the gates and inside the city. Master Li marched past the vast basilica of the God of Walls and Ditches toward the palace of the First Yama King, and as we approached the doors, I knew we were in trouble. None could pass without the permission of a very senior devil who had a black face, crimson eyes, steel fangs, iron wings, and a head covered with writhing vipers instead of hair. Puffs of smoke came from its ears and nostrils. I wondered if the knocking sound came from my knees or Moon Boy's, and decided we were playing a duet.
Master Li tapped his imperial censor's emblem and regarded the terrible creature with the scientific detachment of a butcher examining a chunk of meat. “Lord Li of Kao, emissary of the Son of Heaven, to see the Recorder of Past Existences. Immediately!” Master Li snapped.
The demon glared. Flames spurted from its mouth.
“Do I detect insolence?” Master Li said coldly. He plucked an emerald brooch from Moon Boy's tunic and tossed it into the river of molten iron that ran beside the walls of the palace. “It would be regrettable should I be forced to report that an insolent doorkeeper stole a valuable brooch and attempted to conceal the crime by swallowing it.” His cold eyes moved to the creature's belly. “Although it might be entertaining to watch your superiors recover the evidence,” he added.
Without another word he turned and marched straight toward the great steel doors. I hastened to catch up, and I was so blinded by sweat and terror that I didn't realize the doors had opened until my sandals began to slap across a marble floor.
Even Master Li had a thin line of perspiration on his forehead. Moon Boy alone seemed unperturbed. He continued to acknowledge imaginary applause, although he appeared to be slightly annoyed at the lack of welcoming trumpets, and I stiffened my spine and raised the state umbrella a bit higher. We walked down a long hallway to a large room where an army of clerks shuffled papers.
Hell is staffed by ordinary spirits as well as demons. (Demons aren't evil, incidentally. To be reborn as a servant of Hell is one of the incarnations of the Great Wheel, and blood lust is simply part of the process, like becoming a tiger.) The head clerk must surely have been a banker in his last incarnation. He had thin straight hair, thin straight eyebrows, thin straight eyes, thin straight nostrils, thin straight lips, thin straight shoulders, thin straight hands placed precisely parallel upon the desk, thin straight knees pressed primly together, and thin straight feet planted firmly on the floor. Moon Boy regarded him thoughtfully.
“Mine,” he said.
“You have him,” said Master Li. “We need to get into the Recorder's office.”
It was like one of those dances in opera that tell more than words are capable of. My cheeks burned as Moon Boy undulated gracefully toward the desk—I had never seen him do that before—and the clerk's eyes glazed. Moon Boy smiled. The clerk's eyes bulged, and beads of sweat appeared on his forehead. Moon Boy cooed soft words. The thin knees jerked beneath the desk. Moon Boy cooed some more. The thin hands twisted together and the thin feet pawed the floor. The poor fellow managed to say something, and Moon Boy's hand behind his back pointed a finger at one of the side doors. Master Li and I moved unobtrusively over to it. Moon Boy gestured and accidentally brushed the clerk's hand, and the clerk shot to his feet and wobbled shakily to the door and deferentially knocked and opened it.
We were through the door before the clerk knew what was happening, and Moon Boy rewarded him with a pat on the cheek before slamming the door in his face.
I expected another army of clerks, but the Recorder of Past Existences was seated alone at a huge desk almost buried beneath ledgers. The face that lifted to us reminded me of paintings of Heng-chiang, the Sniffing General. His eyebrows were vertical and his eyes bulged like a frog's and his nose was wrinkled as though he permanently sniffed something unpleasant. Master Li bowed as to a social equal, and Moon Boy's bow perfectly matched courtesy and condescension.
“Eh?” said the Recorder.
“Lord Li of Kao, emissary of the Son of Heaven, and the Son of Heaven is furious,” said Master Li.
“Eh?” said the Recorder.
“Such an unseemly intrusion would be intolerable were not serious matters involved, and what could be more serious than failure to adequately apply the Broth of Oblivion?” Master Li said gravely.
“Eh?” said the Recorder.
Master Li whirled around and glared at me. “Look at this witless and lice-ridden representative of the lower classes!” he said angrily. “By rights his knowledge should be limited to fields, fealty, and flatulence, yet he claims to recall every detail of a previous existence in which he was the great-greatgrandfather of this jewel of the current court!”
Moon Boy took his cue and bowed gracefully.
“Not only that, this drooling crotch-scratching clod insists he was tutor to the princes of the Sui Dynasty!” Master Li yelled. “He tells tales of Emperor Yang's debauches that would curl your hair, if you had any, and every time he opens his silly mouth, he substantiates his claim to have been Lord Tsing!”
(That gave me my cue. Tsing was the name of the dear old assistant abbot in the monastery near my village, who taught the village boys when they finished working in the fields. He was a sweet kindly fellow who suffered from terminal pedantry, and I used to amuse Master Li by imitating him.)
“Step forward, oaf!” I drooled and scratched my crotch and stepped forward. Master Li looked around and pointed to an ornate bronze bowl. “What decorative motif is that?” he snarled.
I tried to make my eyes film over, and my jaws creaked like unoiled hinges as they relentlessly spread apart.
“T'sao-t'ieh, or ‘glutton mask,’ is a distinctive motif of the Shang and early Chou dynasties,” I droned in a dull monotone. “It is an animal face seen from the front, sometimes recognizable and sometimes stylized to resemble a fabulous monster. It is flattened on a side surface or bent around a corner; in either case a flange is likely to split it into symmetrical halves, each having a protruding eyeball. From each side of the face, sometimes in proper proportion and sometimes not, extends a body in perfect symmetry with its opposite, as if the carcass had been cut through along the backbone and the two halves had been folded out like wing attachments to the head. The bodies have serpentine dragon-like qualities, coiling in spirals or geometric twists and turns, and are themselves covered
