If you enjoyed
DEATH WORE WHITE
by Jim Kelly
Introducing a police partnership as memorable as Morse and Lewis, as delightfully mismatched as Gene Hunt and Sam Tyler in
In the middle of a heavy snowstorm, eight cars stand on a lonely Norfolk coast road, as night draws in. A fallen pine tree stops them from going forward, the snowbound road prevents them going back.
Two hours later no car has moved – but one driver has met a violent end. Except no one has had the means or the opportunity to commit the murder, and there are no incriminating footprints in the snow.
For Detective Inspector Peter Shaw and Detective Sergeant Valentine it is an extremely puzzling case – made all the more disturbing by the distorted corpse that washed up on the beach only hours earlier. A man who appears to have died from a human bite mark on his arm…
1
The Alfa Romeo ran a lipstick-red smear across a sepia landscape. To one side snow flecked the sand and dunes at the edge of the crimped waters of The Wash, a convoy of six small boats caught in a stunning smudge of purple and gold where the sun was setting. To the landward side lay the salt marsh, a weave of winter white around stretches of dead black water.
The sports car nudged the speed limit and Sarah Baker-Sibley watched the first flake of snow fall on the windscreen in the middle of her field of vision. She swept it aside with a single swish of the windscreen wipers and punched the automatic lighter into the dashboard, her lips counting to ten, the cigarette held ready between dry teeth.
Ten seconds. She thrummed her fingers on the leather-bound steering wheel.
It was two minutes short of five o’clock and the Alfa’s headlights were waking up the cat’s eyes. She pulled the lighter free of the dashboard. The ringlet of heated wire seemed to lift her mood and she laughed, drawing in the nicotine enthusiastically.
She turned up the heating to maximum as a spiro-graph of ice began to encroach on the windscreen. The indicator showed the outside temperature at 0°C, then briefly -1°C. She dropped her speed to 50 mph, and checked the rear-view mirror for following traffic: she’d been overtaken once, the car was still ahead of her by half a mile, and there were lights behind, but closer, a hundred yards or less.
She drew savagely on the menthol cigarette, swishing more snowflakes off the windscreen. Attached to the passenger-side dashboard by a sucker was a little pink picture frame enclosing a snapshot of a girl with hair down to her waist, in a school uniform complete with beret. She touched the image, as if it was an icon, and smiled into the rear-view mirror; but when she saw the lipstick on the filter of the menthol cigarette, and the imprint of her thin dry lips, her eyes filled with tears.
Rounding a bend she saw rear lights ahead again for a few seconds. And a sign, luminous, regulation black on yellow, in the middle of the carriageway, an AA insignia in the top-left-hand corner.
DIVERSION
FLOOD
An arrow pointed bluntly to the left – seawards down a narrow unmetalled road.
‘Sod it.’ She hit the steering wheel with the heel of her palm, then brushed a tear from her eye. Ahead, the road ran straight for a mile but there was no traffic either way.