'Eddie and me did the old man a favor in here one day,' Jack said, reminding me and himself, and, in his way, reminding me to remind the old man too that when Jack Diamond did you a favor, you didn't turn your back on him. He turned suddenly to me, not at all relaxed now, but with that anxious face I saw as he was moving through the forest.

'Are you with me?'

'I could use the money,' I said. 'I usually lose at pinochle.'

* * *

I can recall now the quality of the light at that moment when I went to work for Jack. The sun was dappling his shoulders as he peered into the shadows of the empty stable with its random birdshit, with his faithful cat Pistol (Marion later had a poodle named Machine Gun), rubbing its sides against Jack's pants legs, his head against Jack's shoe, the sun also dappling the black and white of Pistol's tiger tom fur as it sent its electricity into Jack the way Jack sent his own vital current into others. I mentioned to Jack that he looked like a man remembering something a man doesn't want to remember and he said yes, that was a thousand percent, and he told me the two interlocking memories he was resisting.

One was of another summer day in 1927 when old man Van Wie came down the meadow past the apple tree, which was not dead then, and into the forest where Jack and Eddie Diamond were firing pistols at a target nailed to a dead, fallen tree, recreation therapy for Eddie, for whom the house, which would later be described as Jack's fortress, had been purchased: mountain retreat for tubercular brother.

The gunfire brought the old man, who might have guessed the occupation of his neighbors but not their identities; for Jack and Eddie were the Schaefer brothers back then, a pseudonym lifted from Jack's in-laws; and Jack was not yet as famous a face as he would be later in that same year when Lepke bullets would not quite kill him. The farmer did not speak until both Jack and Eddie had given him their full attention. He then said simply, 'There is a mad cat. Will you shoot it before it bites on my cow? It already bit on my wife.' Then the old man waited for a reply, staring past his flat nose and drooping mustache, which, like his hair, he had dyed black, giving him the comic look of a Keystone Kop; which was perhaps why Jack said to him, 'Why don't you call the troopers? Or the sheriff. Have them do it.'

'They'd be all week,' said the old man. 'Might be it's got the rabies.'

'How'll we find him?' Jack asked.

'l chased him with the pitchfork and he ran in the barn. I locked him in. '

'Is the cow in there?'

'No. Cow's out in the field.'

'Then he can't get at the cow. You got him trapped.'

'He might get out. That's a right old barn.'

Jack turned to Eddie, and they smiled at the prospect of making a mad cat hunt together, the way they had once hunted rats and woodchucks in the Philadelphia dumps. But Eddie could not walk all the way to the farmer's house, and so they went back and got Jack's car, and with old man Van Wie they drove to the barn which had not yet had its eyes gouged out or holes made in its roof. And with guns drawn and the farmer behind them with his pitchfork, they entered the barn.

'What's going to stop him from biting hell out of us?' Jack said.

'I expect you'll shoot him 'fore he gets a chance at that,' the old man said.

Jack saw the cat first, yellowish orange and brown and curled up on some hay, and quiet. It looked at them and didn't move, but then it opened its mouth and hissed without sound.

'That don't look like a mad cat to me,' Jack said.

'You didn't see it bite on my wife or leap on the lampshade and then try to run up the curtain. Maybe it's quiet 'cause I whacked it with the fork. Maybe I knocked it lame.'

'It looks like Sugarpuss,' Eddie said.

'I know,' Jack said. 'I'm not going to kill it.'

The mad cat looked at the men, orange and silent and no longer disturbed by their intrusion or fearful of their menace.

'You shoot it if you want,' Jack said.

'I don't want to shoot it,' Eddie said.

'Look out,' old man Van Wie said, pushing past the brothers and sticking his pitchfork through the cat, which squealed and wriggled and tried to leap off the fork. But it was impaled and the farmer held it out to the brothers, an offering.

'Now shoot it,' the old man said.

Jack kept his arm at his side, pistol down, watching the cat squeal and squirm upside down on the fork. Eddie put three bullets in its head, and the old man, saying only 'Obliged' and grabbing a shovel off a nail, carried the carcass out to the yard to bury what remained of madness. And Jack then was triggered into his second cat memory of eighteen years before, when he was twelve, when he said to Eddie that he wanted to furnish the warehouse and Eddie did not understand. The warehouse was enormous, longer than some city blocks, empty for as long as they had been, alive. It's was made of corrugated metal and wooden beams and had scores of windows that could be broken but not shattered. Jack discovered it, and with Eddie, they imagined its vast empty floor space full of automobiles and machinery and great crated mysteries. At one end an office looked down on the emptiness from second-story level. There was no staircase to it, but Jack found a way. He rigged a climbing rope, stolen from a livery stable, over a wooden crossbeam, the stairway's one remnant. He worked two hours to maneuver a loop upward that would secure the rope, then shinnied up. It was 1909 and his mother had been dead two months. His brother was eight and spent two days learning how to shinny up to the office. The brothers looked out the office windows at a fragment of Philadelphia's freight yards, at lines of empty boxcars, stacks of crossties, piles of telegraph poles covered with creosote. They watched trains arrive and then leave for places they knew only from the names painted on the cars-Baltimore and Ohio, New York Central, Susquehanna, Lackawanna, Erie, Delaware and Hudson, Boston and Albany-and they imagined themselves in these places, on these rivers. From the windows they saw a hobo open a freight-car door from inside, and they assumed he'd just awakened from a night's sleep. They saw him jump down and saw that a bull saw, too, and was chasing him. The hobo had only one shoe, the other foot wrapped in newspaper and tied with string. The bull outran him and beat him with a club, and when the hobo went down, he stayed down. The bull left him where he fell.

'The bastard,' Jack said. 'He'd do the same to us.'

But the Diamond brothers always outran the bulls. Out scrambled them beneath the cars.

Jack brought a chair to the office and a jug of water with a cork in it, candles, matches, a slingshot with a supply of stones, half a dozen pulp novels of the wild West, a cushion, and, when he could steal it from his father's jug, some dago red. He kept the hobo's hat, which was worn through at the crown from being fingered and had spots of blood on the brim. Jack took it off the hobo after he and Eddie went down to help him and found he was dead. The hobo was a young man, which shocked the brothers. Jack hung the hat on a nail in the office and let no one wear it. The brothers were asleep in the office the day the orange cat came in. It had climbed one of the wooden pillars and found its way along a crossbeam. A dog was after it, barking at the foot of the pillar. Jack gave it water in the candle dish, petted it, and called it Sugarpuss. The dog kept barking and Jack fired stones at it with his slingshot. When it wouldn't leave, Jack shinnied down, clubbed it with a two-by-four, cut its throat, and threw it out by the crossties.

Sugarpuss remained the mascot of the brothers and the select group of friends they allowed up the rope. It lived in the warehouse, and all the gang brought it food. During the winter Jack found Sugarpuss outside, frozen in the ice, its head almost eaten off where another animal had gotten it. He insisted it be given a decent burial and immediately got another cat to replace it. But the second cat ran away, an early lesson in subtraction for Jack.

* * *

We came out of the woods onto the highway and walked back toward Jack's house. A car passed us, and a middle-aged man and woman waved and tooted at Jack, who explained they were neighbors and that he'd had an ambulance take their kid to Albany Hospital, some thirty miles away, about six months back when the local

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